Which emperor painted the best?

Song Huizong Song Huizong Song Huizong (1082 ~ 1 135) was an emperor, painter and calligrapher of the northern song dynasty in China. Eleven sons of Song Shenzong, the eighth emperor of the Song Dynasty (reigned1100 ~1125), reigned for 25 years. During his reign, Cai Jing, Tong Guan, Gao Qiu and other treacherous court officials presided over state affairs, plundered the wealth of the people, and were extravagant and dissolute. Establish an article manufacturing bureau dedicated to the royal family. They also searched around for exotic flowers and stones and transported them to Kaifeng, called "Flower Stone Class", to build Yanfu Palace and Genyue. He believed in Taoism, calling himself "the founder of Taoism, Emperor Daojun", built a large number of temples, set up 26 Taoist officials and paid Taoist salaries. During his reign, the rebellion led by Fang La and Song Jiang broke out. In the second year of Xuanhe (1 120), he sent envoys to make peace with the rulers and attack Liao. In the seventh year of Xuanhe, Jin Jun went south to attack the Song Dynasty. He was transferred to Zhao Huan (Qinzong) and claimed to be the emperor's father. In the second year of Jingkang (1 127), he was captured by Jin Bing together with Qin Zong. Later, he was imprisoned in the north and died in Wu Guocheng (now Yilan, Heilongjiang). During his twenty-six years in office, he was incompetent in governing the country, but his artistic talent was quite high. Calligraphy is called "thin gold body", and handed down paintings include "Furong Golden Rooster" and "Late Autumn by the Pool", which can also be used as poems. Posthumous title of Song Huizong is a filial emperor who is integrated with body and mind, a sage and virtuous. I really don't know how the etiquette officials in the Southern Song Dynasty came up with such a pile of compliments. At first glance, this pile of posthumous title, people who don't know history, may think that Hui Zong is a benevolent emperor. Before he became an emperor, he liked painting and calligraphy, and he was connected with painters, such as Xu and Zhao Lingmi's imperial clan. After he acceded to the throne, he was politically incompetent, but he made great achievements in painting and calligraphy, and made important contributions to the development of China's painting, one of which was his emphasis on and development of the Academy of Painting. In the third year of Chongning (1 104), paintings were established and formally included in the imperial examination to attract painters from all over the world. Painting credits include Buddhism, Taoism, figures, landscapes, birds and animals, flowers and trees, houses and trees, and ancient poems are selected as examination questions. After being admitted, they are divided into "scholar flow" and "miscellaneous flow" according to their identity, living in different places, cultivating and constantly assessing. Those who enter the Academy will be awarded the titles of painting correction, art study, waiting for imperial edict, honouring and painting student. At that time, the status of painters was obviously improved, and both clothing and salary were higher than other artists. With such generous treatment and Hui Zong's guidance and care for the creation of the Academy as a painter, the creation of the Academy in this period was the most prosperous. Under his instruction, the royal collection was also greatly enriched, and the paintings and calligraphy collected in the palace were compiled into Xuanhe Shupu and Xuanhe Huapu, which became important materials for studying the history of ancient painting today. Evonne's own creative face is not as exquisite as he asked the painters in the Academy of Painting, but a rough ink painting. Among the works handed down from ancient times, there are many signed works, but the paintings are more detailed, such as "Dragon Stone Map", "Lotus Golden Rooster Map", "Listening to Songs", "Snow River Returning to Mountain Map" (all in the Palace Museum), "Ruihetu" (in the Liaoning Provincial Museum) and "Bamboo and Birds" (in the Metropolitan Museum of America). Both paintings are ink and wash paper, and the brushwork is simple, not flashy and natural. The Autumn Night Map of Pond collected in the National Palace Museum in Taipei also belongs to this category. After the demise of the Northern Song Dynasty, the thriving Hui Zong Xuanhe Painting Academy came to an end, and some painters of the Academy gradually gathered in Lin 'an, the capital of the Southern Song Dynasty, and resumed their posts in the Academy, becoming the backbone of the Southern Song Dynasty Painting Academy. Li Tang, Liu Zonggu, Yang Shixian, Li Di, Li Anzhong, Su Hanchen, Julie and Li Congxun all belong to this situation. Although Song Gaozong was not active in politics, he still attached great importance to painting and calligraphy. Especially later, he used painting to serve his politics and organized painters to create. Therefore, in the Southern Song Dynasty, painting activities were mainly centered on the Academy of Painting. Evonne's representative works: Yanshan Pavilion cuts ice, overlaps many times, and evenly injects cold fat. New and beautiful makeup, full of fragrance, ashamed to kill Jolie's ladies-in-waiting. It is easy to wither, and it is getting more and more ruthless. Sadness. Idle and desolate, several Spring Festival Galas. With hate, the swallows can't talk. The sky is far away, and there are thousands of waters in Qian Shan. I know where the Forbidden City is. Why not think about it, except in dreams, sometimes I'm gone. There is no evidence. And dreams, sometimes not.