Appreciation of Huang Tingjian's Running Script
Huang Tingjian's Calligraphy Pictures 1
Huang Tingjian's calligraphy picture 2
Huang Tingjian's calligraphy picture 3
Huang Tingjian's calligraphy picture 4
Comments on Huang Tingjian's Calligraphy
Huang Tingjian's calligraphy can be divided into two stages. The previous stage is his self-proclaimed Yuan You fencing. Is to inherit each family and blend in with yourself. In the latter stage, we strive to innovate. He is very strict with himself and often denies the works written by Yuan You before he was forty-nine. Said: Yuan Youjian's brushwork is plain and he doesn't use many pens. ? Even when he was demoted to yeongju, he said: reading old books is disgusting; There are about three or four words in the cross. ? However, judging from the existing Yellow Book, only the official book "Boyi Shu Qi Temple Monument" written by Yuan You at the age of 46 in the sixth year (A.D. 109 1) looks similar to Chu Suiliang, and has not yet established a unique style. However, he participated in Xue Ji's method of learning Chu, which made him frustrated step by step, tried his best to avoid learning Chu, and fell into a slippery disease, which initially laid the foundation for his later works to use pens everywhere and succinctly. As for his big characters, Yuan Feng's "Stone Carvings of Qingshan Poetry" written at the age of 39 in the sixth year (A.D. 1083) was magnificent and won the essence of "He" and melted into his face. Not as good as the ancients, Yang Xin, Wang Xizhi, Xue and Chu Suiliang. Another example is the Epitaph of Elder Wang, written by him at the age of 42 in the first year (AD 1086), with Lanting style as the best.
In recent years, it was unearthed in the second year of Yuanyou (AD 1087), that is, at the age of forty-three. His main works "Wang Chunzhong's Epitaph" and his running script "Bad Ginger Post" were influenced by Su Shi. But he corrected Su Shi with a straight-down method? Wrist and pen lying down? The shortcomings of. The "prescription" flew like a pen, and the last two lines were scribbled at will, which were placed in Yan Zhenqing's two manuscripts, Sacrificing a Nephew and Competing for a Seat. This shows that he learned the skills of the ancients. However, when he was seriously creating, he was determined to innovate and disdained to follow the precedent of his predecessors. The rest is Hua Yanshu, duty, etc.
Not yet desperate, it can be concluded that it is Yuan You's Hanshu, which uses Yan Zhenqing's big characters to express meaning, and develops the strokes that shorten the face shape into his own face shape. In fact, Huang Tingjian's book has become a family in Yuan You. But he is ambitious and not complacent. On the contrary, it devalues past achievements. In the art of calligraphy, he absorbed the advantages of ancient and modern people, merged with himself, and constantly reformed and innovated, becoming his unique style before his later years. In the collection of the valley. There is such a record: Uncle Chao Mei's recitation book only has rhyme ears, but as for Pogo's stippling of the right army, there is nothing. If there is someone who is attached to you, if you stay in Chen, you will laugh. If Uncle Mei is with the right army, Youmeng will say so. Is that Sun Shuaio? Those who taste autumn scenery's harmony imitate the book of the right army, and their brushwork is moist, so they are tied with rope and ink, so they can't control it. Give a taste, give a poem, what is it? The text of the word is beautiful and clear. Who can learn from it? Lanting There is nothing wrong with the big characters. There is a cliff "Ode to Zhongxing" at night. Don't be a beautifully printed stupid frozen fly. Le Yi Lun is better than Classic of Heritage Education. Only self-contained will be realistic. ? I wonder if Uncle Mei has ever tasted this theory?
From here, we can see Huang Tingjian's great ambition of learning from the past and seeking new things. Song Fengge's poems written in his later years can't stop him from exerting his creative talents, even though his writing style is not up to standard. Poetry Volume of Jingfubo Temple is a pen after illness, claiming cooperation. Later, I asked myself and answered the question:? Hold Huainan, you can see Yu's old friend and Coke, how can you write Huang Lu's straight book? As well as the postscript of Su Shi's cold food poems and Biography of Fan Pang, were all his cooperation in his later years. Biography of Fan Pang was written when he finally lived in Yizhou, and he died immediately. Old pens practice more.
Huang Tingjian's cursive achievements are the most outstanding among Song people. He was highlighted in Biography of Huang Tingjian, the History of Song Dynasty? Is cursive writing good? He said himself:? I have studied cursive for more than 30 years, and I took Zhou Yue as my teacher at the beginning, so I have been tacky for 20 years. It is Su Cai Weng Zimei's late view of this book, which was written by the ancients. Later (Xu), Huai Su, eminent monks and eminent men all had ink, which shows the beauty of pen and ink. ? I saw it when I was thrown into the canyon in Sichuan? Long-term soup paste, group Ding Ba? See also Shi's "Huai Su's Self-Narrative Post"? Looking at it, it feels super different? This just realized the samadhi of Zang Zhen (Huai Su's nickname). Take it off? Vulgar? . Zhang Xu, Huai Su and Gao Xian are famous for their weeds. Huang tingjian thought:? Open method wants to enter the array as fast as a horse, and grass method wants to control it. ? We can see his Weeds in his books "Li Taibai Remembers the Past" and "Zhu Shangtie". Although the clouds are lingering, the flying flowers are all gone. Moreover, the rules are very strict, the pen is very thoughtful, and there is no carelessness. One of the "wandering poems about the past" Architecture? In other words, the competition uses the brushwork of drawing lines. "All seats" are like light clouds, and the sky is changing. However, as a serious book, Hua Qi Tie Shi changed the old method and achieved great success.
Huang Tingjian's complete Chinese character "Poems and Postscripts of Ming Zan" has more obviously inspired future generations to master the brush of sheep and give full play to the heroic role of rabbits. There are some paintings and words on the "Li Wumatu" in small letters, which can be displayed until it is found. Really did it? Small words like big words? A high degree of artistic creation.
What are the characteristics of Huang Tingjian's book? Pen array? In the middle, it's like marching in line, step by step, straining the strings, and the cameras are in full swing. Step by step, it is said that the painting is thoughtful and complete, and no one participates in frivolity. Ensure that there is no loss in the battle; The string is ready to go, saying that it is an adventure, and the raiders attack and win every battle. Compared with natural phenomena, it is quiet, such as the ups and downs of hills and peaks. On the dynamic side, like a cloud, there are endless changes. Huang Tingjian's view of calligraphy art creation has achieved the unity of dynamic and static contradictions.
If the Yellow Book is compared to Su Mi and the Tang Poetry is compared to metaphor, then Su Yi and Li Bai are talented and natural. Clouds come out unintentionally, and birds are tired of flying. . Self-employed people who don't ask for details are as yellow as Du Fu. The language is not amazing, is it endless? Rice is a collection of sentences, and insects are carved everywhere. Li He is a genius, which is inconvenient for beginners. To learn three books, we should take Su Huang as the body and Mi Fei as the use. The poet Du Fu, followed by hundreds of students. You can avoid going backwards and going astray.
Everything must be divided into two, and it is inevitable that big alcohol will be small. We should focus on the whole and the mainstream. Between Su Huang, the Soviet Union is a predecessor. Huang appreciates Su's writing ethics, including calligraphy. At that time, someone put forward shortcomings to Su Shu: Dongpo wrote Godot's sick pen and lay writhing. ? Huang thought? Peeking at the leopard in the tube, I don't know the gist. ? Huang's book also absorbed Su Fa. However, we can see that Su Shu's Qin Xu looks like corpus luteum in Su Tie, which was carved by the Southern Song Dynasty King. Explain that they learn from each other, learn from each other's strengths and influence each other. Huang's books in his later years, in the process of innovation, seek excessive change and bring some habits. He elongated some particularly short strokes in Yan Zhenqing's main book, which is his fickle side. But sometimes it goes too far. The most obvious, for example, when Fu Yuan was 55 years old in the third year (A.D. 1 100), he wrote "Begging for Books in Zhang Datong"? Give up? Put a hat on this word. Some people describe this habit as a long snake hanging a tree and a boatman holding a pole. Those who are good at learning pornographic books should also change their consideration, and don't give consideration to both defects and yoga.