There is no truth to the saying that when a family is harmonious, everything will prosper. Confucius said that if one cultivates a harmonious family, he can rule the country and bring peace to the world. A good home can have a good start. Below are the calligraphy works of Jiahe Wanshixing that I have compiled for you. I hope they are useful to you!
Appreciation of Jiahe Wanshixing’s calligraphy works
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The knotting method of calligraphy
The knotting method of calligraphy, in the development of calligraphy In the process, with the formation of the art of calligraphy, it also evolved into two structural forms: one is the basic structure of the font, that is, the practical structure; the other is the modified structure evolved from the basic structure, that is, the calligrapher expresses the artistry of calligraphy And the calligraphy structure of personal style, that is, the novel artistic structure of "the word knot is passed down from time to time". Therefore, in order to inherit and develop the cause of calligraphy and learn and study knotting methods, we must carefully understand the evolution of knotting characters and effectively master the forms and methods of flexible structures that express the beauty of the art of calligraphy.
Variable structures not only change gradually due to the changes of the times and the updating of fonts, but also vary from person to person. Even the knots of a calligrapher are often different from those written successively. The structure of official script is very different between the Eastern Han Dynasty and the Western Han Dynasty. There are also obvious differences in the structure of calligraphy such as stele inscriptions and silk scripts from the same period. It is also obvious that the structure of regular script varies from time to time and from person to person. Wang Xizhi studied the calligraphy of Tang Dynasty and changed his style. People of the Tang Dynasty studied Wang Xizhi's calligraphy, but Ou, Chu, Yan and Liu were different from each other. People of the Song Dynasty mostly studied the calligraphy of Tang people. The calligraphy styles of teachers and students of Su Dongpo and Huang Tingjian are as different as a dead frog or a dead snake; Zhao Mengpo has been studying the two kings' books for a long time, but the structure is obviously different from the king's books; the calligraphers of the Ming Dynasty who all "shangtai" are also like this Each comes into being. The cursive script that uses "transformation into form and quality" changes even more, with differences as big as Zhangcao, Jincao and Kuangcao. Just looking at the structure of a person's calligraphy, Yan Zhenqing's "Zi Shu Gao Shen" and "Duobao Pagoda", Huai Su's "On Calligraphy" and "Zi Xu Tie", especially Zhao Mengwan's "Zi Shu Tie" with the same text. "Tianguan Mountain" two posts are very different! In short, the flexible structure of the word "knot" is a general change, a general change, and constant changes, forming a variety of calligraphy styles in various fonts, so different that it is dazzling and difficult to count. .
This proves that the alternative structure is not only a change from the basic structure, but also a novel structure that is different from the basic structure. The basic structure requires that the structure be accurate and easy to recognize, beautiful and applicable, and meet the needs of practicality; the modified structure requires that the structure be standardized and novel, beautiful and comfortable, and conform to the principles of art. Otherwise, even if the structure is correct, there is a lack of change, thousands of people are the same, and thousands of words are the same, which is also "craftsman character", "slave script", and "guange style". Therefore, calligraphers of all ages have attached great importance to the changes in knot characters, taught by words and deeds, and created new calligraphy styles with various flexible structures. For example, Wang Xizhi pointed out in his essay on calligraphy: "Every time you write a word, you must have several meanings. If you write a piece of paper, the meaning of each word must be different and not the same." When he wrote "Lanting Preface", he wrote twenty " The characters "Zhi" are written differently from each other. With the help of God, they become a model of flexible and innovative knots. Yu Shinan said on calligraphy: "Although the characters have quality, the traces are originally inactive, and the expressive nature is flexible, and they are always unstoppable." "Book Book" pointed out: "The evolution of history is the same as physics." To form multiple bodies, one must follow the trends and create a posture." When Zhang Xu taught calligraphy to Yan Zhenqing, he said: "The second is the layout, not slow, not overstepping, and appropriate. There are rules." Zhao Mengqing, who is proficient in knot characters, said: "The knot characters also require work, and the knot characters are passed down from generation to generation." This illustrates that the knot characters must be learned well through hard work, and they must be adapted to reflect the spirit of the times. These precise discussions fully illustrate that the flexible structure is the inevitable manifestation and result of the development and change of the knot method, and it is also the unique form and method that constitutes the physical beauty of calligraphy.