1. Four-character idiom describing painting: Four-character idiom describing architecture: Four-character idiom describing calligraphy:
Four-character idiom describing painting:
Masterful painting
Ready to be seen
Live dragon appears
Immersive
Lifelike
Lifelike
Vivid on the paper
Four-character idiom to describe architecture:
High-rise and strategically placed
Incredible craftsmanship
< p> BeautifulCarved beams and painted buildings
Four-character idiom to describe calligraphy:
Flying dragons and dancing phoenixes
Superb
Three points into the wood
Novel and unique
Echoing each other
Uniform density
Virtual and real complement each other
Retract and release correspondingly 2 . Four-character words to describe painting, architecture, and calligraphy
Idioms to describe painting
To add to the detail, to add to the detail, to be lifelike, to be alive, to be vivid, to be the finishing touch, to be integrated, to be complete, to be a masterful painter
Idioms that describe architecture
The magnificent and magnificent crowned hall, the royal palace, the four walls are unprecedented and criss-crossed, stand out from the crowd, and are unique. The majestic and majestic carved railings and jade pavilions, the Danqiong Tower, the intrigues, the magnificent palace, the majestic crown, the intrigues, the intricate carvings, the four walls, the caves, the sky, the eight sides, the criss-crossing, the three palaces and the six courtyards, the deep houses and courtyards, row upon row of ingenious Qiong towers, jade palaces, and towering pavilions. The clouds reach straight into the sky, the simple and elegant red walls and green tiles are unparalleled in the world
Idioms describing calligraphy
Dragons and phoenixes dance into the wood, three-point iron strokes, silver hooks, letter pens, graffiti, facial muscles, willow bones, precious ink, like gold, splashing ink, pen moves, dragon, snake, knife and gun Sen Yan's pen is full of ink, and the pen is full of ink. The dragon and snake are the first to write. The spring of Huang Ting, the earthworm in autumn, the snake's strength penetrates the paper. The dragon flies, the phoenix dances, the dragon and the snake fly into the wood. Three-point letter pen graffiti, iron painting, silver hook, beautiful woman, hairpin, snake, and extravagant. Lifelike dragon, lively tiger, lifelike, wonderful pen, finishing touch, mastery, mastery, green pen and ink dripping. 3. Four-character idioms about calligraphy
The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote about Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was at war: the sword was drawn from its sheath, and the bow was opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying and exemplifying a book was called "example and enlightenment". See "Fanfan Jiexi". Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife among advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying gesture of calligraphy strokes.
Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrating three-thirds of the wood: It originally described the power of calligraphy (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated three-thirds of the wood into the wood), now it mostly describes the profound and powerful force of analysis, description and discussion.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful. 4. What are the four-character idioms about "calligraphy and painting"
1. Sweep across thousands of armies
Pronunciation: [ héng sǎo qiān jūn ]
Definition: Sweep across: Sweep, sweep away. Sweeping away a large number of enemy troops like sweeping the floor.
Source: "Drunk Song" by Du Fu of the Tang Dynasty: "The origin of the word is that the water of the Three Gorges flows backward, and the formation of pens alone sweeps away an army of thousands."
2. Silkworm Head Swallowtail
Pronunciation: [ cán tóu yàn wěi ]
Definition: Describes calligraphy that starts with a dignified stroke and finishes with a light stroke.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I wanted to find the end of its shape, so I called it a silkworm head and a swallow tail, and I just got it."
3. Three-point penetrating wood
Pronunciation: [ rù mù sān fēn ]
< p> Definition: According to legend, Wang Xizhi was writing on a wooden board. When he was carving, he found that the writing penetrated three-thirds of the way into the wooden board. The calligraphy is described as extremely powerful. Nowadays, the problem of multi-metaphor analysis is very profound.Source: Tang Dynasty Zhang Huaiguan's "Book Break": "When the Jin Dynasty offered sacrifices to the northern suburbs; he updated the edition; workers cut it; the pen penetrated the wood into three parts."
4. The pen moves like a dragon or a snake.
Pronunciation: [ bǐ zǒu lóng shé ]
Definition: Describes calligraphy as vivid and powerful.
Source: Gao Deng of the Song Dynasty, "Sending Taiyuan": "The brocade is in the chest; the dragon and the snake are walking in the pen."
5. As powerful as a startling dragon
Pronunciation: [jiǎo ruò jīng lóng]
Definition: Jiao: strong. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
Source: "Book of Jin·Biography of Wang Xizhi": "The commentator calls it the style of writing; it is as floating as a floating cloud; it is as powerful as a startling dragon."
6. Power penetrates the back of the paper
< p> Pronunciation: [ lì tòu zhǐ bèi ]Definition: pass through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
Source: "Oubei Poetry" by Zhao Yi of the Qing Dynasty: "(Lu You's poems) The intention comes first; the power penetrates the back of the paper."
7. The dragon and the phoenix dance
Pronunciation : [ lóng fēi fèng wǔ ]
Definition: It originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes. < /p>
Pronunciation: [ rú zhuī huà shā ]
Definition: Like drawing on the sand with an awl. Describes calligraphy strokes that are even but not sharp.
Source: Song Dynasty Jiang Kui's "Sequel Book of Books·Using the Brush": "Use the brush... like a cone to draw sand... want it to be even and the edge can be hidden."
9. Falling Paper Clouds
Pronunciation: [ luò zhǐ yún yān ]
Definition: The pen and ink falling on the paper are as varied as clouds and smoke. Describes calligraphy or poetry as superb, mysterious and varied.
10. Dragon and snake flying
Pronunciation: [ lóng shé fēi dòng ]
Definition: As if a dragon is flying and a snake is swimming. It describes calligraphy as vigorous and vigorous, with strong pen power.
Source: Song Dynasty Su Shi's "Xijiang Moon Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."