Because some students didn't pay attention to the quality of words before, some ugly or even wrong writing methods have been deeply rooted and it is difficult to correct them. The following is a quoted article for everyone to share:
Learning calligraphy is not an easy task, but when you have a strong interest in it, coupled with the correct learning methods and persistent determination, it becomes a very interesting thing that we are willing to do, and we get unspeakable happiness from it.
First, how to learn pen writing well?
The requirements of calligraphy teaching routine;
1. Sitting posture when writing: head straight, body straight, arms open, feet stable.
2. Choose your favorite Copybook for calligraphy (hard-pen calligraphy, writing brush, lower case).
3. Writing: the thumb and forefinger hold the pen, and the other three fingers assist in writing. The fingers are solid and the palms are weak.
4. Teaching emphasis: practice the correct method of calligraphy and cultivate students' "appreciation ability" of copybooks (know what kind of words are better, and correct your own shortcomings if you learn from the strengths of others' writing).
5. Difficulties in teaching: Cultivate students' "appreciation ability" of copybooks (that is, read more, speak more and communicate more, and analyze why this word is well written and why it is not good-looking. ).
First, the characteristics of pen characters and pen calligraphy
Although the artistic effect of pen writing is not as rich as that of brush writing, it is far superior to other hard pens such as pencils and ballpoint pens. Because of its elastic nib, the strokes written are the same thickness and can also give people a sense of beauty.
The beauty of pen words is mainly manifested in line, font structure and composition format: pay attention to the rhythm of priorities with pen to make lines beautiful; Pay attention to proportion, symmetry, stability, balance, change and echo in modeling, and the glyph structure will be beautiful; Neat and changeable, diverse and beautiful composition and layout (these are also the principles and standards for appreciating pen calligraphy)
The characteristics of pen regular script are: paying attention to Teton, hiding dew, Fiona Fang, speed and so on; The strokes are neat and orderly, with distinct layers, strong and forceful, stopping without continuing, straight without being stiff, smooth and natural; Structurally, it emphasizes the balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct font and standardization.
Pen running script is a writing style between regular script and cursive script, which is what we usually call writing. Can be linked, uneven size, save strokes, change the order of strokes, and try your best to change things. It is easy to write coherently, intensively and ups and downs, and it is easy to show artistic effects. Of course, it is also easy to write quickly and very useful (today we will focus on running script)
Second, the status quo of modern students learning books
First of all, bad writing habits are difficult to correct.
For a long time, pen writing has been considered to have no rules, and it seems that it can be played at will and out of control. Many students' bad writing habits have been stereotyped for many years, and it is really difficult to correct them in college. For example, many students, especially some girls, are used to writing in a restrained and petty way, and it is often difficult to get them to talk. The resulting psychological stereotype makes those calligraphy masters and professors feel irreparable.
Secondly, pen characters have certain limitations when choosing copybooks.
Pen calligraphy, unlike brush calligraphy, has an authoritative basic copybook. In recent years, pen copybooks have mushroomed, overwhelming. But good and evil people are mixed, and there is a big difference between good and bad. Even if it is an excellent model, it may be because people are not used to it psychologically and are not good at evaluating what kinds can be used by novices. I have contacted hundreds of students and found that most of them use the copybooks of Sima Dong and Si Mayan, but their handwriting doesn't conform to the practical standard or the basic theory of pen writing.
Thirdly, it is urgent to strengthen the ability of appreciation and cultivate a correct aesthetic view.
On the premise of taking "Dragon and Phoenix Dance" as the beauty, the brushwork is messy, artificial and unnatural. Of course, aesthetic consciousness is extremely superficial. Quite a few students have a poor foundation in regular script, at least they can't distinguish lines from strokes. They think regular script is not good-looking, too slow and peaceful, cursive script is good-looking, and lines are bold and unrestrained. They only stared at a bold and unrestrained one, but ignored "cursive script is out of line and immortal."
Of course, pen writing should tend to be smooth and carefree. If you pursue setbacks and gyrations too much, you will lose the characteristics of pen words. Nowadays, many pen copybooks excessively pursue the charm of the brush, and even write pen words with the brush technique. What they write is no longer a pen line, but a face (face of area), especially horizontal painting and pressure painting. To achieve this effect, it is difficult for teachers and calligraphers who are skilled in calligraphy to achieve this effect.
Third, how to practice pen writing well
First, stimulate motivation and cultivate interest.
Motivation and need are closely linked. It is necessary for primary and middle school students to practice calligraphy to improve their writing level and master cultural knowledge. Adult calligraphy practice is the need to convey information and improve work efficiency; From the artistic point of view, practicing calligraphy is the need to pursue beauty.
Our need to practice calligraphy is not innate, but gradually formed through our own understanding, which produces emotions and interests, thus stimulating the motivation to practice calligraphy. Otherwise, if you deliberately practice calligraphy and barely cope, the words you write will definitely be flashy, loose in structure and slow in progress, which will affect your interest in writing.
As the saying goes, "a hundred days of disagreement" is also related to quality. If you can't "take time out of your busy schedule and persevere", practicing calligraphy will become empty talk.
Second, change old habits and form a new style of writing.
Writing is a habit, while practicing calligraphy is a process of changing habits. It is a process from understanding to mastering new stroke structure and processing methods, from unfamiliarity to proficiency. You can form this skill imperceptibly on the basis of consciously changing some movements during conscious practice.
Third, separate writing from calligraphy, practice calligraphy first and then talk about calligraphy.
Writing is mainly written in words, with a mechanical and passive labor factor, which requires popularity, conciseness, quickness, easy identification and practicality.
Calligraphy focuses on creation, which can express the author's cultural accomplishment, thoughts and feelings, aesthetic consciousness and so on. With the help of the writing process of words, the main purpose is to highlight the author's personality. Of course, without the basic skills of writing good characters, calligraphy creation will become passive water without roots.
Therefore, in order to shorten the time of practicing calligraphy, it is necessary to distinguish between writing and calligraphy, and practice calligraphy before talking about calligraphy, so as to avoid detours.
Fourth, break the myth of regular script and learn running script directly.
"Regular script is the basis of running script and cursive script. To learn running script and cursive script, we must first learn regular script; With the foundation of regular script, cursive script is easy to master. " This seems to have become a common sense, but I think this is a myth and can't stand the test. Even if it can't be completely overturned, it must be revised. Just like in the myth, learn from Jackie Chan's friends, take off the monster's eyes, and then let the old king fall and break the myth.
In addition, in history, both running script and regular script have evolved from official script, and both have their own unique essential characteristics and their own rules in stroke structure.
Regular script is very good, running script is very general; Regular script with good handwriting is also very common, not only among our students, but also among some famous calligraphers (writing brushes) or winners of national calligraphy competitions.
Of course, writing regular script first will help. However, because regular script is forbidden to use pens, and the law is strict (as I said just now), it takes a lot of time to learn it well. We can only "turn a deaf ear to the things outside the window and concentrate on writing." Besides, we usually take notes and do our homework. Due to the time requirement, people still use their own nonstandard running script, and the strokes and motifs they have just learned have been washed away.
Therefore, we should look at the running script from the perspective of running script, practice running script to break myths and stereotypes, find effective and time-saving training methods, and write quick strokes.
Fifth, about plagiarism.
Copying is the most basic method of learning (calligraphy) and the only way to reach the peak. "Pro" means facing writing, and "copy" means copying blindfolded, not copying the whole article, but deepening the impression of the brain through hand-drawing. It is a kind of thinking, a kind of comparison and a kind of memory to engrave a beautiful image in your heart through the movement of your hands, eyes and brain. Formally, it is to write someone else's words yourself; In essence, this is indeed an excellent means to train the ability of image perception, and it is also a necessary basic quality for every calligrapher (compared with brush writing, pen writing emphasizes structure rather than strokes, so it is not necessary to spend too much effort on the pen when copying)
Reading copybooks is the premise of copying. Reading copybooks is like reading a book. "Reading a book a hundred times is self-evident." Only when you read it carefully can you write like it and remember the words on the copybook. You must carefully study its strokes, structure and composition, find out the rules, and then you can write with interest, so that you can write in a similar way and in a similar spirit.
It should be pointed out that most people are lazy to copy (that is, to describe). They think that only primary school students will do this, but they don't know that copying is a key step in learning books and an effective way to avoid unprofitable learning by copying posts. It's hard to find that the shortcomings of your own writing are just "copying" first and then "copying", so that the traced words and strokes on the copybook completely coincide.
Sixth, some suggestions for students whose fonts are not very good-looking have been finalized. Now they want to practice calligraphy, but they often just tinker with the existing fonts and make suggestions on choosing fonts similar to themselves. This is often "the good ones have never been learned, and the bad ones have never been lost", so that the more you practice, the uglier you get.
So, how should these students practice calligraphy? My experience is: first forget the previous fonts, start from scratch, practice the most basic strokes, and then practice the structure. Why do you practice strokes? Because, although the structure is the most important problem of pen words, after all, the structure is also composed of strokes, and even the horizontal and vertical can not be guaranteed, which will definitely affect the beauty of words.
Be careful when practicing; If necessary, break down the words on the copybook into single strokes and radicals to practice; Pay attention to horizontal and vertical; Pay attention to the pen in the center and force it to the end; Pay attention to the principle of parallel staggered structure and focus on the center of words; Get rid of those extra ties and circles.
There is a problem to be solved now, that is, it is difficult to forget the previous fonts. In the process of posting, old habits are often brought into new fonts. To change this situation, the best way is to practice block letters for a week or two, and then choose a running script copybook that you think is good (this method is mainly aimed at "classmates" with very poor writing foundation, not at everyone present)
As for how to choose copybooks, I also give a few examples here: if the previous font is stiff, choose bold copybooks; If the previous font is sloppy, choose a rigorous copybook; If the previous font is plain, choose smart copybook; If the font is bloated, choose exquisite copybooks ... in this way, after two to three months of serious practice, you can learn new fonts or choose brush copybooks to practice pen writing.
"Enthusiasm and self-confidence are the wings of success", so we must establish long-term confidence! Wang Xizhi first learned books from Wei Shuo, and then discovered the famous works that the first generation of famous clocks had to wait for. I changed my beginner's style, connecting the past with the future, and turned the simple and simple style into a beautiful and smooth style, and made creative contributions in opening, writing and cursive writing.
Fourth, the problems that should be paid attention to in future writing
1, clear and accurate;
2, according to the simplified Chinese characters written by the state;
3. Because the words written by slow pen have no lasting appeal, it is suggested to write with the gesture of continuous writing, that is, to write fast and continuous writing;
4. Pay attention to the strokes and structure of running script and pursue beauty.
Chinese character practice three-character classics
When practicing calligraphy, you should sit upright with your heart and your feet flat.
Look carefully, the serious is heavy, and the subtle is light.
Turn slowly, hook forcefully and line straight.
Vertical should be straight, horizontal should be flat, the center of gravity should be stable, and the painting should be even.
Rhythm and echo, seeking brushwork and modeling
It is pleasing to the eye, pleasing to the eye, and profound, expensive and continuous.
Practice your heart and hands every day, always diligent, always diligent.
Where there is a will, there is a way.
Copying is really important, just as it leads you to the right path.
..... I am the most impatient, I can't. ...
Looking for such a long list, I hope it can be used by fate ...
(Actually, it's no problem at all. After all, typing and writing are the most widely used now, which is getting farther and farther. Sometimes I can't catch it if I want to ...)
(Actually, it's no problem at all. After all, typing and writing are used more and more now, and sometimes you can't master it if you want to ...) So this column is designated as pen writing, not pen calligraphy. Also, what does the "right path" mean? [picture]
What does the "right path" mean?
hum ...
Well, if writing Chinese characters is different from writing Chinese characters as a "wrong way", then "correct way" is the antonym of "wrong way".
..... that's all.
I think it is not necessarily useless for some people who have a heart and need it.
I remember when I was a child, my parents always said: You, you, don't get dizzy at the sight of too many words. According to you, why should the number of words be specified in the college entrance examination composition? If the number of words is not good enough, you will lose points ... endorse me, and don't eat if you can't recite it! )
Hehe, look at the text to be memorized in China's textbook. I don't know, it's useless, but you must think it's useless, but we've all recited it. ...