1. Which font should I start practicing? The traditional way to learn calligraphy is to start from Tang Kai, write regular script and go against the times, and then go to the south, Beibei, Han Li and Qin Zhuan for further practice. Another way of thinking is that starting from the immature characteristics of young people's hand muscles, we can start from Qin Zhuan, which has little change, and then start from cursive script to regular script. These two ideas have their own reasons. However, I think that the hard pen calligraphy we have learned is substantially different from the brush calligraphy mentioned above. We can't copy its practice methods, and we can't be confused by the traditional indecent concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write well, you can still write hard pen. There is no need to take a detour. What font should I practice in hard pen writing? I think: starting from the characteristics of young people's hand muscle development and the characteristics of average stroke thickness and little change in hard pen calligraphy, we should never start with fonts that require changes in writing speed and thickness. It is best to print in bold. The beauty of this font is mainly manifested in its structure. We can control the font structure by trying to figure out and analyzing bold. On this basis, we can choose our favorite fonts to practice hard according to our own personality and preferences. 2. What should I practice when practicing calligraphy? First of all, practice your eyes, that is, read the posts carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients did not always learn to write by imitation. They often hang their predecessors' calligraphy works on the wall, concentrate on them, and decide before they start writing. "Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read the tablet for three days. The more posts you read, the higher your horizon, and you will know how to write and what is good. There is an idiom called "eyes are superior but eyes are inferior". I think eye height is the premise of hand height. If you can't find beauty, you don't know what beauty is, let alone invent it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior." "Its construction saves frost and trains the brain or mind. On the basis of careful examination, keep the well-written model essay firmly in mind and engrave its shape deeply in your mind. Whenever the word is mentioned, we can immediately think of its shape in the copybook. Do it with confidence and words in your heart. Third, we should practice our hands. The purpose of practicing eyes and brains is to find out how to write. If you can think of the best result of a word in your mind, you can write the best result in your hand, because your brain will be able to give instructions and your hand will be able to give instructions. Hand training is to achieve the position where the heart and hand are separated and the handwriting is different, so hand training is also very important. The first thing to practice is finger strength, wrist strength and hand feeling. If you write for a long time, your fingers will hurt, your tricks will be sour, and your hands will not listen to you. If you practice more, this phenomenon will disappear. Students who often help teachers copy questions on the blackboard and those who run blackboard newspapers often write quickly and well. This is how finger strength and wrist strength are trained. Also pay attention to practice the sense of touch, let the brain guide the hand, and feel that the pen has become a part of the hand, which leads to the extension of the hand. It is easy for your hand to instruct your pen to think fast, slow, light and heavy, and write what kind of results you want. The fourth is to practice structure, because the key to practicing Chinese characters is to control the structure of Chinese characters. The construction of Chinese characters refers to the ratio of the length of strokes and the cross avoidance relationship between strokes. Xie Xiaodong sang in the song "China People": "The favorite character is the square character taught by the teacher, and Fang Puzhi should be like him ..." Fang Puzhi Zheng summarizes and synthesizes the structural characteristics of Chinese characters. Chinese character structure control, writing square, straight and elegant bold characters. As long as you change the strokes slightly, you can write Song Ti,, regular script, imitation Song Ti, Pang Ti, Sima Ti and official script. If we can't control the structure of Chinese characters, it will be ugly if we stop polishing and beautifying the strokes of Chinese characters anyway. Therefore, it is the key and foundation to control the structure of characters and write bold characters well. Fifth, we should practice strokes. Many students have practiced calligraphy. Since they started practicing regular script, they have forgotten many rules of strokes and only remember strokes. As a result, the written words are dragging their feet, cumbersome and look like ghosts. I advocate that the master should practice from bold, grasp the font and remove the pen. Below I will introduce several common strokes to the master and the shortcomings that most students are prone to present when writing these strokes: ① At one o'clock, the pen is transported from the upper left target to the lower right, and there is a pen transport process. Note that the "point" also has a length and cannot be rounded to a point. (2) Horizontal, from left to right. The key point is "to be horizontal", not to be high at one end and low at the other, nor to be wavy. Control the length according to the font requirements of square characters, not too short or too long. (3) vertical pen, vertical pen from top to bottom. The key is to be "vertical", not to tilt left and right, and not to be written as a vertical hook. Control the length according to the font requirements of square characters, not too short or too long. (4) Left, from the upper right to the lower left, no dots or horizontal left. ⑤ Folding: When writing a folding pen, the folding angle should be square, not round. Don't put the pen heavily on the corner and write it as two obtuse angles from the shoulder, but as a right angle. The words written in this way, if written with a ballpoint pen, are small round artistic words similar to matchsticks; If you write with a pen, it will be in standard bold type. Although the strokes are monotonous, they are beautiful as long as the structure is accurate. Just as squatting "ma bu" is the basic skill of practicing martial arts, horizontal and vertical is the basic skill of writing Chinese characters. The reason why many people write poorly is because the structure is forbidden. If the structure is incorrect, no matter how rich the strokes are, you can't write good words. 3. The common pace of practicing Chinese characters is to practice bold characters, control the structure of characters and practice basic skills. You can choose your favorite font to stop practicing. The process of font selection is called late selection. On the basis of job selection, there are five steps: reading, describing, copying, remembering and creating. The first step is to read the post. We all know the pronunciation of the posted Chinese characters, so we don't need to read them any more. Read what? Read the font, read the structure, read the strokes, analyze and try to figure out the relationship between the stroke characteristics of words and strokes. For example, when we read the word "Zhong" in bold, it should be that a vertical part of the word "Zhong" passes through the center of the word "Kou", while the word "Kou" is slightly flat, and its horizontal length is twice the vertical length. The long vertical part of the center is divided into two equal-length sections under the word "Kou", and the upper section is divided into two equal-length sections under the word "Kou". This is an interpretation of glyphs and structures. Different fonts and strokes have different characteristics. The changes of strokes in hard pen calligraphy are not obvious, and it is not easy for middle school students to control them, so I won't say much here. The second step is to trace. " "Tracing Red" means tracing red, that is, beginners use a blue pen to trace the printed red copybook along the handwriting. Imitation refers to copying posts, that is, covering model essays with transparent paper and writing them one by one along the shadow of the words on the paper, which is also called writing imitation. The third step is to post. It means putting the copybook aside and watching it write word by word on the homework paper. This method is beneficial to control the brushwork and meaning of words, but it is not easy to control the structure of words. The fourth step is to recite the post. Refers to the method of throwing away copybooks on the basis of copybooks, recalling the fonts on copybooks according to your own memory and writing them on homework paper. This is a key step in practicing calligraphy. As long as you study carefully and know what you have written, you can write it accurately. When writing, if you can see the exact font of the Chinese characters to be written on white paper, so that "the words are on the paper and the words are on the chest", it is not a problem to write a good hand. The fifth step is creation. On the basis of mastering the writing methods of the words on the copybook, we can draw inferences about the writing methods of the words that are not on the copybook. According to the needs of self-expression, writing a paragraph with middle, content and self-contained system is creation. If you can write a word close to copybook in your daily study and life, the goal of middle school students' handwriting practice will be achieved. 4. Precautions for practicing calligraphy Let me talk about several problems that should be paid attention to in practicing calligraphy: The first problem is the choice of writing. "If you want to do a good job, you must sharpen your tools first. "Whether it is a pen or a ballpoint pen, you should choose a good pen with smooth writing and uniform line thickness. The ink is too light to recognize; The ink is too dark, giving people a sense of oppression. In the exam, it often affects the expression of the marking teacher and forms unnecessary traces, so the ink color of the handwriting is blue and black. The second question: When practicing calligraphy, we should pay attention to the posture and method of writing. Because middle school students in most cities now use ballpoint pens, I will take ballpoint pens as an example to talk about writing posture and writing methods. When writing with a ballpoint pen, sit in a sitting position, so that your head should be straight, your body should be straight, your arms should be open, and your feet should be safe. Because the words written by ballpoint pen are very small, the activity of the pen tip should be in the area with the best visual effect. Ordinary right hand holds the pen, and the position of the pen should be slightly to the right. The eyes are about 30cm away from the paper, and the chest is about10cm away from the table. Stretch your arms naturally and lay your forearm flat on the table. The fingertips of the thumb and forefinger are pressed against both sides of the pen, the left side of the first joint of the middle finger is close to the lower part of the pen, and the ring finger and the little finger naturally bend into a semi-clenched fist shape and then press against the middle finger, thus playing the role of controlling the municipality directly under the central government. The distance between the thumb and the pen tip is about 4 cm. The pen holder leans against the tiger's mouth and forms an angle of 45-60 degrees with the paper. The smaller the word, the bigger the angle. If you write with a pen, you should also pay attention to the pen tip outside and the pen tongue inside, so that the middle seam of the pen tip touches the paper to ensure even water and smooth lines. The third question: when practicing calligraphy, you should be calm, finish what you started, and you should not be impetuous and perfunctory. Be meticulous when you write, and every stroke must be true. When someone is practicing calligraphy, they like to scribble first and then finish. This kind of scribbling is a taboo for practicing calligraphy, which not only damages the life of the pen tip, but also makes the progress he has made through long-term practice go up in smoke. Fourth question: Don't change fonts casually. To practice calligraphy, you should have perseverance and perseverance, and practice real skills and basic skills. When practicing calligraphy, you should always work against it. Don't freeze for three days and dry the net for two days. Note: practice kung fu for one day, not ten days a day. On the basis of controlling the font structure, you can choose your favorite font and keep practicing. Don't change fonts at will. Because once you change the font, you have to practice from the beginning. The fifth question: learn to use it separately and practice writing as one. Some students write well when practicing calligraphy, but they are blind when writing homework. These students can never practice calligraphy well. The words you have practiced are usually used, and you should write them well when you practice. Only practice and use can be used in middle schools, in learning, and the separation of learning and use can be proficient and excellent. Sixth question: Teachers in all subjects should pay close attention to intimacy. First, teachers should write standard words. Secondly, students should be encouraged to practice. Students who are not serious about their homework should be criticized and corrected. It is not only the duty of Chinese teachers to urge students to practice calligraphy, but also the duty of every teacher. 5. There are three ways to practice calligraphy. All the masters have read Jin Yong's novel the legendary swordsman, in which there is an incisive exposition on practicing swords: when beginners practice, they use their hands to make swords, and sometimes the swords don't work, and even hurt themselves. After practicing for a period of time, the sword and the sword are integrated, and the sword follows the heart, and the fencing has reached a higher level. The highest state of fencing is the unity of heart and sword, and there is no sword and no one. All gestures are swords, and all flying flowers and leaves are white? A thin embroidery needle can also parry three swordsmen, so fencing can be said to be perfect. The same is true of writing. In the primary stage of practicing calligraphy, we also use our hands to make pens. There is a process from never listening to hands to becoming proficient, which can be further developed to the situation of pen and hand integration. At this time, when writing, I think the pen is a part of the hand, not with a pen, but with handwriting. As long as we practice hard, we can reach this level. The second situation of practicing calligraphy is to write with your heart, the heart and the pen are one, and the heart is moving. What you wrote is what you think. At this position, the level of calligraphy can be said to be a small achievement. Our masters, including myself, should work hard towards this goal. The third situation of practicing calligraphy is that it is natural to learn from others. Many famous calligraphers in ancient times were like this. For example, Wang Xizhi saw the posture of the white goose swimming in the water and realized the gesture of "floating goose hook"; Zhang Xu saw that people were fighting for the road and Gongsun was dancing the sword, from which he realized the cross relationship of stippling and the rhythm of using the pen, which greatly enriched his cursive brushwork. Huai Su's indecency with Xia Yun's sea waves is overwhelming with cursive script. Yan Zhenqing ignored the leak marks, drew sand with an awl, and learned to use a pen slowly and vigorously. This is the ideal state for us to practice calligraphy. When we reach this situation, we can write wonderful calligraphy works with or without a pen, a soft pen or a hard pen, even a dead branch or a broken broom. Let's concentrate on writing, not just handwriting, and try our best to move towards this ideal situation! Let's talk about the fourth question first: how do I practice writing? At first, I wrote the Li Yanqin Cup with a brush. Later, I found a 99-day calligraphy book containing 99 representative Chinese characters. I ask practitioners to practice one, remember one and learn one every day. After 99 days of practice, 99 Chinese characters were written in the city, and other Chinese characters were also written in the city. I find these Chinese characters from Bay, one every day, and practice hard. In less than a month, I made remarkable progress. Later, some students said that the face I wrote was very "Yan", but it was soft and weak. The reason is that I can't "middle stroke" when I hold a pen, and I often drag my pen. This classmate is a man with a high eye but a low hand. He found my shortcomings, but he couldn't help me correct them. I asked a lot of questions and really looked at how others write, and finally found this trick: when others write, they often twist the pen to make the pen tip move with the pen, and the pen tip is always in the center of the stroke, thus achieving the "central stroke." "Later, another classmate of mine told me that your handwriting is very standard, but it doesn't look good together. The primary reason is the incorrect structure. "If you want to control the structure of Chinese characters, you might as well learn to write bold characters with strokes like matchsticks, as long as the structure is correct." So I dipped my brush into the water and practiced on the floor according to the bold topics in the newspaper news. Soon I kept my writing in bold and wrote slogans for some classes. I found that after learning bold, many untrained fonts can be written with a little practice of their basic strokes. This is also the reason why I suggest that students practice boldly today. 1993 participated in the calligraphy and painting contest organized by Shijiazhuang Municipal Education Commission and won the third prize. Usually, I often help my colleagues to send posters and write Chinese characters, which not only stabilizes the performance of practicing Chinese characters but also improves the writing level, which not only helps others but also cultivates myself. Above, we talked about the methods and precautions of practicing calligraphy. If the master does as I say, I think you will make progress, because I have made outstanding achievements in guiding students to practice calligraphy. Finally, let me talk about this problem. As a Chinese teacher, we should not only write well by ourselves, but also guide students to write well. In order to make students write well, I once asked students to write "one word a day" and keep practicing. The 98-year-old gentleman has reached a high level in learning Pang Zhonghua's brushwork, and Niu Kunpeng's brushwork is straightforward, rigorous and self-contained. He also held calligraphy lectures for students many times and organized students to participate in calligraphy competitions many times. Hu Zhanxiong and Li Mo, students of Class 200 1, won prizes in the "Star of the Century" calligraphy competition. As usual, I started the activity of selecting "star writers" among students, and the students were very enthusiastic about practicing calligraphy. Sun Ruijing, a three-star handwriting expert, not only writes neatly and clearly, but also writes at a speed of more than 50 words per minute. Finally, I want to inform the master that it is not difficult to write beautiful Chinese characters. As long as you concentrate on practicing and writing, you will always win. When you see quiet, stern and beautiful Chinese characters dripping from your pen, when you see pages of neat and clear homework being born in your pen, when you see the red tick and "excellent" in the exercise book, don't you think writing heroic words is also an artistic enjoyment? Let's walk into the art world of China's calligraphy and splash ink! Reference material: the voice of education
Running script? The idiom is clever use and undivided attention. Personally, I think it is still very applicable. After having a good understanding of regular script, copying or imitating shadows is a good choice. Of course, regular script is the foundation. As for the combination of pro-imitation or pro-imitation, it depends on personal preferences and adaptability. In addition, it is also important to practice running scripts persistently. When you choose your "teacher", you should work hard, at least try not to change another font until you have achieved something. Finally, I wish the landlord a lot of progress and great success in the end.