Born on February 6th, 1943, Tianzhu, Guizhou, Miao nationality, high school culture. The handwriting is scrawled and the number is Jianshan Mohan. Now he is a Chinese painting painter, a first-class artist and a member of the International American League.
Chinese name: Hu Xiancan
Nationality: China.
Ethnic group: Miao nationality
Birthplace: Tianzhu, Guizhou
Date of birth:194365438+February 6th.
Occupation: painter
Main achievements: He is now a Chinese painting painter, a first-class artist and a member of the International American League.
Representative works: Chinese-English Dictionary of Contemporary Painters and Calligraphers in China, Dictionary of Famous Painters and Calligraphers in China in Past Dynasties,
Font size: scrawled,No. Jianshan Mohan
Personal experience
He began to learn calligraphy and painting at the age of four, and was praised as a "little painter" when he graduated from high school. He experienced ups and downs, but he was determined and eventually taught himself. He has won many awards in calligraphy and painting competitions at home and abroad. Many of his works and artistic calendars have been compiled into more than 80 large-scale calligraphy and painting collections and biographies, such as Chinese-English Dictionary of Contemporary Artists and Calligraphers in China, Dictionary of Famous Calligraphers in China in Past Dynasties, and Appreciation of the world famous paintings. Dozens of works have been collected by experts at home and abroad, and won the titles of "first-class painter of international China painting and calligraphy artists", "international silver award artist" and "century meritorious artist".
Personality assessment
Shi Gen, a famous editor of People's Daily, commented on his paintings: "The figure modeling and the form of pen and ink are different from the contemporary popular costume figure modeling, especially the ink line with the golden stone flavor, which makes a group of academic figure painters far behind." "The ink figures painted by Mr. Hu have the following characteristics. First, winning with God is far-reaching and intriguing. The ancients repeatedly stressed that freehand brushwork ink painting should be "God first, followed by shape", that is to say, painting with God is the top grade, and if it is only in good shape, it can only be a product. There are only two people in Mr. Hu's "The Map of the West Out of Yangguan". Although the feelings are different, they are all swaggering, and the distinctive personality is vividly on the paper. I won't elaborate on this spirit. There is not much pen and ink in the characters in the picture, which can be said to be a loose pen, and it is this loose pen that brings God out. Because the characters have gods, and gods vary from person to person, they are deeply painted and can arouse readers' various associations. Second, the brushwork is vigorous and powerful, and the color is simple and bright. Mr. Hu's brushwork is clumsy and old-fashioned, so it presents a simple and rough state, a vigorous and powerful posture. The color is only a few pieces of light ink, which is simple and bright, in contrast to the original ink line, and reveals aura in the dignified. In addition, the composition is intended to flow smoothly in the adventure, thus forming Mr. Hu's unique wild artistic style.