Liu Yong: Liu Yong (17 19— 1804), a calligrapher in Qing Dynasty. The word worships Confucianism, is famous for its security, and is from Zhucheng, Shandong. In the 16th year of Qianlong (175 1), he was a scholar, assisted by imperial academy's editing, and in the 3rd year of Jiaqing (1798), he was awarded a bachelor's degree in Tiemen Pavilion, and in the 4th year (1799), he was awarded the title of Prince Shaobao. Before he died, Jin gave Taibao to the prince and entered the immortal temple. Broadcom has hundreds of classics and history, but political articles are all covered by their titles. Especially the long fine print, thick ink, strong appearance and unique features. Zhang Weiping commented on Song Xuan's essays: "The appearance is rich and powerful, and the taste is thick and secret, which is beyond the cage of the ancients." Tsui Hark's "Clearance of Banknotes" is evaluated as: "Zhucheng calligraphy, compared by critics to the voice of the yellow bell and the voice of the great Lu, is regarded as the crown of a generation of calligraphers, and it has become a family of its own. The so-called golden voice is a great achievement of the cluster. " Books handed down from ancient times include Su Shi's Ode to Qiuyang, Lower Case, Seven-word Couplet of Running Script, Vertical Axis of Running Script, Eight-word Couplet of Giving Bamboo Springs, etc.
The prime minister is full of color
Liu Yong was a famous prime minister and calligrapher in Qing Dynasty. His calligraphy is the best in the world, and he is also called "four great masters" with Weng Fanggang and Prince Cheng at that time. He and Wang Wenzhi are also called "prime ministers with strong ink, but not with light ink".
Liu Yong's calligraphy is quite different from the calligraphy tradition since the Ming Dynasty. He does not pursue the fluency and elegance that ordinary calligraphers are accustomed to, but creates a graceful, quiet and even sloppy aesthetic feeling with rich stippling, loose words and heavy ink color. But when Liu Yong began to learn calligraphy, he did not regard it as an art, but as a means of imperial examination. But with the growth of age and the accumulation of knowledge, he gradually realized the charm of calligraphy art and made great efforts.
When Liu Yong wrote books for his guests, he often used this writing method, that is, he surrounded his thumb and forefinger in a circle, which was later called "the method of dzi beads". Liu Yong did this to show people the style of his masterpiece. However, when he wrote a book behind closed doors, it was another scene. "Pen like dancing dragon, hovering around, tube with refers to turn. What's more, the pipe will fall to the ground. " This unconstrained style of writing embodies Liu Yong's freewheeling style.
Liuyong statue
Liu Yong's running script is the most distinctive and can best represent his calligraphy level. His running script has two main features. One is "fat". This feature is formed by Liu Yong's absorption and exaggeration of Su Shi's calligraphy and pavilion style. Liu Yong likes to write on wax paper with wolf hair and extremely thick ink, which is extremely full, so his strokes are thick, he looks fat and lacks bones and muscles. But after careful taste, I found that every stroke is healthy and the bones are clear. The second is "quiet". Liu Yong writes, hides the front with a pen, and returns the front with a pen, eliminating the disadvantages of showing bones and muscles. Its font is heavy, the ink color is heavy and gloomy, the composition is independent, the lines are clear, there is no grandstanding, and there is a solemn and quiet interest. As Guo Shangxian said: "The famous artists of Jin, Tang, Yuan and Ming are all static characters. It is not easy to know that fire is pure blue. The only person who can talk is Mr. Shian. "I think this is a pertinent comment.
Liu Yong was nicknamed "Prime Minister of Thick Ink" by later generations because of his thick pen and ink.
"Send Cai Mingyuan to Syria's Axis" for Liu Yong's rescue.