Huang Yun has been interested in calligraphy since he was a child. He has studied with various calligraphy masters in the Jin and Tang dynasties, and has extensively studied traditional calligraphy theories. He moved to the north and south in his early years, and worked in politics for a long time after liberation. In his spare time from official duties, he did not give up the exploration of calligraphy. He also likes to collect authentic works and epigraphic rubbings of famous masters from past dynasties, and explore calligraphy and contemporary calligraphy theory. The real calligraphy inherits the European tradition and refers to the North Stele, while the running script and cursive script belong to Wang Hanmi. On the basis of inheriting the tradition of calligraphy, after a long period of artistic practice, he finally formed a personal calligraphy style that is both connotative and sharp. Mr. Huang Yun spent nearly 20 spring and autumn years in Liangyang as a teenager. After liberation, he served as secretary of the Guilin and Liuzhou Municipal Committees in Guangxi. The beautiful mountains and rivers of Liangyang, Guilin and Liuzhou had a clear influence on the formation of his calligraphy's vigorous and elegant style. Mr. Huang Yun's calligraphy showed its prominence in Japan in the early 1960s. At the beginning of the 1990s, he traveled east again to exhibit, and his calligraphy became even more brilliant. He has also participated in many large-scale book fairs in the country. Mr. Huang Yun also has a deep understanding of poetry, and his accomplishments can be seen in the self-composed poems written in calligraphy collections.