Hao,No. Tuiweng, Ziyun layman, semi-Ming landlord, semi-mountain master, Xiaoyao hall master. He is currently a member of China Calligraphers Association, a member of the Creative Committee of the Exhibition Center of China Calligraphers Association, the Secretary-General of the Regular Script Committee of Henan Calligraphers Association, an art consultant of Gao Memorial Hall, and the president of Pingdingshan Radio and Television Painting and Calligraphy Institute.
His works have participated in the Newcomer Exhibition, Couplet Exhibition, Youth Exhibition, National Exhibition, Lanting Award (nominated by the third Lanting Award for artistic creation) hosted by China Calligraphers Association for more than 20 times, and the outstanding works exhibition of China Calligraphers Association for the 30th anniversary of the establishment of China Calligraphers Association.
Moonlit Night on the Spring River is the work of Tang Dynasty poet Zhang, which is included in the whole Tang poetry. This poem follows the old theme of Sui Chen Yuefu. With a beautiful pen full of life, taking the moon as the main body and the river as the scene, it depicts a beautiful and distant picture of the moon on the riverside, expressing the wandering women's sincere and touching feelings of parting and philosophy of life.
The whole poem consists of 36 sentences, which shows the unique cosmic consciousness and creates a deep, vast and quiet realm. Every four sentences rhyme, and the philosophy of poetry and painting is integrated into one. The artistic conception is ethereal and clear, the imagination is strange, the language is natural and meaningful, and the rhythm is melodious, washing away the thick powder of the Six Dynasties Palace. It has high aesthetic value and is known as "a solitary poem covering the whole Tang poetry".
Calligraphy art of Moonlit Night by the River:
The composition structure of Moonlit Night on a Spring River is mainly neat, which varies with the clutter. The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful.
The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly.