Please don't mount calligraphy when assembling manuscripts. What's the difference between installation and support?

1, with different concepts:

Please do not install.

It is said that after writing the works on some paper, they do nothing, mail them directly without any mounting process, and then they will mount them in a unified way, or because there are many works, they will open them after mounting and so on. If it's inconvenient, it's better not to pretend. After they get it, they will open it directly to the judges and throw it away after reading it, which is very efficient.

Tuobiao

After the works are written on paper, in order to protect the works, a layer of Xuan paper is covered on the back to make the painting core harder, which is convenient for the organizer to paste them on the board directly after receiving them, and then mount them directly to achieve the purpose of exhibition. Tear it off directly after use, without damaging the painting core.

2. Different uses:

"Please don't add a box" is generally used for a large number of primary or submitted works without any subsequent treatment, and those that are not selected will be thrown away.

"Entrustment" is generally used when the work is valuable, the author is famous, or it can be processed later, such as the collection and auction of the organizer after the exhibition. In this way, in order to avoid damage to the works or simplify the mounting procedures, it is beneficial for the organizers to mount in a large number of uniform styles, and then they will ask for entrustment in advance.

Extended data:

The method of mounting is to mount the back of the painting and calligraphy works with paper, then wrap them with silk, silk and paper, and then mount them on the axis or layout. The finished product can be divided into roll, shaft, book and sheet according to its shape. The mounted calligraphy and paintings and inscriptions are easy to collect and decorate.

A Record of Mounting in the Ming Dynasty, A Corner by Tu Xixue in the Qing Dynasty, An Introduction to Painting and Calligraphy Mounting in China by Feng in Modern Times and Painting and Calligraphy Mounting in China by Du Zixiong; They are all specialized works that systematically discuss painting and calligraphy mounting.

Painting and calligraphy mounting is roughly three procedures: supporting the core, inserting materials and sealing the back. Mounting is actually supporting the core, that is, sticking a layer of paper on the back of the work to make it smooth. But you can't fold it, or those creases will never be smooth again. It is suggested not to mount the exhibition, so as not to hurt the works. For the spliced works, you can find a mounting shop to connect them with paste and adhesive tape, so there is no need to mount them.

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