According to the calligraphy characteristics and style trends of Han steles, Han steles can be broadly divided into the following three categories: This type of steles include "Xia Cheng Stele", "Li Sangong Mountain Stele" and "Lu Jun Stele" . This style of Han stele has a high and ancient style, with the legacy of seal characters. The degree of official changes is not high, and it has a strong retro style. It is very different from ordinary Han dynasty steles in terms of calligraphy style and brushwork. Sun Chengze's Comments on "Xia Chengbei" from Gengzi's Xia Xia Ji said: "The character "Suzhong" has a seal character and eight points. Hong Cheng's appearance is strange, really strange. Some people suspect it is fake, but there is a heroic spirit in the writing, which is definitely not true. Later generations can reach it. Kang Youwei's "Guang Yi Zhou Shuang Ji" commented on his book as "highly clear" and said: "It has the power of Zhi Ying and Long Feng, so it can be regarded as Zhong Lang's calligraphy." I would say that "Xia Cheng" is a different style, like Jinjin Dongxin, Banqiao and the like. Based on the Analects of Confucius, it is the book of Zhongfei Zhonglang. "In terms of brushwork, this kind of inscriptions advocate round pens, which create waves of meaning. "Fan Le pen, Zeng pen, and Zhao pen make the strokes extremely fat." "(Qing Wan Jing Yu) "Lu Jun Stele" is particularly prominent on this point. Yang Shoujing's "Ping Stele" says: "Plump and majestic, Emperor Ming of the Tang Dynasty and Shu Jihai also came from this place, but the fatness is too thick, and there is no such aura. also. "This kind of stele has an obvious retro tendency because it pursues the meaning of seal script. Therefore, it is in a non-mainstream position among Han dynasties. It has little influence and not many survive. However, this kind of stele has a great influence on the official script of the Tang Dynasty and the middle and late Northern Dynasties. Moya Sutra calligraphy has had a greater impact.
Han stele evolved from the early Han Dynasty, which was popularized by the common people. Therefore, although the Han stele as the main body of the temple had to be modified for cultural purposes. The early Han official scripts—Jianbo and Nieya calligraphy—were produced during the schematic revision, but it could not eliminate the strong sense of life, overall strength and momentum of the early Han official scripts as a whole. Therefore, the Jianbo calligraphy and silk scripts The original vitality of Moya calligraphy based on aesthetic freedom still dominates and affects the style of Han steles to a large extent. This is also an important historical reason for the various styles and styles of Han steles.