Huang (1269 September12-1354165438+October 10) was a painter in the Yuan Dynasty. Claiming to be from Pingyang, Zhejiang. Tao's "Dropping out of Farming Record" called him "the original surname Lu", and was adopted by Huang in Pingyang, Wenzhou. Because he changed his surname to Huang, he became a public figure with a long word, a famous Yifeng and a great Taoist.
Huang was once an official of the procuratorate of CCTV and was once imprisoned; Later, he joined Quanzhen Sect and traveled to Hangzhou, Songjiang and other places to sell hexagrams. He lived in Shaojiquan, Hangzhou in his later years and died in Zheng Zhi, Yuan Shundi (1354) on October 25th, 14th, at the age of eighty-five.
Huang's calligraphy, tonality and good poetry. Especially good at landscape painting, he studied under Zhao Mengfu, Dong Yuan, Ju Ran, Hao Jing, Guan Tong and Li Cheng. Ink and wash, pale crimson, strange characters in the grass, magnificent, simple in brushwork, perfect in spirit, unique in its own way, and won the evaluation of "lush peaks and lush vegetation" The first place is Yuan Sijia (Huang, Zhenwu, Ni Zan, Wang Meng). Paintings handed down from ancient times include Fuchun Shan Jutu, Shui Ge Quiet Map, Tianchi Stone Wall Map, Jiu Feng Snowfall Map, Fuchun Daling Map and so on.
Characteristics of yellow
1, painting
Huang is knowledgeable and proficient in calligraphy, melody and poetry. He began to learn painting at the age of 50 and often wrote essays about scenic spots, especially his ink and wash landscapes. Huang pays attention to imitating nature in his paintings, and often carries a pen and paper to describe the natural scenery such as Yushan, Sancha, Jiu Feng and Fuchunjiang. He draws with the brush strokes of calligraphy, and has two faces: ink and light crimson. His brushwork is simple and elegant, and his style is vigorous and magnificent. He created pale crimson landscapes with beautiful style, simple and lively, which had a great influence on landscape painting in Ming and Qing Dynasties.
2. Painting theory.
Huang summed up the previous landscape painting theory and combined with his own artistic practice, and wrote a relatively complete painting theory "Writing Landscape Tactics" which introduced landscape painting techniques. When he lived in Songjiang, he became obsessed with the observation of landscapes. Sometimes he sits in the mountains all day and forgets to eat and sleep. When he lived in Fuchunjiang, he always carried a leather bag with built-in painting tools. Whenever he sees the scenery in the mountains, he will write it down with exhibition paper.
Reference to the above content: Baidu Encyclopedia-Huang