Arranging words, counting white as black, meaning to write first, and breaking meaning to write, which writing method is taboo for calligraphers?

Breaking the meaning of strokes is a taboo method for calligraphers.

Overlapping adhesion of free radical moieties. This adhesion is not the adhesion between stippling and stippling, but the overlap of those parts that should not be interwoven, which completely destroys the complete standard font.

Therefore, when learning calligraphy, we must find out the position of stippling and radicals. There must be no unreasonable collision. Of course, it also includes some out-of-line problems, because the stippling is too big and beyond the standard style, which is one of them.

Extended data:

The connotation of calligraphy mainly includes the following aspects:

1. Calligraphy refers to the art of expressing emotions with Four Treasures of the Study as a tool. The particularity of tools is an important aspect of the particularity of calligraphy art, and it is an important part of calligraphy techniques to fully embody the performance of tools with the help of Four Treasures of the Study. Without Four Treasures of the Study, there would be no calligraphy art.

2. Calligraphy art takes Chinese characters as the carrier. The particularity of Chinese characters is another important aspect of calligraphy particularity. China's calligraphy can not be separated from Chinese characters, and the form of Chinese character stippling and the collocation of radicals are the contents that writers pay more attention to. Different from other pinyin characters, Chinese characters are a combination of form, sound and meaning, which has strong formal significance.

The so-called "six books" of the ancients refer to six methods of pictographic, fingering, comprehending, pictophonetic, transliteration and borrowing of Chinese characters, which is of great guiding significance to the analysis of Chinese character structure.

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