1. A collection of four-character calligraphy idioms
The pen moves like a dragon and a snake, the tendons and willow bones of the face, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describe The calligraphy is very beautiful and skillful. Yan Jin Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes the strength and softness of calligraphy that penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes the strength and power of calligraphy, and the strokes almost penetrate to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 2. A collection of 4-character calligraphy idioms
Falling from the peak, changing grace, embodying meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a dragon, majestic. , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers.
3. A complete collection of four-character idioms for calligraphy characters
The bottom of the brush is dragon and snake, the pen is exquisite and the ink is wonderful, the brush is walking like dragon and snake, the silkworm head is swallowtail, the head is hidden and the tail is protected, calm and happy, Calm and happy, Beginner to graffiti, Ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, Feilong Wufeng, Fengjinduoli, Fengboluan drifting, Fengwulongfei, Feng Zhuluanhui, Ancient fat and now barren, Crane knee bee Waist, beard is fat and bell is thin, painted with sand seal mud, painted with earthworm graffiti, domestic chicken and pheasant, domestic chicken and pheasant, tense, strong as a frightening dragon, strong as a swimming dragon, strong bones and muscles, running to the spring when thirsty, angry when thirsty猊, thirsty deer running into the spring, strength through the back of the paper, Linchi Xue Shu, willow bones and tendons, dragons flying and phoenixes dancing, dragons and phoenixes flying, dragons and snakes flying, dragons and snakes flying, dragons stretching and crouching, dragons jumping and tigers lying down, dragons mighty and tigers vibrating, dragons The mighty tiger is shaking, the dragon is flying and the leopard is changing, the dragon is flying and the phoenix is ??dancing, the dragon is flying and the phoenix is ??leaping, the luan is dancing and the phoenix is ??dancing, the luan is floating on the phoenix, the luan is floating on the phoenix, the luan is flying on the phoenix, the luan is flying on the phoenix, the luan is flying on the phoenix, the paper is falling on the clouds, and the phoenix is ??flying. Wrapped in iron, the wonderful thing is in the heart and hand, ink is accumulated in the mountains, an angry cat chooses a stone, a thirsty cat rushes to the spring, an angry cat is thirsty, fluttering like a fairy, floating like clouds, a group of crocodiles playing in the sea, like a cone painting sand, three points into the wood, good calligraphy No choice of paper and pen, Tang Lin Jin post, iron painting with silver hook, saliva jade hook with silver, Wang Yang Dawan, Wang Yang Hongsi, Wang Yang Xuansi, literary talent Binghuan, writing wind and thunder, fairy dew pearl, writing sutras for goose, heart is correct and pen is correct, learning calligraphy No, I can’t learn the sword, the Yan family is hungry, Yan Gu Liu Jin, Yan Jin Liu Gu, Yan Jing Liu Gu, Yi Zi Jie Xin, Silver Hook Hao Tail, Silver Hook Iron Painting, Silver Hook Jade Spit, Wandering Cloud Startled the Dragon, Youjun's habits, Yu, Chu and Ouyan are exquisite and subtle.
4. A collection of 4-character calligraphy idioms
Falling from the peak, changing the style, embodying the meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thunderous, strong, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a dragon, majestic. , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers. 5. A collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen still means the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write People's Names from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."
Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and the commentators said that it was rich in muscles and strong, and it was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy. The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: "Fu Yun Fu" by Lu Ji of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fat in ancient times, and Zijing is called barren today. The ancient and the present are different, but fat and thin are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is "Bee's Waist", the second word must not sound the same as the fifth word...The fourth is "Crane's Knees", the fourth is "Crane's Knees". The five characters cannot have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws worms and graffiti, and has no time to give." 6 . A collection of four-character calligraphy idioms for giving to friends
Dragon flying and phoenix dancing
lóng fēi fèng wǔ
The explanation originally described the winding and majestic mountains, and later also described the powerful calligraphy strokes. , flexible and stretchable.
From "Tokyo Fu" by Zhang Heng of the Han Dynasty: "My ancestor's dragon flies over the white water, and the phoenix flies over the ruins." Su Shi of the Song Dynasty "Biao Zhongguan Monument": "On the mountain of Tianmu, the Tiao River flows out, and the dragon flies and the phoenix dances. Collected in Lin'an."
Structural combination.
The usage is mostly used to describe the momentum of calligraphy strokes. Generally used as predicate, object and attributive.
The correct sound is phoenix; it cannot be pronounced as "fēnɡ".
Distinguish the shape of phoenix; cannot write "wind".
Synonyms: free and unrestrained
Example: He was sitting in his seat; he had a big red paper spread out in front of him; he was holding a brush; he was getting ready.