The best way to improve the level of calligraphy is that there are still many people who like to learn calligraphy in life. As the saying goes, a good hand can definitely give a very good impression. Shu Ren's calligraphy training found that, in most cases, children with neat and beautiful daily calligraphy and habit of practicing calligraphy. Let's look at the best way to improve their calligraphy.
The best way to improve the level of calligraphy is 1. Interest is the first teacher. If you cultivate a good interest in learning, you will be one step ahead of others. The way to cultivate interest is to establish such a concept in your mind. Some people are not interested in writing, so just read more and practice more. If they are still not interested, then don't study.
Second, read more copybooks. Reading posts is also a method of spiritual practice. If you don't have time to practice, reading posts is a good way. But in the process of reading posts, we should pay attention to the word "look". The process of reading is a process of combining thinking with practice. Think about how others write, and how you will write, find out the differences and correct them. Going back and forth, I took a step forward when I wrote.
Third, simulation exercises. When there is no condition to write, it is the simulation practice of fingers in the air, and the habit of writing is formed. I remember when I was learning Wu Bi fonts, because the conditions were immature and it was cold outside, I put my hand in my trouser pocket to simulate practice, thinking and memorizing while walking. Later, when I had the conditions, I became proficient soon after I got on the computer. Learning calligraphy is the same, there are not so many ways. The most important thing is your own cognition.
Fourth, remember more. Whether it is regular script or cursive script, the writing of some words is different from conventional writing and is a fixed pattern. At this time, it is necessary to remember the writing method of words and get rid of habitual thinking when learning calligraphy. We should throw away what we should lose and pick up what we should pick up. As long as you remember how to write that word, it will only be easy to write in the future.
The best way to improve calligraphy is 2.
To learn calligraphy, you must first learn to write. Su Shi, a great calligrapher, said: "There is no fixed method for writing, and it should be empty and wide. Fingers should be firm, fingers should hold the pen firmly, and the outer four fingers should be close, dense and not loose. Palm is empty. When writing, keep your palms empty. Don't stick your ring finger and little finger on your palm, just like holding an egg in your hand. Open the tiger's mouth with your thumb and forefinger. In this way, the pen can be steady and flexible.
Sitting posture: head straight, body straight, wrist flat, feet safe.
There are high and low levels of writing, so we must use it flexibly.
1, tube twisting method
One of the methods of writing. Ji Yun: "Twisting".
2, bucket method
Second, the wrist method
Wrist movements are very important when writing a book. Writing is not only a finger movement, but also a wrist.
There are three wrist methods: pillow wrist, lift wrist and hang wrist. Among them, when writing a book by hanging the wrist, it can make the words connected and powerful.
Third, use brushwork.
1, calligraphy pays attention to the use of pens, including starting, transporting and collecting pens. There are two kinds of pens: hidden front and exposed front. The Tibetan front is to enter in the opposite direction to gain power, and "entering in the opposite direction" means paddling in the opposite direction. When starting a pen, the tip of the pen points to the direction of the stroke, so you should go down first and then right first. The hidden front end of the pen is a reverse stroke. The exposed front is written with an oblique pen or a sharp pen. When the pen tip enters the paper, its tip is exposed, which can make the strokes beautiful and vivid.
2. Pen-lifting method
First of all, you should master the method of central writing. The so-called center, it is natural to correct his pen first. When the heart is straight, the words come out and the pen comes out. Although the pen tip comes out, it is still in front of the pen tip, so both the Tibetan front and the outgoing front are called centers, and it is not allowed to take the Tibetan front as the center.
Step 3 collect pens
Every painting of a character is finally completed by collecting pens. If you want a pen to have both shape and spirit, you must write it well and put it away. When writing and collecting pens, the pen force should be delivered to the home. Lines cannot have corners, and corners are the corners of jade, which also means edges. In the whole writing process, we should pursue clear strokes and round lines.
Fourth, the pen gesture
Potential means form and weather. Calligraphy is the basis of learning books. But the brushwork is also determined by the overall trend of the text. The ancients discussed books with potential as the first priority. Take advantage of the trend and let this book move and live in silence.
Five, ink painting method
The ink color of China's calligraphy has rich and wonderful charm and emotion. To learn to use ink, we must first master the shade. Good calligraphy works are suitable for shades. Ink should be used properly, thick but not stagnant, light but not floating, and self-operated. Before writing, let go of the pen slowly with clear water, let the pen be fully wet, and gently press it on the inkstone surface, so that the ink on all sides can penetrate into it naturally and smoothly. Under the sway, the ink flows out from the nib, with fresh ink color and vigorous brushwork.
Sixth, texture
Texture means that the lines of calligraphy have the beauty of jade texture and can show a unique texture. For example, Dong Qichang's calligraphy is characterized by beauty and embellishment. The texture of his Braille lines is moist, which can be compared to the texture of petals and young leaves.
Seven. Font structure
The structure of Chinese characters should conform to the law of artistic beauty. The "Fa" in China's calligraphy is manifested in the formal beauty among points, paintings, lines and chapters, and also has the law of beauty. The laws of Chinese character beauty include the following points.
1, stippling echo
China's calligraphy pays attention to "writing as a call and writing as a response". The echo of stippling is vivid.
Step 2 compare
The length and thickness of stippling lines contrast with the density and inclination of the combination, so that the whole word will be uneven.
3, the center of gravity is stable
Calligraphy should be concave-convex and harmonious in change, and the shape of words should be stable, so that people can feel happy after reading it.
The best way to improve the level of calligraphy is to learn the rules before posting. The purpose of posting is to learn the principles and principles of calligraphy, including the microscopic details and macroscopic principles of Chinese characters. The "book" of calligraphy can represent both writing and Chinese characters. So we should not only learn the rules of writing, but also learn the principles of Chinese characters.
Second, you should know what you are learning, whether your training method is scientific and purposeful. The method of learning from Zhang Qianbei and Huang Bei is different from that from the memorial tablet, and Cao Quanbei is another kind, so your training should be selective, thoughtful and purposeful. The purpose of learning from Zhang Qianbei is to learn from simplicity, while learning from rites is to learn from thinness and hardness.
Third, learning calligraphy should not blindly copy posts and pursue quantity, but require accuracy and quality. You can spend a lifetime solving and strengthening a problem at a fixed point. Why do you always waste time doing specious useless work? Remember that slow is fast. It is much more effective to take time to understand a knowledge point and a small skill than to write a lot with a little knowledge.
Fourth, the * * * nature of calligraphy means that the Basic Law will remain unchanged. It takes time to understand these things. Although the style of each post is different, the underlying logic is the same. The fonts of calligraphy are all from seal script, so it is worthwhile to spend time on seal script. Seal script seems simple, but it is actually very difficult.
Don't just be the hands of the ancients, but move their brains. Why did the ancients always make sense to write this word like this? It's not something that some people just said. Even if it is casual, this "meaning" is intentional, and I came with my own will in advance.
6. Calligraphy should be natural, and the so-called writing should be natural, without deliberate affectation. Like Huang's Yin in the Fresh Monument and the words in the Hidden Monument, it is cute as a child, but it is very profound. This is the highest realm of art. To learn a monument, you should know that the Yin and Yang complement each other, and the Yang are generally rigorous and dignified, while the Yin is generally lively and interesting. The two should be studied together.
Seven, the two peaks of China's calligraphy are Jin and Tang. We should understand that these two peaks give us unlimited scenery instead of specific technology. To learn from Wang Xizhi and Yan Zhenqing, we should not confine ourselves to techniques, but learn their aesthetic taste and cultural atmosphere, their thoughts and innovative spirit, which is far more important than learning simple techniques.
Eight, posting is a lifetime thing, just like reading is a lifetime thing. Posting is the same as reading. They all expand their thinking and enrich their horizons through classics. Never say that you read a book just because you read a few books.
Nine, practicing calligraphy first, we often hear that calligraphy is based on spirit. What is spirits? Where did it come from? You must know these things first, otherwise you can't learn calligraphy well. Jia Qiang said that practicing calligraphy is a spiritual activity, a state of life and an expression of emotion, so if you want to write the calligraphy vividly, your people must first have spirit.
The ancients said that there are two views on learning calligraphy: one is to look at things, and the other is to look at me. Look at things in the same way, look at me in the same way. The so-called "words speak from the heart, books draw from the heart" means that calligraphy and spirit are interlinked, and we must calm down and study deeply to understand its true meaning. As Wu Changshuo said: Poetry, calligraphy and painting all have true meaning, which can be understood by further study.