Dongpo’s inscription and postscript
1. Preface to Li Yuan’s postscript
[Original text]:
Ouyang Wenzhong⑴Gongchangzhi There are no articles in the Jin Dynasty, only one by Tao Yuanming (2) Returning to the Valley (3). I also think that there are no articles in the Tang Dynasty, only one by Han Tuizhi (4) Preface to Li Yuan's Return to the Valley (5). I wish to write one in my life, and I will stop every time I write. , because he laughed and said: If you don't do it, let it go, and the teacher will retreat.
[Original text]:
Tao Yuanming, grandson of Meng Jia⑴, wrote in Jia Chuan that he may ask: "I heard from prostitutes that silk is not as good as bamboo, and bamboo is not as good as meat. Why?" "Asymptotically approaching nature." Now Jin Shu says: "Asymptotically approaching nature". The young people in the village made slanderous remarks. Even though it was a small matter, it fully demonstrated the kind of people Xu Jingzong and others were.
3. Preface to the return of Shu Yuanming
It is said that when a scholar entered the official treasury, he saw money but did not recognize it, or asked about it strangely, and he said: "I know it is money." , but it’s strange that it’s not in the middle ear.” I read Yuan Ming’s message when he returned: “If you are young, your room will be empty, and there will be no millet in the bottle.” It is also true that there is a message in the vase. So clear! This man has only seen millet in a vase his whole life? When the people in Ma's harem saw Da Lian, they thought it was a foreign object. Emperor Hui of the Jin Dynasty asked the hungry people why they didn't eat minced meat. After careful consideration, they all agreed. Smile at those who do good things.
5. Remember Xu Ling's language
Xu Ling forgot a lot and didn't recognize people, and everyone blamed him for it. Said: "It is difficult for me to remember my father. If Liu Caoshen thanked his father, he would still be able to recognize it even if he groped in secret." What a sincere statement!
6. Shu Zi’s poems written by Chao Ran Tai Fu
Zi You’s writings are indeed not as precise and rational as mine, and his body and spirit are sublime and beyond my reach. Although everyone wants to use this I encourage myself, but my talent is short, and I will never be able to escape it. As for this article, it is precise and sublime, and I almost get it both ways, which is especially valuable.
7. Shu Yuke is behind the transcendent Taiwan Fu
Yu Youwen and Ke are not people of this world, but people of ancient times. His writing is not that of today, but that of ancient times. It is a transcendental speech, its meaning is scattered, and it is no longer related to external things. Is it like a great person traveling far away?
8. Shula Zabian
Sima Changqing wrote a poem for adults, and Emperor Wu looked at it, and he felt as if he was flying in the clouds. Recently, scholars have made miscellaneous changes, and they call themselves the senior minister. Although the senior minister is not angry with you, but those who are afraid of reading will fall asleep in bed due to thirst, and it is difficult to reach the ears of the clouds!
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[Explanation]:
9. Notes from Daoying family
Daoying family said: "Heart "Never leave the field, never leave the house." This cloud is very reasonable, and he also said: "The heart of a true person is like a pearl in the abyss; the heart of everyone is like a ladle in the water." This is a good metaphor.
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[Explanation]:
10. Postscript written by Qixiantang
Ziyou Zuoqi When reading Xiantang Ji, you will feel like you are in the hall, where you can see the gloomy water and rocks, and the grass and trees. The servants should write it and carve it on the stone hall, and they want to be associated with Lushan Mountain. When he goes into the mountains, he will not be a stranger.
You can go out at any place you choose, and you can roll and gurgling on flat ground, even if it is thousands of miles in a day, there is no difficulty, and it twists and turns with the mountains and rocks, and follows the shape of things, but it is not knowable. Although I can't know the other things.
The new interpretation, after reading endless volumes, sighs after discarding them. If this book existed during the Warring States Period, there would be no Shang Yang or Han Fei; if this book existed in the early Han Dynasty, it would be Confucius and Lao; if there was this book during the Jin and Song Dynasties, it would be Buddha and Lao It's not two, but I don't expect to see this strange thing in old age.
[Note]:
[Explanation]:
Thirteenth, a book presented to Taoist Shao
The body is like a banana, the heart is like a lotus , hundreds of knots are dredged, thousands of orifices are exquisite, one comes when it comes, and eighty-four thousand when it goes away. This meaning comes from Shurangyan, and no one in the world knows it. On September 20, the third year of Yuanfu, this letter was given to the Taoist priest Qiao Shao in the capital.
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[Explanation]:
14. After the Record of Zhongshan in Postscript
There are water music in the southeast of Qiantang The cave, the spring flowing in the empty rock, are all natural palace merchants, and they go from Lingyin down to Tianzhu, and up to Tianzhu. The stream runs between the two mountains. The huge rocks are like cattle and sheep, and their sound is like rice cakes, really like the sound of bells. This is Zhizhuang The so-called sounds of nature are everywhere. On the third day of the first lunar month of the first year of the founding of the Jingguo Dynasty, when he returned from Hainan to Nan'an, the judicial officer sent Wu Jun to show his old work on Shizhongshan and copied it to the end.
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[Explanation]:
15. Book Meng Dongye Preface
Yuanfeng Four Years and Ma Meng I had to drink wine to practice Zen in Huangzhou, and when I was drunk, I sung a poem from Dongye: I also don’t laugh at the poor former Xian. I couldn't help but laugh! Why did Dong Ye smile so much at Yuan Xian? So I wrote the letter as a gift to the dreamer, but just the dreamer may not make Dongye smile.
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[Explanation]:
16. Poems on Meng Jiao
Meng Dongye’s Wenjiao poem says: It's like opening the mouth of Gu Yue and being able to talk about the heart of a falling star. Tonight I heard Mr. Cui Cheng playing Xiaojiao, and I realized the beauty of this poem.
: "Meng Dong's wild poem, 'Although there is silk on the temples, it is not suitable for weaving cold clothes,' even if it is not suitable for weaving, it will not be much."
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[Explanation]:< /p>
Eighteen, Shu Yuanming and Xi Nong Go to Wojiu Poems
I heard that there was a collection of Tao Yuanming's poems in Donglin Temple in Jiangzhou, so I wanted to send someone to ask for it, but Li Jiangzhou suddenly sent a collection of poems. , the characters are large and the paper is thick, which is very gratifying. Each style is not good, and I often read more than one article. I am afraid that after reading it all, I will not be able to distract myself.
It says: Pingchou is far away from each other, and good seedlings are also full of new ideas. Anyone who is not an ancient plowing and planting stick cannot know this saying, and those who are not farmers in the world cannot understand the beauty of this saying.
[Note]:
[Explanation]:
Twenty, two poems titled Yuan Ming Yong
This Yuan Ming Yong Ershu Ye, Yuan Ming has not tasted it, and Ershu comes out and knows the return, and its intention is the same, or it can be said that it has come out and returned, like recovering from an illness, its taste is better than not being sick at the beginning, this may be reversed and seen.
Shi was relegated to Huangzhou. Monk Yunxiang of Dongchengtianyuan in Wuhu, Liu Junyi, a Tongzhilang, wrote to Jing Yu Shi. He wished to write this word and inscribed it on a stone as the story of Huyin. Chen Junhan, the prefect of Ezhou, wrote to him. Please help me. On June 23rd of the seventh year, the boat passed Wuhu, and the envoy sent a letter to Hunan to engrave it. It was written by Su Shi, the deputy envoy of Ruzhou Tuanlian to Outer Shu.
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[Explanation]:
Twenty-two, Collection of Books by Li Bai
Now that Taibai is gathering, will anyone return? , I laughed so much, and presented Huai Su with a few poems in cursive script, which were definitely not written by Taibai. It dates back to the late Tang Dynasty and the Five Dynasties, and he also practiced the poems of the Qi Si generation. When I was in Fuyang, I saw Taibai's poems in the Guoqing Academy. When I passed through Pengze in the Tangxing Academy, I saw Taibai's poems again. This was not the case. Liangyou is too white and handsome, and his words are not very clear. He often makes sudden and sudden sentences when he is concentrated, so he is delusional and brave. If Du Zi was beautiful, how could there be any forger?
[Note]:
[Commentary]:
Twenty-three, Shu Tui’s poems
Han Tui’s visit to Qinglong Temple The poem ends with the color red. Mo knows the reason. I read the novel. Zheng Yu lived in Qinglong Temple. He was poor and had no paper. He took persimmon leaves to study calligraphy. In September, the persimmon leaves turned red and turned red. This is why he retired from the poem.
Said: You will not die before a hundred years are up, and you can spend your youth diligently. The history of the country adds: Wine has the rich spring of Ying, the spring of Ruoxia in Wucheng, the spring of earth caves in Xingyang, the spring of stone caves in Fuping, and the spring of Shao in Jiannan. Du Zimei also said: I heard that Yun An's rice is spring, so he drank a cup. Then get drunk. In modern times, Pei Chuan wrote a legend and recorded the events of Pei Hang. He also named the wine Song Ji Chun. We know that most of the wines in the Tang Dynasty were famous for spring, so it is also necessary to give up the youth by the name of the wine.
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[Commentary]:
Twenty-five, Shuzi Meiyun Anshi
"The mountains and trees on both sides are close together. , I cry all day long." This is also the poem of old Du Yun'an County. Unless you have been there personally, you would not know the work of this poem.
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[Explanation]:
Twenty-six, Shuzi’s poem by Huang Siniang
“Huang Siniang’s Flower The flowers are full of laughter, the branches are low, the butterflies are lingering and dancing, and the orioles are chirping at ease. "Dongpo said: Although this poem is not very good, it can be seen that the child is beautiful, pure and wild, so the servant likes to write it. In the past, there was a minister in Qilu, but his name has been lost in history. Who is Huang Siniang? However, this poem is immortalized and can make the readers smile.
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[Explanation]:
Twenty-seven, Shu Liuzi’s thick poems
Served from Tobu Shibendeng , Traveling along the sea for several days, the peaks beside the road are like swords, praising Liu Zi's thick poems, and knowing the sea and mountain Doleye. Zi Houyun said: "The sharp peaks on the sea are like swords, cutting people's intestines everywhere when autumn comes. If they are transformed into thousands of billions of people, they can look at their hometown from the top of the peaks."
Also, Liu Zihou's poem says: " The bird sings and the mountains are quiet." Another saying: "I am worried and tired forever." Dongpo said: "Zi Hou's poem is about spiritual luck."
Furthermore, poetry must be written with a purpose in mind. The old things should be used as new, the vulgar as elegant, and curious things should be new, which is the disease of poetry. Liu Zihou's poems in his later years are very similar to Tao Yuanming's, and he knows the disease of poetry.
Above, the boldness and boldness of the retreat will be exceeded, but the warmth, tranquility and depth will not be as good. What is more valuable is dryness, which is said to be dry on the outside but creamy on the inside. It seems to be light but actually beautiful. This is the case for Yuan Mingzi and thick people, if the middle and the edges are both dry and dry. , what's the point? The Buddha said: "Just like when a person eats honey, both the middle and the edge are sweet." When a person eats five flavors, he knows the sweetness and the bitterness, and there is no one who can distinguish between them.
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[Explanation]:
Twenty-nine, Shu Chang Jian’s Poems
Chang Jianyun: “Bamboo The path leads to a secluded place, and the Zen room is deep with flowers and trees. "Ouyang Gong loves him so much that he thinks he is out of reach. This is a sincere and satisfying statement, but it is of no use to him. Aren't you tired of chewing straw and thinking about snails?
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Thirty, Shu Xue Neng’s Tea Poems
People in the Tang Dynasty used ginger to make tea, so Xue Neng's poem says: "Salt damages the regular precepts, and ginger should be used to praise it even more." In this regard, there are people who use salt. In modern times, people who use two things often laugh at it. However, if the tea is average, use ginger to fry Xinjia. Also, salt is not allowed.
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Thirty-one, Shu Yuanming and Liu Chaisang’s poems
Since the Xia calendar In autumn, the poisonous heat persists for seven or eight days, and the cannon burns to the extreme, which means that there will no longer be a cool period. Today, there is a sudden wind and light rain, so I wear my clothes, thinking about this old age, and can only count it on my fingers, and Pengze says: "Today I am If you are not happy, do you know that there will be a new year?"
This statement is really a sign of caution.
There are also Xu Yu's customs that have not been passed down to the world, but are recorded in the records of beginners.
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[Explanation]:
Thirty-three, self-recorded poems of Wuxing
The servant is Wuxing, and there is You Feiying The temple poem says: "The light rain has stopped and returned, the small window is quieter and brighter, the sun is no longer visible on the basin, and the grass and trees are naturally green." Unless you go to Wuyue, you will never see this scene.
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[Explanation]:
Thirty-four, the title poem is followed by Lu Zhi's postscript
My brother Ziming was able to drink wine in the old days. After drinking for twenty banana leaves, he became slightly drunk. Traveling with him, I watched the old Taoist priests singing songs and drinking at Yishan Mountain. At that time, his breath was full of rhythm, and he knew how big the fields were and how small they were. Not fifteen years later, he changed his name to a criminal, and heard about it in Shu. He did not return to his former son Mingye. His nephew Anjie came from Shu and said: "Ziming drank no more than three burnt leaves. My young man saw the wine cup and got drunk. Now he can do it too." The three burners are gone, but the old learning has disappeared, the long-cherished intentions have been wiped out, and you have become the waste of the world! But we know that if there are two gains, there will be losses, and there is no such thing as two gains.
Old Taoist priest, Gai Zhanzhi followed his uncle Su Shenyan. This year, Sun Ruji became a scholar. Dongpo Ziyun Sanjiaoye was also drunk in Chinese. I drank with Dongpo in the same house and could not be together. After drinking a lot of wine, I fell asleep drunk, and Lu Zhi asked.
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[Explanation]:
Thirty-five, six poems on Wang Gong
Although the servant article does not catch Feng Yan, who is generous and honest, is worthy of this man. Yan met his ancestors, wise and good men, but he was not exiled. He is similar to a servant. However, Yan's wife is fierce and jealous, and there are few servants. This is why the poem is worthy of Jingtong. sentence.
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[Explanation]:
36. After Shu Huang’s Poems of Lu Zhi
Every time I see Lu Zhi’s poems , it is not impossible to stop falling, but the wonderful words in this volume are beyond the comprehension of Youyou. Those who can stop falling are already admirable. On August 22 of the first year of Yuanyou, I watched with Ding Guozi.
Also, when reading Lu Zhizhi's poems, you will see Lu Zhonglian and Li Taibai, and you will not dare to comment on despicable things. Even if they are not applicable, it will not be of no use to the world.
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[Explanation]:
37. Record of Dong Chuanshan’s discussion of poetry
The old friend Dong Chuanshan’s discussion of poetry. Chang Yun: Du Zzi's beautiful poems inevitably contain ordinary language. We know that immortals and guests want to be in a blind date, but they also feel that a good worker has a lonely heart. Isn't it extraordinary language? Chuan laughed and said: This sentence was probably written by you, but ordinary people have deep intentions, and few people can understand it. This is why it is a solitary suffering, how can it be a solitary painting?
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[Explanation]:
38. Shu Cunliao on Du Shiyan
Chenliao Ziyan Lao Du's poem says: "The Wu Gorge on the Chu River is half clouded and raining, and I watch a game of chess with a clear mat and sparse curtains." This sentence can be painted, but I'm afraid it won't work. Master Pu Yangong Zen, do you also fall in love with this beautiful language again? Liao Yun: "If you don't care about your food and drink, if you see the pillars of the river, how can you not avoid a flower?" There are limitations. Du Zzi's poems are the most beautiful in ancient and modern times, but those without rhyme are almost unreadable. Zengzi is famous for his literary works, but those with rhyme are often incompetent. This is not easy to reason about. "
Forty. , Poem inscribed on Li Boxiang
Li Boxiang, an old Taoist priest from Zanshan, is good at writing poems, but his poetry style is not very high. He often writes strange words, such as visiting Xiuzhu Temple at night and beating up the old monk's door while drunk, which are all cute. , I tasted it when I was young, and sighed: "This man is a noble man." I don't know how to know it.
Forty-one, Poems about the White Crane Temple
When I visited the White Crane Temple in Chungju in the past, there was a small poem high up on the wall. I don’t know who wrote it. The poem goes: "Not all immortals may go away." , still in the world, people don’t know, two deers holding white horses, meet and ask for their name.”
Forty-two, after the title of Zhang Ziye’s poetry collection
Zhang Ziye’s poetry is wonderful, The lyrics are from Yuboer. Xixi in Huazhou said: "You can see the shadow of the mountain when the duckweed is broken, the sad couple knows that the night will last forever, and the lazy butterfly is busy in the spring. If this and the like can be matched with the ancients, the world can only call it the lyrics. In the past Zhou Fang's paintings The characters are all of divine quality, but the world only knows that there are scholars and women in Zhou Dynasty. How can they be said to be as virtuous as lustful?
Forty-three, Ji Li. Couplet of the house
When I was a child, Cheng Jianyong, a disciple of Yang Zishe, came from Huixueshe. In the six-sentence couplet of heavy rain, Cheng Yun said: "The pine trees in the courtyard are leaning forward as if they are drunk. Yang Jiyun said: "The summer rain is as desolate as autumn." "Yu Yun: "There is a guest who is singing loudly and hugging his nose. Zi Youyun: "No one eats steamed buns." "Everyone fell down when they were sitting. It has been more than forty years now.
Forty-four, after the poem about plum blossoms by Saint Yu
The post envoy was riding back from the front, and the people from the north met the plum blossoms from Yue for the first time. , Don’t compare the fragrance to the ether, it’s just a cup under the moon at the head of the stream. Mei Mei has a long body and beautiful eyebrows, big ears and a beautiful face. She drinks more than a hundred cups and often sits in a high position. Even though I am a younger generation, I am still drunk. I used Xuan to read the poems written by him, and it was as if I could see him talking and laughing against his palms.
Forty-five, Shu Tan Xiu's poems
I was in Guangling with Chao Wujiu. Taoist Tanxiu was in the same boat. He saw off a guest at Shanguang Temple. When the guest left, he was drunk and lying in the boat. Tanxiu wrote a poem, "The boat rides on the joy of the mountain and the ancient temple is surrounded by the flow of Qi. I am ashamed that the south wind knows my intention and blows the grass and trees into heavenly fragrance. "Yu Heyun: "I take advantage of the light when I am leisurely wandering. When I am drunk, my true state is hidden in the sky. When I dream, I am willing to blow a sentence, and the south wind ten miles away is fragrant. "Yuxi recited a poem to Ouyang Wenzhonggong and said: "The beauty is sitting with a fan, and the flowers in the forest are ashamed. Gongyun: "This is not a poem." This sentence exists in the world, and it can be heard. "Three years later, Xiu came to Huizhou to meet Yu, and occasionally remembered this incident.
Forty-six, Shumai's poems
When his son was young, he once wrote a poem about forest birds: "Ripe seeds It takes off itself when there is no wind, and half of its cheeks turn red first when facing the sun. "He is also known as a thoughtful person among his generation. He is old and has no other skills, but he also comes up with new sentences from time to time. He once wrote a poem called "Suan Zao Wei": "Even if the leaves are flowing, where will they go? The cows will lead the jackdaws passing by." Another village. "It's also gratifying.
Forty-seven. Poem of the Fisherman by the layman Ba ??Qian'an
Lu Zhi wrote this poem, which is fresh and beautiful. When asked what he was proud of, he said that it was the scenery of the water and the mountains. , instead of the jade muscle flowers, this is the true tradition of the fisherman's family. Then he left Xinfuji and entered Nvnupu. This fisherman did not have it, but it was a big wave.
Forty-eight, Shuluofu. Poem of Five-Colored Birds
There are five-colored birds in Luofu, with crimson feathers as their long feathers, and the rest follow them. As the saying goes, when a noble person enters the mountain, he will come out. There is a poem on Yu'an Road: "Thank you so much for the rare birds that don't follow the customs, but I am still like being demoted to an official." See it as a noble person. "I also saw it when I passed through Nanhua, and people in Hainan called it Phoenix. When the clouds are dry for a long time, it rains, and when there is waterlogging, it rains. When I chanted Dan'er, I also tried to live in the south of the city. I traveled to Jinshi Liwei's house today, and Under the gathering hall, there is a sonorous and harmonious sound, which lingers for a long time. I am drinking wine. If you are one of the remaining ones, you should gather again, and it is true.
Forty-seven. Copy of the book after Lanting
It was entrusted to me by others, but I changed it to the original post. I appreciate it now, so I changed it to this. Isn’t it sad? It’s painful to change it. Good news. Sadly, I changed it to Sad Husband. I felt the elegance, so I changed it to elegance. I scrawled two characters, changed six characters, and annotated four characters. I didn’t know that I was getting old, and I mistakenly became a monk. It has become a trace of the past. I mistakenly wrote it, and it is from now on. Look at the past and make mistakes. In the past, it was said that the characters in this text were heavier, and they were all composed of different styles, with the most zigzag characters. Now the characters are quite the same. I also saw one book with slightly more regular script than this one. I doubt it was drafted, but Fang Kuang was not as good as this. The original copy was far away, and the son returned from Heshuo. Master Baoyue simply requested this copy and asked Monk Zuo Mian to copy it on stone. September 15th, the fourth year of Zhiping.
Forty-eight, The Notes on Orchid Pavilion
The true version has been put into Zhaoling, and this is all that worldly disciples can see. However, this version is the best. The farther the sun and the moon go, the more it will be damaged, and the future will be destroyed. What you see is that it becomes more and more sparse as it becomes smaller and smaller.
Forty-nine, Title on Shao Yi
Shao Yi was troubled by Wang Shu, vowed to resign from the official position, detached himself from things, and even said to himself that I would be a soldier to die happily. , but want to visit Minling. If you work hard like this, but you die without success, you will know that the joy of wandering in mountains and rivers is a rare thing in life. It is worse than those who are attached to the city and the court, and go out to the mountains and forests alone, so they have become sparse.
Fifty, Inscription on the Sutra of Remaining Teachings
Ouyang Wenzhonggong said: "The Sutra of Remaining Teachings is not written by Yi Shao." Looking at it based on his words, if you believe it, it is not false, but When Ziyi was young, he confused the truth and couldn't explain it. What's more, after hundreds of years of passing on and engraving, it is difficult to determine its authenticity. Gu's strokes are calm and steady, and he can be a teacher.
Fifty-one. Collection of calligraphy and painting formations by Wang Jinqing
When writing and ink, it depends on the tangible, but the tangible has its disadvantages. His heart, forgetting to worry about his old age, is still good at playing games. Although he does not pretend to be external but has something to keep within, the sage is so high that only Yanzi can achieve it.
[Notes]:
(1) "Bi Zhen Tu": It was written by Mrs. Wei in the old biography. It is said that it was written by Wang Xizhi, but it is actually a forgery by later generations.
(2) Tangible: having a form that can be recognized through the senses.
(3) Wu: The category of Taoist philosophy refers to the origin of the universe, which is called "qi", which is invisible, silent, vague and incomprehensible. "Laozi" said: "All things in the world are born from existence, and existence is born from nothingness."
(4) Game: Bo, game, using six chopsticks and twelve chess; Yi, Go.
(5) Yan Zi: A native of Lu in the Spring and Autumn Period, his name was Hui and his courtesy name was Ziyuan. A student of Confucius and one of the seventy-two sages.
[Explanation]: As a special way to artistically grasp reality, calligraphy has a general cognitive function and can reveal the truth of all things in the universe. However, when revealing "nothing", that is, the origin of the universe, Calligraphy uses "tangible" to reflect the "intangible" of "Tao", and according to the understanding of Chinese philosophy, "the pointing is not the pointing", that is, the metaphysical understanding is not the thing itself, and has certain limitations. If you settle for the next best thing, calligraphy can still express your spirit and cultivate your sentiments, which is better than playing chess. Of course, saints like Yan Hui can maintain the spirit of "Tao" without borrowing external objects, but this is a height that ordinary people cannot reach.
Fifty-two, Inscribed Book of Two Kings
The pen becomes a tomb, and the ink becomes a pool. If it is not as good as Xi's, I will offer it; the pen is bald with thousands of tubes, and the ink is polished with thousands of ingots. It is not Zhang Zhi's work. Suo Jing.
[Notes]:
(1) Bi Tomb: Tomb, raised tomb. Li Chuo of the Tang Dynasty's "Shangshu Gushi" said that Zhiyong "lived in Yongxin Temple and studied for many years. Later, he had ten urns with bald pen heads, and each urn was filled with stones... Later, he took the pen and smashed it, and named it 'Tuibi Tomb'". Zhu Changwen of the Song Dynasty said in "Sushu Juan. Miaopin": "(Huaisu) practiced hard during his studies, so his pen became decadent and he made a pen mound to burn it."
(2), Mochi: Jin Dynasty Wei Heng's "Four Types of Calligraphy" says: "Hongnong Zhang Boying, therefore, specializes in his craftsmanship. Every family must first write and then practice the clothes and silk. When studying calligraphy near a pond, the pond water will be full of ink."
(3) Xizhi: Wang Xizhi, a calligrapher of the Jin Dynasty, named Yi Shao, was born in Linyi, Langya (now Linyi, Shandong). He once lived in Shanyin, Kuaiji (now Shaoxing, Zhejiang), and served as a general of the Youjun Army. In his early years, he learned calligraphy from Mrs. Wei. After reading the famous calligraphers of the previous dynasties, he changed his studies to beginners, picked up the strengths of others, studied various styles intensively, and became a master. The handed down books include "Seventeen Posts", "Lanting Preface", "Kuai Xue Shi Qing", "Feng Ju", "Sang Luan", "Kong Shi Zhong" and the "Holy Teaching Preface" by Emperor Shi Huairen of the Tang Dynasty.
(4), Xianzhi: Wang Xianzhi, a calligrapher of the Jin Dynasty, named Zijing, the seventh son of Wang Xizhi. When he was promoted to Zhongshu Ling, he was known as "Wang Daling". He was good at Zheng, Xing and cursive calligraphy.
He learned from his father when he was young, and then studied Zhang Zhi. His works had a great influence on later generations, especially his cursive calligraphy works, which were considered by later generations to be better than Xizhi's. The handed down works include "Yatouwan Tie", "Send Pear Tie", "Mid-Autumn Tie" and "Rehmannia Soup Tie", etc. There is a printed version of "Thirteen Lines of Luo Shen Fu" (also known as "Thirteen Lines of Jade Edition") in small regular script that has been handed down from generation to generation.
(5) Zhang Zhi: Calligrapher of the Eastern Han Dynasty, courtesy name Boying, was born in Yuanquan, Dunhuang (now Jiuquan, Gansu), and moved to Huayin, Hongnong (now Shaanxi). Good at Li, Xing, Cao and Feibai. There are very few works handed down from generation to generation, only a few pieces of "Pavilion Tie".
(6) Suo Jing: Calligrapher of the Jin Dynasty, named You'an, a native of Dunhuang (today's Gansu Province), official Zheng Xisima and Shang Shulang, good at regular script and official script, and changed after passing on Zhang Zhi's calligraphy His movements are majestic and vigorous, and he is full of writing power. It is said that "Yue Yi Tie" and "Ode to the Master" were written by Suo Jing.
[Explanation]: The ancients talked about "quality, knowledge, and strength" when discussing books. Quality means talent; knowledge means education; strength means kung fu. Among them, only learning and kung fu can be obtained through acquired hard work. This reflects that under certain natural conditions, people can only achieve the achievement of calligraphy by exerting their own initiative and working hard on learning and kung fu.
Fifty-three, inscriptions on people from the Jin Dynasty
Taizong of the Tang Dynasty wrote letters about people from the Jin Dynasty, and there were only a thousand scrolls from the second king onwards. "Lanting" was buried in Zhaoling with a jade box, which has never been seen again. The rest were all in the Secret Mansion. When Empress Wu arrived, they were stolen by Zhang Yi's brothers, and then lived in the world of Wang Ya and Zhao Yan. Ya was defeated by the soldiers, who stripped off the gold and jade scrolls and discarded the books. I found it in Weiwei's place, the capital of Li Dynasty. I saw the posters with the number of people from Jin Dynasty. They all had the word "Ya" in small seals, which meant that they were belonging to the Wang family. There are posts by Xie Shang, Xie Kun, Wang Yan and others, all of which are strange. But Yifu alone is as transcendent as a group of cranes with their wings raised, ready to fly but unable to get up.
[Note]:
(1), Taizong of the Tang Dynasty: Li Shimin, the Mingjun of the Tang Dynasty, was good at calligraphy. He especially liked Wang Xi’s authentic works, so he tried his best to send people to buy and raise them. They were all exhausted, and only "Lanting" was missing, so the courtier Xiao Yi obtained the authentic "Preface to Lanting" from Shanyin Biancai. He cherished it and buried it with Zhaoling in his last words before his death. The authentic "Preface to Lanting" has been around since then. No more to be seen.
(2), structure: search.
(3), Two Kings: namely Wang Xizhi and Wang Xianzhi.
(4) Scroll: An ancient scroll-shaped book or calligraphy and painting. Li Chuo of the Tang Dynasty's "Shang Shu Gu Shi" said that "Taizong was very fond of calligraphy and had 3,600 pieces of the king's original works, with a length of one foot and two feet as a axis..."
(5) Empress Wu: That is Wu Zetian was born in Wenshui, Bingzhou (now Wenshui, Shanxi) in the Tang Dynasty. He was a talented person at the time of Taizong, and he was appointed as the queen during the time of Gaozong. In the first year of Zaichu (660 AD), he abolished Ruizong, changed the country's name to "Zhou", and called him the Great Sage Emperor Zetian. He was also known as "Empress Wu" and "Wu Zetian" in the world. His calligraphy works include Gongxing, Cao, and Feibai, and his calligraphy handed down from ancient times includes the Stele of Prince Shengxian. Zhang Zongxiang, a great calligrapher of the Jin Dynasty, believed that his calligraphy was superior to that of Taizong Li Shimin.
(6) Zhang Yizhi: A native of Yifeng in Dingzhou of the Tang Dynasty (now Anguo, Hebei Province), he was proficient in music skills and had a fair face and beautiful appearance. He and his younger brother Changzong were both blessed with Empress Wu. After the restoration of Zhongzong, he became Zhang Jianzhi Killed.
(7) Wang Ya: Wang Zuosun, named Guangjin, was born in Taiyuan (now part of Shaanxi). He served as an official in the six dynasties following Dezong, and served as prime minister, salt and iron transport envoy, etc. Later, he planned to kill the eunuch, but he was killed after the incident was revealed.
(7) Xie Shang: Calligrapher of the Jin Dynasty, courtesy name Renzu, from Moling (now Nanjing, Jiangsu). When the official reaches the rank of Shangshu, he will be given as a gift to the regular attendants and generals of the guard. It is said that his cursive handwriting is particularly sharp, which inspired the people of Jin Dynasty to write well. No writing found.
(8), Li Wei: named Gongzheng, his wife is the Princess Yanguo, the daughter of Song Renzong. Bamboo and stone are also good at Zhangcao and Feibai.
(9), Xie Kun: named Youxing, a native of Yangxia, good at Lao Yi, good at singing, calligraphy, and playing the piano. He was promoted to the governor of Yuzhang.
(10) Wang Yan: A calligrapher of the Jin Dynasty, named Yifu, from Langya Linyi (today's Linyi, Shandong). He was born in a noble family. He once held important positions such as Shangshu Ling and Taiwei. He was a good laozhuang, He likes to talk freely, has a great reputation in the world, has good deeds and writes cursive writing.
[Explanation]: This postscript narrates the circulation of the two kings' authentic calligraphy, which is vivid and vivid. It has evaluations of the two kings' calligraphy, especially in "Wang Yantie".
Fifty-four, inscribed on Xiao Ziyun's book
Xiao Ziyun tried to answer the imperial edict: "In the past, I could not reward you. I always valued you, and I respected you. I have been here for many years. I was twenty-six years old." When he was writing the history of the Jin Dynasty and the biographies of the two kings, he wanted to write a treatise on Cao Li, but he couldn't fully understand the meaning, so he couldn't do it. He only briefly mentioned the matter of Fei Bai. About ten years later, he saw a volume of imperial edicts. Shang Lue's writing style, thorough understanding of fonts, and then changed to Zijing. , Quan Fan Yuanchang, since his arrest, has made great progress in his work. I also see the original biography of Qi Shi. Among the ten volumes of your dharma writings, there is a letter written by Mrs. Wei and a monk. This article is taken from Ziyun. It is undoubtedly false. Wang Yi Shao posted a message saying: "Shuang Jiu practices and uses martial arts, Bo Zhao calls and wakes up in the morning. At this time, he can go out for a farewell trip, and he can climb high and visit distant places. "This is what Zhang said to send Jia to Zhiwen, which is ridiculous.
Fifty-five, drafting a letter to the two kings
Emperor Wu of Liang sent Yin Tieshi to write a letter to Youjun, and this letter has the following The calligraphy written by Tieshi is probably not written by Er Wang, and the calligraphy is not very well-crafted. Readers can analyze it in detail.
Fifty-six, Title Yi Shao Tie
This volume. There was a post from Yongzhi, and then there was Yongbai who did not have the wisdom to explain it, and Yun Yi had few books. I looked at his words and said, "Yun Jin, this is a statement for generations. This saying has been around since the end of the Tang Dynasty, but the writing is not good at all, and it is a popular custom." Forgery, Master Yong's book
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Yi Shao said that this county is difficult to manage. Why should I give up my leisure and work? It should be the inspection of Huaizu. < /p>
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The three writings by Mr. Lanting Leyi Dongfang are all wonderful. Although they have been copied and passed down many times, they still have the meaning of the writings of the ancients, but they are different compared to the left-behind scriptures.
p>
Fifty-seven. Title Jing Shu
Although Zijing had no outstanding achievements, Xie An did not dare to speak out in order to make the book palace list. His integrity was high and he had enough Excellent, this volume is especially lovely.
[Notes]:
(1), Xie An: a calligrapher, politician, and military strategist in the Jin Dynasty, named Anshi. He was born in Yangxia, Chen County (now Taikang, Henan Province). He became an official in his forties and became prime minister during the reign of Emperor Xiaowu. He led the famous Feishui Battle with Wang Xizhi in the Lanting Pavilion and wrote poems to entertain him.
(2). Book Palace List: "Shu Duan" by Zhang Huai of the Tang Dynasty says: "The Taiji Palace was newly built in Taikang ("Book of Jin" is Taiyuan, the reign title of Emperor Xiaowu of Jin Dynasty), and An Yu made his son The inscription on the list is regarded as a treasure for all generations, but it is difficult to describe it. It is said that Lieutenant General Wei (Wei Dan) inscribed the Lingyuntai incident (Emperor Wei Ming mistakenly nailed the list first and finished the inscription at the Lingyuntai. The birth was celebrated with a cage, and the pulley was long and leaded. He sent a letter to the emperor to write it down. It was twenty-five feet away, and he was very frightened, so he threw his pen and burned it. He was a warning to his descendants, and he wrote a family order. Zi Jing knew what he meant and said seriously: "Lieutenant General, minister of Wei, would you rather have this happen?" If he behaves like this, he knows that Wei's virtue is not long-lasting. An Sui couldn't force him. "
[Explanation]: The people of the Song Dynasty inherited the Yu Xu of the Tang Dynasty and respected the great king but suppressed the young king. Therefore, they said that Zijing had "nothing to do except for others", but they still affirmed the achievements of the young king and praised him for his integrity.
Fifty-eight, the title of Mrs. Wei's letter
Mrs. Wei's letter is neither workmanlike nor vulgar, and the meaning is vulgar. It is written in accordance with the imperial edict.
Fifty-nine, "Monkey's Announcement"
This volume contains the Monkey's Announcement, which makes people like to play, especially not compared with other books. However, I feel strange that the Monkey recommends Ruan Xianzhi Being honest and having few desires, Xian's behavior can be said to be otherwise. It means that the thoughts and intentions are not related. This is the most common disease of Jin people.
Sixty, inscribed in Xiao Ziyun's book
Tang Taizong commented on Xiao Ziyun's book: "The movement is like a roundabout spring earthworm, and every word is like a winding autumn snake. "Looking at its relics today, it is clear that the name Er is due to his false faith.
[Note]
(1) Xiao Ziyun: A calligrapher of the Southern Dynasties, courtesy name Jingqiao, a native of Nanlanling (now Jiangsu) (Northwest of Changzhou). He was an official and a calligrapher, and was highly regarded by Emperor Wu of the Liang Dynasty.
(2) Spring earthworm and autumn snake: The calligraphy is tangled and has no strength at all.
[Explanation]: Chinese calligraphy pays the most attention to composition and bone strength. "The movement is like a winding spring earthworm", which can be seen from the chaos of the composition; The true level of famous calligraphers in history depends on their remains.
Sixty-one, Ba Yu Zheng Xi Tie
Wu Daozi first saw Zhang Sengyao's paintings. "Lang got his name." He sat down under it and could not leave for three days. At the beginning of the expedition to the west, Yu was not convinced by Yi Shao. He later thought that Boying would be far away if he did not catch him again.
[Notes]
(1), Yu Zhengxi: Yu Ji, a calligrapher of the Jin Dynasty, named Zhigong, was born in Yanling, Yingchuan (now northwest of Yanling, Henan), and was an official. He became the general of Zhengxi, so he was known as "Yu Zhengxi". He was good at calligraphy, Gongcao and Li.
(2) Wu Daozi: a painter of the Tang Dynasty, a native of Yangzhai (now Yu County, Henan). It is said that he first learned calligraphy from Zhang Xu and He Zhizhang, and later switched to painting, learning from Zhang Sengyao. His painting style had a great influence on later generations.
(3) Zhang Sengyao: a painter of the Southern Dynasties, a native of Wu (now Suzhou, Jiangsu). He is good at painting figures and Buddhist paintings, as well as landscapes, flowers and birds. Seng Yao is diligent in painting. He mostly relies on calligraphy with his brushes. His strokes are powerful and powerful. He is good at using less to control more. He does not write many strokes, but his form and spirit are complete. His intention is so wonderful that the brush cannot.
(4), Lang gets the name: a false name.
(5) Domestic chicken and wild duck: When Yu Ji was young, he was as famous as Wang Xizhi in calligraphy.
(6) Boying's rebirth: According to historical records, Yu Ji was dissatisfied with Wang Xizhi at first. He often compared Xi's writings with wild ducks, and only when he saw the calligraphy written by Xizhi to his brother Yu Liang, he was greatly impressed and thought he was brilliant. If the gods and Boying are reborn.
(7) Yang Xin: A calligrapher of the Southern Dynasties with the courtesy name Jingyuan. He was a native of Nancheng, Mount Tai (southwest of Feixian County, Shandong Province today). He served as a doctor in Zhongsan and a prefect of Yixing. He was personally taught calligraphy by Wang Xianzhi. At that time, people thought that after Zijing, he could stand alone, so the proverb goes: "Buy the king and you will get the sheep, and you will not be disappointed."
[Explanation]
Dongpo's postscript emphasizes that the beauty of calligraphy and painting lies not in the stimulation of form, but in the richness of connotation. Excellent works can stand the test of history.
Sixty-two, inscriptions and posts
The prime minister is in peace and Yin Sheng is fine. The prime minister must be Emperor Jian Wen, so Yin Sheng is Hao?
Also:
Du Ting’s book is so precious to the world, why not include it in it?
Sixty-three, Questions about Yang Xintie