Some people say that it should be "sleeping at night in Fengjiang River" (Tang Zhongwu's Collection of Orders between Zhongxing), while others say that "Fengjiang River was cut off in ancient times" and "Bridge was sealed in ancient times" (Song and Zhou Zundao's Talk about the Leopard's Seclusion). It was also said that "this bridge was mistakenly closed until Wang Xuan corrected it into a maple bridge" (Continued Wu Jun Tu Jing). What's more, "Originally, the river was closed and the bridge was closed, but Wang Bang was changed into a maple tree, which made people stunned by power and had to curry favor." However, Ke Chenggong and others pointed out, "Before the Tang Dynasty, Qiao Feng was called Qiao Feng, Wu Yufeng and Feng Tongyin were homophones, and Qiao Feng was mistaken for Qiao Feng because there were frosty red leaves by the river. According to the phenology and moon phase analysis instructed by Zhang Shi, Zhang Shi regarded Chinese tallow and other trees as' maple trees' when he planted them in the late autumn of October (solar calendar 165438+ 10) in the south of the Yangtze River. So Jiang Feng refers to the red leaf trees along the river, not necessarily maple trees. Legend has it that Tang Wuzong likes Zhang Ji's poem a night-mooring near maple bridge very much. One month before his sudden death, he ordered Lu, the first stonemason in Beijing, to carefully carve the inscription "a night-mooring near maple bridge", and said at that time that he would take it with him when he ascended to heaven. So after Tang Wuzong's death, this tablet was buried in the underground palace of Wu Zong and placed on the coffin bed. Moreover, Tang Wuzong also made an edict: Only I can appreciate the poem tablet of a night-mooring near maple bridge, and future generations can't share my happiness. Traitors and thieves who carve poems and monuments will be condemned by heaven, and they will never be able to survive! Later, it is said that Wang Jue, a great scholar in imperial academy in the Northern Song Dynasty, and Wen Zhiming, a gifted scholar in the Ming Dynasty, both died because of this poem.
1939, Qian Rong died suddenly after he carved the poem "Sleeping at Night" near Fengqiao.
1947, a famous Suzhou painter asked Zhang, a veteran of the Kuomintang, to write a poem tablet of a night-mooring near maple bridge. Zhang, a modern poet in the Qing Dynasty, once wrote a poem by a poet in the Tang Dynasty, which was handed down as a much-told story at that time. However, Zhang Ji died the day after writing the poem a night-mooring near maple bridge. Ouyang Xiu, a Song Dynasty man, raised a question after reading this poem. He said in "Poems on June 1st": "There is a cloud in the Tang Dynasty: Gusu went down to Hanshan Temple, and the bell rang to the passenger ship at midnight. The speaker also said: the sentence is good, and it is like the third night, not when the clock strikes. " He thinks it is midnight, not the time to ring the bell, so the poem is well written, but it is not realistic. His quotation was mistaken for "outside the city" as "under the stage" and "midnight" as "midnight". I don't know if it's a memory error or if I saw another paragraph. Many people disagree with Ouyang Xiu. Wang Zhifang Shi Hua quoted a poem by Gu Yu: "Be sure not to enter the palace to accompany you, and listen to Weishan at midnight." Bai Juyi's poem: "Under the pine shadow in the new autumn, after the midnight bell." Fu Zhai Man Lu quotes Huang Furan's poem: "Autumn is near the moon, and the mountain clock is separated from midnight." Cai's poem "Guang Lin Collection" also quotes Wen's poem: "Wandering around often looks back, and there is no window at night." This is the midnight bell heard by poets in the Tang Dynasty. Fan Yuanshi's "Eye of Poetry" also found the allusion of midnight bell from "Southern History".
Sun Songyong's quatrain "Crossing the Qiao Feng Temple" says: "To grow old together and dream back, the castle peak will not change its old appearance. The five bodies of the moon fall on the temple by the bridge, and the pillow still smells midnight. " "Poetry" said: "Zhang Ji's" Midnight Bells to Passenger Ships "has always been talked about, and it was all fooled by former people. Poetry flows from the scenery only in the tone of melody, and the combination of interest and image is only a fact. How can he be idle? No matter what is right or wrong in the middle of the night, that is, whether the death knell smells or not, it is unknown. " Excerpt from Tang poetry: "The midnight bell is either wrong or there is a midnight bell here, which is not a solution. If you want it, the poet can't be persistent. If you persist, then' the morning bell is wet outside the clouds',' the clock and the white clouds' and' the fallen leaves are full of sparse clocks' are all unreasonable. " Shi Lin Shi Hua proves that Suzhou Buddhist temple still rang the bell at midnight in the Southern Song Dynasty. A night-mooring near maple bridge Monument has always been a symbol of Qiao Feng and Hanshan Temple, especially the a night-mooring near maple bridge Monument written by Yu Yue, a master of Chinese studies in the late Qing Dynasty, which is a major attraction of Hanshan Temple.
Some people think that a night-mooring near maple bridge's poem tablet in Hanshan Temple is called "the first poem tablet in China" because of its cultural accumulation and profound historical origin. According to the textual research of Zhu, a scholar in the Song Dynasty, as early as Jiayou years in the Northern Song Dynasty, a night-mooring near maple bridge, written by the official (Zhigong) of Shangshu, had been carved into a monument. 1996, Hanshan Temple, with the help of relevant libraries in Taiwan Province, collected more than 3,000 words of Wang Gui ink, and re-integrated the Poem Monument on Sleeping at Night by the Maple Bridge written by Wang Gui.
Many famous painters and calligraphers carved stone tablets because of a poem about sleeping at night near Fengqiao. After Wang Gui in the Northern Song Dynasty, the most representative ones were Wen Zhiming in the Ming Dynasty, Yu Yue in the Qing Dynasty, Zhang Ji in the Republic of China, and Liu Haisu and Qigong in modern times. Among them, there is even a calligraphy inscription on the poem "a night-mooring near maple bridge" written by proletarian revolutionaries Li Dazhao and Chen Yun, and other clearly recorded ones are the book "Qiao Feng Temple" written by Song; Yao Ming Xiaoguang wrote the monument of Hanshan Temple Revival; Tang Yin wrote the tablet "Zhong Shu of Hanshan Temple in Gusu" and wrote the tablet "Hanshan Temple Rebuilds the Hall of Heroes" in the third year of Chongzhen in the Ming Dynasty (1630). In the Qing Dynasty, one of the eight eccentrics in Yangzhou painted Hanshan, which was like a carved stone, wrote the inscription of Hanshan Temple in the Qing Dynasty, and Zheng directed the painting of statues of Hanshan in the Qing Dynasty. Zhang Ji's poem "a night-mooring near maple bridge" is also a household name in Japan, and it has also been selected as a textbook for Japanese primary schools. In the Qing Dynasty, Yu Yue wrote in "The Record of Newly Built Hanshan Temple": "When Japanese literati came to see it, they often talked about Hanshan Temple, saying that the son of his country was three feet old and had to recite poems."
1929, Japan built a temple on Mount Mei Qing, also called Hanshan Temple. This temple is modeled after Suzhou Hanshan Temple. The stone tablet is engraved with Zhang Ji's poem "a night-mooring near maple bridge", the bell tower has "midnight bell" and the nearby valley has "Maple Bridge".