Liu Boqin (1921-1September 5, 984) was named Zhu Weng. Fengtai, Daxing County, Beijing. Where I live, Ri Hong Zhao Inn. His ancestor, Liu Quanfu, was a famous master of stele study, made good friends with Zhao and had a rich collection of books. Birchin was influenced by his family. As a child, he liked calligraphy, seal cutting and epigraphy. He studied with his uncle for many years, and then his family came down, so he made a living by calligraphy and seal cutting. Calligraphy is well-read, devoted to Oracle Bone Inscriptions, inscriptions on bronze inscriptions, Han and Wei dynasties and cursive scripts. He also pays attention to broken characters, and his momentum is heavy, which has long been praised by calligrapher Wu. His works have been selected for many Japanese exhibitions and received rave reviews. It is said that the bronze inscription is the most confident of all styles, and it can be used in today's writing without losing its ancient meaning. The others write, and the grass method is elegant, mellow and lovely. If you seek it in today's era, it is not easy to get. 1956, Chen, Pu Xuezhai, the predecessors of the calligraphy circle, organized the Beijing Calligraphy Research Association to revitalize China's traditional arts. Zhu Weng actively participated in it, took calligraphy classes in Beijing Normal University and Children's Palace for many years, and spared no effort to cultivate new seedlings of calligraphy. -1964, CCTV organized Zhu Weng, Zheng Songxian, Kang Bofan and others to hold a TV calligraphy lecture. It is the first time in China to carry out calligraphy teaching through modern scientific and technological means. Until the year before his death, some scholars still published European books in calligraphy.
Among the seal cutting of books, Yu Youxi likes his seal cutting best. Since the beginning of the cloud, Anhui and Zhejiang were the teachers, and later generations were the masters of Qin and Han Dynasties. Middle-aged people advocate the fluency of knife-cutting. Before Deng Zhi's method, they respected the seal styles of Song and Yuan Dynasties and adopted the family styles of Ding (Long Hong), Zhao (Zhi Qian) and Wu (Chang Shuo), all of which were impressive, and they learned from the ups and downs of bronze inscriptions. In the Han Dynasty, brick and mud seals were rich and used skillfully. In addition to treating stones, he carved bronze and jade articles, played with knives and counted lettuce over the years, which was extremely rare. When neighbors from the East visit Beijing, people who admire India are often at a loss. Busch Zuishi, president of the Japanese lettering association, led a delegation to hold the first Japanese lettering exhibition in Beijing, and Chinese and Japanese seal engravers met and exchanged ideas. Mr. Zhu Weng arranged to carve with President Bush. When President Bush held the seal of "Drunken Stone" carved by Mr. Zhu Weng in an instant, he expressed his deep gratitude and said that the art of his counterparts in China was indeed better, and he should learn from his counterparts in China with an open mind. Its reputation is too good. China Calligraphers Association was established and elected as the first director. In the 1970s, I didn't get the rest: I didn't cherish the prints I made in the past, but my close friends wanted to print the rest for artists such as Lu, He Hanyu and so on, which could be made into four volumes. 1980, People's Fine Arts Publishing House published Selected Seal Carving of Five Cave People, which was prefaced by Mr. Shen Peng. Five famous artists in Beijing, headed by Zhu Weng, were not officially published until 1987. According to Calligraphy Newspaper, on the anniversary of Zhu Weng's death, China Calligraphers Association organized dozens of painters, family members and disciples of Zhu Weng to hold a commemorative forum, which greatly praised Zhu Weng's artistic spirit and outstanding achievements, and invited him to be detached from his little-known porcelain carving art. (Ma Guoquan, 1994 1 28th)