Gongda Yan's artistic achievements.

He studied under the famous painters Sha Manweng and Song Wenzhi, and was good at all kinds of calligraphy, seal cutting and painting. His works have participated in the 2nd-10th National Calligraphy and Seal Cutting Exhibition, the 1st-4th National Lanting Art Exhibition, many national calligraphy exhibitions for young and middle-aged people, international calligraphy exhibitions and contemporary famous calligraphy and seal cutting exhibitions, and have been selected for more than 500 national, international and various national exhibitions and won many awards. His works also went to Japan, South Korea, Singapore, Brazil, Canada, the United States, France, Germany, Britain, Mexico, Australia, Indonesia, the Philippines, China, Taiwan Province Province, Hong Kong, Macau and other countries and regions for exchanges, and were held at the United Nations Headquarters in new york from 20 10 to1.

My China Heart, which was created during the 29th Olympic Games in Beijing in 2008, Better City, which was created during the 20 1 Shanghai World Expo, and Gongda Yan Book, the backbone of the century, which was exhibited at the APEC Cultural Forum of the University of Hawaii on 20/kloc-0. 20 12 The 30th Olympic World Art Congress in London won unanimous praise at home and abroad.

His works are collected in more than 500 national albums, such as The Complete Works of Modern Fine Arts in China (Calligraphy Volume and Seal Cutting Volume) and Contemporary Calligraphers in China.

In 1987, his works were rated as one of the 37 best writers in China. His works have also been selected and engraved in more than 0/00 forest of steles in China, and collected by more than 0/00 museums, art galleries, memorial halls, Zhongnanhai and the Great Hall of the People at home and abroad, such as China National Museum and China Art Museum. A number of calligraphy papers participated in the national symposium on calligraphy, and were selected into Selected Calligraphy Papers of Contemporary China, and won the second prize of the fifth national literary criticism of the China Federation of Literary and Art Circles and the first prize of the seventh national literary criticism. He published special collections of calligraphy and painting such as Baoyuntang, monographs such as Baoyuntang Art Review, Contemporary Calligraphy Masters (copybooks) and teaching materials, and participated in the co-editing of Liuti Calligraphy Dictionary and China Calligraphy Masters Appreciation Dictionary.