After spraying water on the back of the calligraphy and painting heart, brush it with paste and then coat it with a layer of raw rice paper. Heart margin raw rice paper includes single declaration, duplicate declaration and folder declaration. Different heart paper should be selected according to the thickness of the heart paper for painting and calligraphy. The calligraphy and painting heart must be wrung dry on the wall, flattened with a brown brush when climbing the wall, and lifted with a bamboo screwdriver after five or six days of drying.
According to the skeleton of the calligraphy and painting heart, cut the materials to be inlaid and choose the color of the painting heart. The paste used at this time is a little thicker. The inlaid calligraphy and painting heart should be pasted with backing paper at the back and then wrung dry on the wall. The pole of heaven and earth should be tightly wrapped with chain paper, and the joint should be well pasted with thick paste, and then the rope should be tied.
The mounted calligraphy and painting are as follows:
The mounting of calligraphy and painting needs to go through many processes, such as washing, uncovering and repairing, repairing the residual mouth, making alum full of color, stabbing and mounting silk, embedding silk, flanging and supporting the back, polishing the pole and so on. But it can be mainly divided into: painting heart, ordering and mounting, etc.
Calligraphy and painting binding has a long history in China. As early as the Warring States period, there were silk paintings and books, and there were mounting paintings in the Western Han Dynasty. For example, the upper end of the silk painting unearthed from Mawangdui Han Tomb in Changsha, Hunan Province is equipped with flat wooden strips tied with silk ropes, and both ends of the wooden strips are also tied with streamers. In the Northern and Southern Dynasties, paintings and calligraphy were mounted on red axis green paper. Famous jockeys include Ye Fan, Xu Ai, Chao Shangzhi and others. Calligrapher Yu Hu also wrote framed works.
It was not until the Tang Dynasty that brocade was used for painting and calligraphy, and its style was magnificent, resulting in many masters. Zhang Yanyuan set up a chapter on "Mounting with an Axe on His Back" in Records of Famous Paintings in Past Dynasties, and discussed mounting matters. Because of the prosperity of calligraphy and painting in Song Dynasty, mounting has also achieved unprecedented development. Silk is used as mounting material, and mounting styles are rich and colorful.
References:
Baidu encyclopedia _ calligraphy and painting mounting