Pictures of calligraphy works of ancient poems and famous sentences 1
Pictures of calligraphy works of ancient poems and famous sentences 2
Pictures of calligraphy works of ancient poems and famous sentences 3
Figure 4 Calligraphy Works of Ancient Poems and Famous Sentences
The basis of calligraphy art communication
In a society based on small-scale peasant economy, ruled by imperial power, with Confucian culture as the main body and multiple cultures coexisting, the survival of individuals depends on the lack of depth? Humanization? Nature, even calligraphers and intellectuals, only needs what nature provides through simple labor. Many calligraphers and intellectuals live in rural areas, and their working style and living environment are in harmony with nature. The reality and mentality of the sky is high and the emperor is far away, and the pace of life is free. Even in a city and an official, their living environment is highly natural, and their time is abundant and free, which makes them a poetic existence. Therefore, China has become a country of poetry. Poetic people pursue the natural beauty of Taoism in the process of writing Chinese characters, so that Chinese characters have conscious artistry. Culturally, calligraphy art is a unique part and exquisite expression of China traditional culture. Its emergence, evolution and spread are not only influenced by the whole traditional culture, but also shaped and restricted by the triple mechanism of seeking convenience, standardization and beauty in China's writing culture. The three mechanisms show that an important cultural basis for the existence of China's traditional calligraphy art is the writing style of the whole nation and the conscious aesthetic pursuit of this writing style by calligraphers and recipients. Calligraphy art is a beautiful wave of writing culture in Wang Yang, China and China. The practicality and aesthetics of Chinese character writing are interdependent, and the practical way is the deep foundation of its artistry. Practicality does not exclude the pursuit of aesthetics, but it is integrated into the calligrapher's aesthetic vision in the process of applied writing. At the same time, the exquisite calligraphy art created by calligraphers has also spread to all kinds of calligraphers, including practical calligraphers, and the writing culture of the whole nation has been continuously improved. It can be seen that China's calligraphy art is not created and disseminated by a few people, but has a deep mass base composed of calligraphers and appreciators at all levels, who have formed a pyramid-shaped calligraphy art creation and dissemination group, ensuring that China's calligraphy art creation and dissemination activities are endless.
As far as the subject is concerned, the life experience, personal character, cultural accomplishment and aesthetic consciousness of the creators and disseminators of calligraphy art are the micro-foundation of calligraphy art communication. The existence background of the calligraphy subject collides with its life, which makes the subject precipitate a unique life experience and makes its calligraphy art have a unique style charm. Whether calligraphers were born in troubled times or in peacetime, their life experiences are different, and the content and style of their calligraphy artistic expression are also different. No? An Shi rebellion? Yan Zhenqing's family stood up against the enemy. Without his nephew's death in battle, it would be impossible to produce the manuscript "Sacrificing a Nephew", which was soaked with ink and indignation and tried to get rid of the traitors. Personal personality also has obvious influence on the appreciation of calligraphy creation. Books are like people, and people become books. Su Dongpo? The ideological changes have gone through the process from Confucianism to Taoism and then to Buddhism and Zen? Therefore, his later calligraphy pursues freehand brushwork rather than statutes and meanings. The life subject of first-class calligraphers is the unity of multiple essences, and they have profound cultural literacy. Books and texts are interlinked and mutually glorious. Without great works, it is difficult to have a magic pen. It is a beautiful article like Preface to Lanting that gave birth to Wang Xizhi's best running script in the world. Books and texts set each other off into interest, and the beauty of Chinese books is the result of the coexistence of literary talent and book meaning of the subject of life at that moment.