Hard drawing is not good-looking.

First, rice paper is soft, often folded, with creases in the middle. In addition, when writing with ink, rice paper will wrinkle after absorbing ink. At the same time, some writers have to fold the rice paper, and the crease is obvious. For the above reasons, the photographed calligraphy works are uneven and wrinkle-free, and even if they are repaired by software later, the effect is not satisfactory.

Second, shooting calligraphy works requires that the mobile phone must be perpendicular to the works, but often the calligraphy works are of various sizes, such as squares, circles and strips. And some of them are very large, and it is difficult to align the works very vertically without training and tools. As a result, the work is skewed and the font is deformed, even if the software is trimmed, it will also destroy the original work.

Third, the light is not easy to control. Shooting scenes and people requires different levels of light to have a more three-dimensional effect. When you shoot calligraphy works, you can't have this three-dimensional sense and shadow. Only uniform light can ensure the clarity and perfection of the work. Once the light darkens, the effect is immediately discounted, and it is difficult to deal with it evenly in the later stage.