Low-case calligraphy, graceful and elegant, graceful and elegant, is like a beautiful flower, whizzing between moonlight and waves, which looks beautifu
Low-case calligraphy, graceful and elegant, graceful and elegant, is like a beautiful flower, whizzing between moonlight and waves, which looks beautiful and wonderful. In fact, Mi Fei in the Song Dynasty, Wen Zhiming and Dong Qichang in the Ming Dynasty all had this realm. The following is what I arranged for you, I hope it will be useful to you!
appreciate
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The principle of writing small letters with a pen
As a method of writing in fine print, writing with a pen is more expensive than writing with Yu Congrong, and it is easy and calm, like walking leisurely. Throughout the ancient small letters, all of them were calm, accurate, peaceful and quiet, and then exhausted. When writing small print with a pen, I'm too busy. The so-called busy people, with pens as the body, gather ink and become, casually sway and rush. Although the so-called "application as a pen fan, vibration as a hand puzzle" was used quickly, the ancients used pens subtly and accurately. Wang Yun's Humble Opinion on Calligraphy says: "People today have two diseases, one is to love superficial fluency, not depression, the other is to lose lightness and fluency, and the other is to be greedy, not frustrated, and the spring is sloppy." In fact, these two shortcomings are the most common mistakes in writing small letters. We can't go too fast. The ancients called it madness, but the feelings are incomplete and the people are not equal.
The method of writing lowercase letters is more expensive than using a pen. The so-called circle, is the square potential circle, vivid. Although small letters are mainly quiet and dignified, they should also be moved in silence, which means to be comfortable, to have an old monk to make up for the silence, and to have a lively pen machine. It is said that Zhao Mengfu can write thousands of words in small letters every day. But the effect is very steady and accurate, pretending to write fine print and using a pen will not be too slow. Too slow, the flesh and blood will be turbid, the pen machine will stagnate, and there will be doubts about advancing and retreating. If it is undecided, the ancients are lifeless. This malady of being too late is called drowning depression, which will make the flesh and blood turbid. "Han Xi's Calligraphy Interpretation" says: "The real book is too late to live." Really from the heart.
In short, the method of writing fine print is agile, but busy. To achieve this state, the only way is to have a familiar word and a well-written brushwork, so that the wrist does not stop writing and the pen does not leave the paper. Although the pen tip flies, the stippling is accurate, the shape is close, the posture is graceful and graceful, and the charm is natural and vivid.
As far as style is concerned, there are two major differences in writing small letters. One is the infighting method based on delay, and the other is the outward expansion method based on speed. Where books are simple and ancient, the pace should be slowed down. The so-called procrastination is effective and slow. Every good book has a fast rhythm. The so-called emergency treatment. In Zhong You and Yan Zhenqing, the capital letters are mainly late, while in Zhao Mengfu and Wen Zhiming, the capital letters are mainly fast. No matter how late, it is not an absolute and static solid balance, but a relative and changing dynamic rhythm. It is necessary to be psychic and calm, quiet and lively, so as to make Xiaoxin wonderful, just like Hua Yao's "Really from the Heart".