Li created by Li

In February 2008 and February 2009, the Calligraphy Exhibition of Li Longshi and Cui Zhiyuan was held in Beijing and Yangzhou respectively. He is the son of Li Moran, a famous performing artist in China. Contact for a long time, I feel that he is approachable, gentle and humorous, cheerful and generous, witty and serious, and not bureaucratic. Although he is a famous family and leads the cultural undertakings in a region as an administrative leader, he prefers others to regard him as an artist. It is because of the art of calligraphy that I have a deeper understanding of his life and calligraphy. The art of calligraphy makes him more literate as a screenwriter and actor. He once published My Opinion on Community Culture between China and the United States, which focused on China's cultural trend among the masses and strongly criticized the so-called "it is difficult to go from east to west across a river". In 2007, he planned and directed a new acrobatic evening, Flying, and boldly tried new artistic methods, which won praise from the literary and art circles. He worked hard and had a successful career, and never gave up his pursuit of calligraphy.

Li believes that engaging in art should be confident, self-reliant, inclusive and complementary. A nation and country that has lost self-confidence and self-esteem cannot strive for self-improvement, and a nation and country that is blind, arrogant and self-styled cannot really go global. Self-confidence, good at absorption and tolerance; Absorb and be good at learning from innovation. National art should be compatible with the above elements, so that it can be integrated in the process of inheritance and development and recognized and loved by the wider public. Li's calligraphy works also contain his views and are full of personal style.

On April/KOOC-0/day, 2008, the/KOOC-0/2 World Calligraphy Culture and Art Exhibition, co-sponsored by Beijing Chaoyang Calligraphers Association and Korea World Culture and Art Center, opened in Seoul, South Korea. Li, Chairman of Beijing Chaoyang Calligraphy Association, led calligraphers from Chaoyang District to South Korea to exchange calligraphy skills. At the exchange pen meeting, he first started to write the word "breeze" with dignified Han Li brushwork and Yi Bingshou's calligraphy style in Qing Dynasty, which won unanimous praise from Chinese and Korean calligraphers present. "Breeze" not only means that calligraphy makes personality more noble, but also represents that China calligraphers with the status of their home country have brought a "breeze" to Korean calligraphy.

Li, who has passed the age of no doubt, is still pursuing hard on the road of creation, even harder and more persistent than young people. Most people find the study and creation of calligraphy boring, but he can be optimistic. He often takes out his own works for everyone to comment on, writes down the shortcomings immediately, and goes back to thinking and practicing. Although this process is bitter, it is full of fun because of persistence. In fact, in the process of successful struggle, there is often no goal and no end in sight. So their goal is not a goal, but a process of spiritual tempering and enjoyment.

Li studied calligraphy from Mr. Li. In recent years, he has devoted himself to the study of cursive script and official script. Li Shu adopted Zhang Qianbei, Haojing and Yi Bingshou, absorbed their essence and created a new look. The pen is firm and steady, with rich and broad structure, magnificent, simple and profound, and the composition of the work gives people a neat and rigorous decorative beauty. He omitted the twists and turns of Han Li's appearance and replaced it with a straight pen with little change in thickness, which is a variation after he deeply grasped the essence of Han Li. Its cursive script is taken from Huai Su, which is bold, unrestrained and passionate. "The pen is as fast as a whirlwind, flying around, changing at will, and the statutes are available." All the way up and down, like a storm.

Li's feelings for calligraphy have always been self-exile, self-confidence and firmness. His artistic feelings are always beyond your imagination. It can be said that "the dragon leaps and the tiger leaps, depicting the colorful world with calligraphy; Sing Acura and dress up artistic life with creation. " The drama Ma Jun Died 200 1 was performed by China Coal Mine Art Troupe. Director: Wu Xiaojiang

In 2006, Beijing Nine Theatre performed Angel. Director: Huang Ying

In 2006, "Looking for Spring Willow Society" was performed by Beijing Chaoyang District Federation of Literary and Art Circles and Chaoyang District Cultural Center. Director: Ren Ming

Yang Sanjie and Chen Xiaoer (20 10) is performed by Beijing-Kowloon Theatre. Director: Li's Biographical Literature of Hui Hero Ma Jun, Beijing Cultural Relics Publishing House. 1988.

Collection of Ma Jun Memorial Hall, Beijing Broadcasting Institute Press. 1995

China Drama Publishing House. the year of 2008

Documentary literature "We Fly Like This" Zhujiang Literature and Art Publishing House. 20 10 1977 The movie "Walking in the Front of War" (Bayi Film Studio) plays the young Yan He.

1982 TV series Time flies (China CCTV) plays Xiao Yongchuan.

1984 TV series One Pirate (Fujian TV Station) plays Zhu Qishui.

1985 TV series "homeland" (Shanghai TV station) as a doctor.

199 1 2008 The movie "The Story of the Stone" (Beijing Film Studio) plays Wang Debao.

1996 The movie "Liberation of Northwest China" (Bayi Film Studio) plays Ma Bufang.

1998 film "King Jing Ke Lachin" (Beijing Film Studio) as the owner.

1999 TV series Glory Street 10 (China Federation of Literary and Art Circles \ Liaoning TV Production Center) plays Ma Yuejin.