First, Xiao
Xiao has three structural points, which can also be called means and skills.
1, the upper and lower parts, because of the different tilt directions, get a curved posture. As shown in the figure.
2. As a whole, it leans to the left.
3. The space above is to strengthen the contrast, with sparse above and dense below. The ancient masters never spared the artistic treatment of space.
The second is also
"Guo" is a word with a wide overall space, and only the intersection of strokes in the middle is very dense, probably for the sake of overall density and contrast. There is a special place, the second corner above, trying to pull to the right, and the "gang" below trying to pull to the left, forming a posture swing.
Third, the court.
1, the "court" as a whole is a horizontal opening and closing change, which is obvious by marking. The last sinking is very important.
2. The middle part leans to the right.
3. Density enhances contrast, and the middle part is squeezed together horizontally to form the word "density". In fact, density can also be understood as the release of emotional rhythm.
Fourth, since
Zi doesn't seem to see any spelling patterns. In fact, Sun has also written some articles on him. In order to keep the Shu Lang loose in the middle, we should control the size and position of the two small horizontal lines, and make room on the left and right by writing them down. This is not just a simple writing connection. His size determines the comfort of the space, and when he writes big, it will appear crowded and clumsy.
Verb (abbreviation for verb) sun
1, "Sun" opens first and then closes.
2. Secondly, the left is dense and the right is sparse, and the left is closed and the right is put. The rhythm of writing is very vivid.
This also reveals that it is relatively easy to give a word vitality and make it live.