How do people in the Southern Dynasties evaluate Yuan Ang, Wang Xizhi's Book Review of Ancient and Modern Times?
Wang Youjun's books, like Gu Jie's children, have a refreshing atmosphere by vertically replying to those who are incorrect.
Wang Zijing's books are like teenagers in Heluo. Although full of joy, it is extremely uncomfortable to lift and drag the body.
Yang Xin's book is like a lady's servant. Although she is in her position, she is shy and seems unreal.
Xu Huainan's books, like Nangang scholar-officials, are good in writing, but in the end they inevitably ask for help.
Ruan Yanshou, like a nobleman, lost his quality and he was no longer tired.
Wang Yitong's books are like those of Emperor Jin 'an, but they are not respected and have no gods.
Shi Jianwu's books are like Xin Ting and his father. He is a native of Yangzhou at first sight, and he can hear it in * * * language.
Tao's book of seclusion, like his children, describes that although he has not grown up, he is handsome and fast in his bones.
Yin Jun's book, just like "Koryo Ambassadors", is full of anti-wave spirit, but its rhyme lacks substance after all.
Yuan is like a Taoist priest in the mountains. He wants to retreat when he sees people.
Xiao Ziyun's books are like Lin Chunhua, looking from a distance, close at hand and everywhere.
Cao Xishu chattered like a Taoist priest.
Cui's book is like a dangerous peak that blocks the sun. It is lonely and has the meaning of despair.
Stone's books, such as Peng Yu, are dead.
Wei's "Birthday Book" is like "Vibration of the Tiger", and the tension is tense.
Cai Yong's books are full of vitality and refreshing.
Zhong Situ's calligraphy has twelve meanings, which are surprisingly wonderful, but actually very strange.
Han Danchun's book should be disciplined, but Fiona Fang is successful.
Zhang Boying's books, like Emperor Wu of the Han Dynasty, love Taoism and seek immortality through emptiness.
Suo Jing's books are like floating in the wind. Birds fly first.
Liang Yu's book, like Mao's "Forget about Sleeping and Eating", disappeared from sight.
Imperial books are like songs, and Qin people give up their emblems.
Wei Heng's books are like beautiful women arranging flowers, dancing and laughing on the stage.
Meng Guanglu's books are like a cliff, which makes people awe.
Li Si's world is a crown, which is not easy to level.
Zhang Zhi's classic is amazing, and Zhong You is unique, ranking first in the world. Four holy classes, Hongfang is immortal. Yang Zhen, Kong Cao, Xiao Xing and Fan Kuai were all wonderful at one time.
Twenty-five people on the right, from ancient times to the present, are good at writing I was sent to review ancient and modern books. Because I am stupid and short, I dare not measure rivers and seas. But the imperial Commissioner, considering right and wrong, would like to taste the calligraphy as before, I would like to see it. Generally, on February 5th, four years, Yuan Ang Kai was appointed as the main minister.
This is purposeful, as Qing said. I said that Zhong You's books are full of enthusiasm. If Hong Fei plays in the sea, he jumps cranes and swims in the sky. Dense lines are also sad. Xiao Si's book is full of pen and ink. If the dragon leaps into Tianmen, the tiger lies in Fengge. The words in Shao Bo's book are jaw-dropping, such as a dancer with a low waist and a fairy whistling at a tree. Even the shaking paper has a tendency to fly. Ignorance is darker than ignorance. I would rather dare to measure mountains and seas wrongly than seize my destiny, and I have to consider the right and wrong of my fault, such as getting soup charcoal.
Yuan Ang, a painter in the Southern Dynasties, and Yuan, a native of Fule (now Henan), said that Chen Jun was a human being. Thousands of miles away, Shi Qi was a Wu Taishou, and Liang Wudi was used as an official, and he moved an official order. He was a servant.
Wang Xizhi's Self-evaluation
My book is better than the clock, and Zhang Dang is resistant to it, or it is called it; Cao Zhang is especially a wild goose. Zhang Shancai has been outstanding, learning books in Linchi, and the water in the pool is exhausted; If I was worried about it, I might not thank it. Everyone who understands later knows that their comments are true. I worked hard for a long time and found out all the old books, but Zhong and Zhang were the best and the rest were the best, so I didn't care enough. Go to this two sages, and then serve the book. To deepen the meaning of the book, dots and paintings are intentional. If you can't finish talking, everything will be fine. Shi Liping, welcome. The related contents of Lun Shu were expressed in Yu Lan's Lun Shu Biao during the Liu and Song Dynasties in the Southern Dynasties. Jin Shu? The biography of Wang Xizhi is also recorded; In the Tang Dynasty, Sun cited the Book Score. Although there are small differences in terms of words, the general idea is the same.
Wang Xizhi put his calligraphy art at the height of China's calligraphy history. He thinks that "Zhong Zhang is the best and the rest are the best, so I don't care." And his own calligraphy is comparable to that of Zhong You and Zhang Zhize, showing a parallel trend, or surpassing them in some places, especially the cursive script close to Zhang Zhize. Wang Xizhi's evaluation of his calligraphy art is fair and objective, without exaggeration or modesty, and full of the confidence of a generation of masters. Wang Xizhi tried to learn from Zhong You and Zhang Zhi. Zhong You's apparition has been highly valued by the Wang family, and many people in the family have studied it. Only Wang Xizhi's calligraphy is worse. Wang Xizhi once said that "a true book is better than a clock, so the grass is reduced." In fact, Wang Xizhi's cursive script is natural, pure and vivid, which is recognized as better than Zhang's. Now we can see from the cursive scripts such as Seventeen Posts. Wang Xizhi acknowledged Zhang Zhi's efforts to "learn from the law pool and learn from the ink", but Wang Xizhi's skills in his later years were not inferior to Zhang Zhi's.
Compared with his contemporaries, Wang Xizhi's calligraphy art is "Pingnan and Li Pingjun don't appreciate it". Pingnan is Wang Pingnan, Wang Xizhi's uncle Wang Xun; Shi Li is Mrs Wei's nephew. They are all famous calligraphers. Wang Xizhi is obviously ahead of them, but here he says, "Don't thank me for my comments." .
This book theory puts forward its own point of view on calligraphy creation: "To deepen the meaning of the book, it is intentional to point and draw." Who can't talk enough, who can do the best, everything is natural. "Meaning" exists between stippling, not on the surface of stippling. This "meaning" is mysterious and profound, and can only be understood, but it is difficult to express. He believes that "meaning" is the highest realm of calligraphy. Later generations all say that Wang Xizhi's calligraphy art is superb, that is, it has the connotation of "meaning", which means metaphysics and expresses metaphysical feelings. Using calligraphy as the expression of mysterious feelings, as early as in Mrs. Wei's Book Theory (Biography), it was proposed that "meaning" and form should be taken as a whole as a preparation before creative conception. Wang Xizhi further deepened the "meaning" and took it as the boundary between "calligraphy" and non-calligraphy.
Wang Xizhi's Modern Evaluation