. He is also good at seal cutting and painting. Tai Jingnong's calligraphy is remarkable. When he was a child, he had to accept the training of the imperial court and painstakingly write ancient posts. Later, he "liked new knowledge and regarded calligraphy as a plaything" and once dropped out of school. "Anti-Japanese War and Army Building, Avoiding Land and Entering Shu" belongs to the old monument. Under the guidance of Mr. Shen, he obtained calligraphy cheats in places like Zhang Daqian, with different realms and new styles. Later, "time is getting more and more tired, but it is also thin and sensible." For a time, seeking words is not as good as seeking scholars. There is a collection of Tai Jingnong's calligraphy. Arrested three times. Before the outbreak of the Anti-Japanese War, he taught at Fu Jen Catholic University in Beijing, Shandong University and Xiamen University. During the Anti-Japanese War, he went to Sichuan, worked in the Compilation Hall of Baisha County, taught at Baisha Women's Teachers College, and served as the head of the Chinese Department. He once wrote the novel "The Great Times Short Story". In art, Tai Jingnong's novel "Learning from Lu Xun" has already been mentioned before. Its style is gloomy and cold, and its technique is simple and sophisticated, which brilliantly describes the environmental atmosphere of rural society at that time. Therefore, Mr. Yang Yi thinks: "If a group of excellent essayists carried forward the' Lu Xun style' in their essays in the 1930s, then in the 1920s, Tai Jingnong inherited the' Lu Xun style' in his novels. He mainly inherited the' tearful smile' of Nikolai Nikolai Gogol in Lu Xun's novel style, but also had the coldness of antlers "(History of Modern Novels in China).
1927, when Sven Hedin, a Swedish explorer, visited China, he agreed with Liu Bannong to nominate Lu Xun as a candidate for the Nobel Prize, and Liu Bannong Totai Jingnong wrote to ask Lu Xun's opinion. Lu Xun replied in a letter to Tai Jingnong: "Liang Qichao naturally doesn't deserve the Nobel Prize, and neither do I.. To get this money, I still need to work hard ... I don't think anyone in China can win the Nobel Prize. Sweden had better ignore us and not give it to anyone. If people with yellow skin are given special treatment and lenient treatment, it will be enough to increase the vanity of China people and think that they can really compete with other great writers, and the result will be very bad. " This may be the first time that a China writer has won the Nobel Prize. Here, Lu Xun's attitude and views on China people winning the Nobel Prize are worthy of reflection by many writers (or economists). A writer, or a scientist, if he doesn't have lonely and hard work and indifferent cultivation of fame and fortune, can he win the Nobel Prize only by relying on media hype? Thirdly, Tai Jingnong, a famous calligrapher in Taiwan Province Province, practiced calligraphy under the influence of his father since childhood and liked collecting.
The official scripts learned in the early years are Huashan Monument and Deng, and the running scripts are Yan's "Magu Xiantan Ji" and "Contending for Seats". When Tai Jingnong was studying in Beijing, he was influenced by the May 4th new trend of thought and regarded calligraphy as a "plaything", so he stopped practicing calligraphy. During the Anti-Japanese War in Sichuan, under the guidance of Shen, he was very satisfied with the fresh style of Ni Hangshu and was heartbroken. Later, Li Shu changed it to Ode to Shimen. After teaching at Taiwan Province Provincial University, Tai Jingnong's words and deeds were closely monitored by the provincial authorities in Taiwan Province because of his close relationship with Lu Xun and the left-wing literary world and his experiences of being imprisoned several times before the war. In this context, Tai Jingnong began to immerse himself in calligraphy. He said in the preface to the Collection of Jingnong Yi Shu: "After coming to Taipei after the war, I was depressed, but I couldn't be quiet. I had to remove it with ink, but I didn't want people to know." After forty years of hard work, Tai Jingnong's calligraphy has become a generation of famous artists, which he did not expect. Tai Jingnong's calligraphy widely adopted the ink meaning of predecessors, and changed from running script to cursive script, taking Jin and Tang dynasties as the code, showing his personal style in strangeness and elegance. Mr. Jiang Xun, a famous art critic, commented: "Generally speaking, Mr. Jingnong's calligraphy is full of vigor and passion, longing for the late Ming Dynasty. The ups and downs of lines and movements come from the North Monument in Han Li, which is quite complicated." In addition to calligraphy, Tai Jingnong also made an in-depth study of several key figures in the history of China calligraphy who could not only inherit the tradition but also create a new situation, such as the brave Zen master in the late Sui Chen, Yang Ningshi in the late Five Dynasties, etc., and published the Collection of Jingnong Calligraphy Art, telling about the art of calligraphy.
1982, Tai Jingnong held his personal calligraphy exhibition in Taipei History Museum for the first time. In September of the following year, the monthly magazine Taipei Lion Art (15 1) was followed by The Writer's Paintings of Tai Jingnong, which theoretically expounded Tai Jingnong's outstanding achievements in calligraphy, thus establishing his lofty position in the history of calligraphy. Although he never calls himself a calligrapher, his calligraphy skills are well-known at home and abroad. Since then, more and more people have asked for books, and the more they write, the more they feel. This is because Tai Jingnong's personality is easy-going and kind, and he never puts on airs with others. So he is almost like a "landlord" to people who come to ask for books, whether they know it or not. 1985 On New Year's Day, Tai Jingnong published his "Declaration of Retirement" on the topic of "I and Calligraphy" in the United Daily News, solemnly stating that he refused to write for others from 1985. In this way, many Chinese and foreign people regret not getting the word Tai Jingnong. Some suggestions on Tai Jingnong's poems and paintings: 1. Calligraphy: 1. One post: at least 200 to 300 times. (2) Selection of posts: copybooks are very important for people who practice calligraphy, so he chose "ink book" as the best, and recommended Ni Kuanzan by Sui Liang in the early Tang Dynasty and Zhen Cao Qian Zi Wen by Zhi Yong for reference by beginners. (3) Be patient, don't worry, and grind slowly. (4) learning. (5) The more you write, the more interested you are, otherwise you will lose your previous achievements. Second, painting: (1) temporary painting: the purpose is to learn brushwork and color. (2) Experienced and familiar. (3) Try hard and discuss. (4) Seek the beauty of posture (structure). (5) Knowledgeable: You can travel more and appreciate and observe the beauty of nature. After the publication of Children of the Earth, a collection of novels by Tai Jingnong, Lu Xun also praised it as a "masterpiece" ("Two Hearts: The Critics We Want"), and later edited the New Literature Series: Two Stories. He deliberately started with his own novels and put Tai Jingnong's novels behind. Among them, Tai Jingnong was selected as Tian, Hong Guang, Xin Fen and Earthworms, which was equal to Lu Xun's articles and surpassed other authors. This is enough to show that in Lu Xun's view, Tai Jingnong's novels can not be ignored. Second, Lu Xun's lifelong friend 1925 In April, Tai Jingnong first met Lu Xun through the introduction of Zhang, a primary school classmate. Since then, the two have become lifelong friends. Lu Xun is a teacher and friend of Tai Jingnong. They have always been close friends. According to Lu Xun's diary, they have more than 180 contacts. During their eleven and a half years of communication, there were 74 letters from Tai Jingnong to Lu Xun, 69 letters from Lu Xun to Tai Jingnong, and 43 letters were included in Lu Xun's Letters Collection. Look at these letters, whether about people or about deliberation, they are outspoken and not afraid to reveal their own feelings. If it weren't for the special relationship, a cautious "sophisticated old man" like Lu Xun would never say so. This shows Lu Xun's sincere trust and deep friendship with Tai Jingnong.
Throughout his life, Lu Xun was famous for being bitter and cold, so he didn't have many friends all his life. Most of his friends are honest, upright and honest people, such as Xu Shoushang and Tai Jingnong. "Taijun is an excellent person" (Letter to Yao Ke 33 12 19), which is Lu Xun's high evaluation of Tai Jingnong's character. During the period of 1926, Tai Jingnong spent a lot of time collecting Lu Xun's literary criticism, which was collected as About Lu Xun and His Works. This is the first book published by Tai Jingnong and the first book to comment on Lu Xun since the new literature. When talking about the origin of editors, he thinks that Lu Xun's novels clearly show the fighting spirit. "This spirit is necessary, and a new China will appear here." "I love this spirit, which is the main reason why I printed this book." The month after writing this preface, he wrote novels with local themes such as Tian Ge and Wu Laodie. Since then, he has been full of thoughts and "wrote down" what he saw and heard with my heart and blood. Before the collection of Sons of the Earth, all the manuscripts of the novel were sent to Lu Xun for review, and Lu Xun suggested changing the title of the novel to its current name. Title: Tai Jingnong
Author: Hong
Publishing House: Hunan Fine Arts Publishing House
Release date: March 2009-1
ISBN: 9787535630957
Format: 16
Pricing: 15.00 Yuan Tai Jingnong (1902 ~ 1990)
Chen Dazun's poems
Cheng Zhai Xiaoshi
Liang Rengong's Collection of Poems and Songs of Song People
The motto of seal script
Dong Zuobin's epitaph
Six-character official script couplets
Five-character official script couplets
Four-character official script couplets
Seven-character antithetical couplets
Cross-batch cursive script
Ou Xiang Guan Shi
Fu going to the building.
Poetry and notes
Depressed, vigorous and elegant —— On Tai Jingnong's calligraphy
Tai Jingnong and His Times