The main content running through three points

Wang Xizhi, a great calligrapher in Jin Dynasty, is the son of Wang Kuang, a calligrapher in Eastern Jin Dynasty. At the age of seven, he was good at calligraphy. When I was twelve years old, I saw the pen of the previous generation under my father's pillow and stole it. Father said, "Why did you steal from my secret collection?"

Wang Xizhi just laughed and didn't answer. His mother asked, "Are you looking at the brushwork?" Seeing that his father was still young and worried that he could not keep a secret, he said to Wang Xizhi, "When you grow up, I will teach you calligraphy." Wang Xizhi knelt down and said, "Let the children read this book. Waiting for him to grow up will delay the wonderful talent and development of his childhood. " father

Honey was very happy, so he gave him the book at once. In less than a month, calligraphy has made great progress. When Mrs. Wei knew this, she told Taichang, "This child must have seen the skill of using a pen. I recently saw his calligraphy, which is old and successful. " He said with tears: "This child will definitely surpass me in fame in the future."

East Jin Mingdi has been to Fuhou Mountain in the northern suburb of Kyoto Jiankang to worship the land god. East Jin Mingdi asked Wang Xizhi to write the sacrifice on a board, and then sent someone to carve it. The sculptor removed the boards layer by layer until they were three minutes thick. The sculptor marveled at his brushwork: "Incredibly!" Proficient in three points becomes an idiom, which means good calligraphy skills or thorough analysis of problems.

Extended data:

Wang Xizhi's original works existed before the world, and the fine copy of Tang people has always been regarded as original works. Because of its long history and long-standing reputation, Rainbow Xi's other inks have different inferences about its engraving age. Some are called Song Copy, some are suspected to be Mi Fei Copy, and more are classified as Tang Copy.

It has been recorded a lot and carved into various essays again and again. The public and private collections and circulation after the Yuan Dynasty are vivid and reliable, and their preciousness is self-evident.

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