Mi Fei advocates the calligraphy of Jin people, and Bao Jinzhai is the name of his study after Wang Xizhi's Lue Wang Post, Xie An's Eighth Five-Year Post and Wang Xianzhi's Twelve Posts. In the three years of worshipping Ning in the Northern Song Dynasty, three kinds of calligraphy posts were carved on the stone, and the Chijian Pavilion, Jimochi Pavilion and Touyan Pavilion were dug in front of Baojinzhai. In those days, every time Mi Fei was in his spare time, he held water and bowed to the abbot standing in the north of Chibi (later called Shibai), and then waved his hand in the pavilion. This stone is limestone Taihu stone, exquisite and ingenious. It turned out to be near the Huangluo River. Mi Fei liked it very much and moved to the State Council. Mi Fei worships a stone instead of an official. At that time, people thought it was a strange story, but it actually reflected Mi Fei's distinctive personality of relying on talents, being arrogant and out of tune with the world.
The original Zhai was destroyed by fire, and it was rebuilt twice in the second year of Wanli (1574) and the first year of Qianlong (1736). In the thirty-seventh year of Ganqiu, the stone worship map painted by Chen Hongshou and county magistrate Zhanggongqiao was engraved on the tablet. In the thirty-ninth year of Qianlong, Zhang Kunyu, the county magistrate, built a white stone pavilion, a painting and calligraphy boat and a meeting pavilion, and wrote for himself. In the first year of Xianfeng in Qing Dynasty (185 1), it was destroyed by fire. In the third year of Guangxu in Qing Dynasty (1877), ieee fellow, a magistrate of a county rebuilt and built three Migong Temple Towers, with the doors in the center, three wings on the left and right sides of the pool, surrounded by earth walls and bamboo fences, and rockeries were built around the pool, and two stone carvings such as "Mo Chi" and "Painting Vegetables" were collected and entered into the temple.
Mi Fei's inscription in those days has long been destroyed. The basis for defending Ge Hu after inaction is reproduced in Mi Fei's rubbings. During the reign of Xianchun in the Southern Song Dynasty, Cao Zhige was appointed as the chief judge of inaction. He also praised thorns, and added a variety of calligraphy posts of Jin people and Mi Fei, entitled Bao Jinzhai's calligraphy post, whose original engraving was destroyed by modern wars. There are more than 50 inscriptions/kloc-0 by famous people in Jin and Tang dynasties in Mi Gong Tong, most of which were brought to Wuwei by Liu when he was a provincial judge in Jiangsu. Liu, a native of Lujiang County, was a subordinate of Zeng Guofan. He was a military and civilian student in Huaishang, a provincial judge in Jiangsu, a governor in Zhejiang and a governor in Sichuan. At that time, he owned a private house and garden in Wuwei County, and the inscriptions were scattered in his private house before the founding of New China. 1950 all moved to migongke, 1960 inlaid stone carvings on the walls, so that these precious stone tablets can be properly preserved. Since then, Wuwei County Cultural Relics Management Office has sorted out the inscriptions. The first volume, Selected Inscriptions of Bao Jinzhai, has been published by Anhui Fine Arts Publishing House, and others are being published one after another.
The inscriptions on rice are very precious, mostly by famous artists. Among them, Mi Fei's seal script Wang Zan Mo You Mian Cai, Zhang Kunyu's inscription Bao Jinzhai in Qing Dynasty, ieee fellow, the magistrate of Guangxu County in the third year of Qing Dynasty, and Pan Xiaoan's inscription on doing nothing. These inscriptions are informative, recording the maintenance situation and process of the past dynasties, and are valuable materials for investigating the rise and fall of Migong Temple. (selected from "Chaohu Lake Human Landscape")