Tang Shuliang's Xiju, Analysis

(1) This poem shapes the image of an idle and indifferent scholar in Xiju. Tang Shuliang's exquisite and spacious residence was not reflected by the first couplet, while the prospect of the couplet reflected the owner's indifferent and indifferent mood. The neck couplet wrote about Tang's secluded life of practicing medicine and saving the world, and the tail couplet praised Tang's noble sentiment and expressed his admiration. In summary, the keywords "idle and indifferent" and "indifferent" should be answered.

⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵ ⑵𖲕𖲕𖲕𖲕𖲕𖲕933 The word "Ji" contains the meaning of "Jing Wu". When you see the autumn water in the sparse forest, you realize that autumn has arrived and the trees are zeroed. These words are written quietly and calmly, without intentional emphasis, but they can also reflect the idle personality of the characters in the poem.

Tang Shuliang's Xiju

Ming Dynasty: Zhang Yu

Every time I go to Gaozhai, I think endlessly, and the doors and lanes are exquisite and wild.

the rain is still shining across the village, and the sparse forest reflects the water in the autumn wind.

after the poetry scroll of the medicine bag is idle, the incense lamp is sitting quietly.

just to ask how many people are there in the river and sea?

Translation:

Every time I visit my friend Tang Shuliang's elegant study, my thoughts are endless. The study is so exquisite and unique that the wilderness is unobstructed.

There was a shower in the east village, and you can still see the sunset in the west village.

In the daytime, I practice medicine with a medicine bag on my back, walk with a poem book in my hand, and sit quietly in the candle at night to watch the lights flashing.

How many idle people like Brother Tang are there in this floating world?

Zhang Yu:

Zhang Yu (1333-1385) was a scholar in the late Yuan Dynasty and early Ming Dynasty. Word to instrument, more word attached to the phoenix, quiet residence, Xunyang (now Jiujiang, Jiangxi), and then moved to Xing Wu (now Huzhou, Zhejiang), and Gao Qi, Yang Ji and Xu Ben were called "four outstanding people in Wuzhong", and together with Gao Qi, Wang Xing and Xu Ben, they were called "Ten Talents in Beiguo", and they were also one of the ten talents in the early Ming Dynasty. The official is too Chang-cheng, the landscape patriarchal Mi's father and son, and the poetry is bold and elegant. Zhang Yu is good at writing, his words are refined and elegant, his poems are thoughtful and refined, and he is simple and elegant. Calligraphy is slim and interesting, just like Xie Zhuang's Yuefu. Li Shu imitated Han Zemu and copied Wang Xizhi's Cao E tablet in regular script. Although it was not refined, it was able to get away from vulgarity and enter elegance. Painting landscapes, Fami's father and son, and Gao Kegong, the brushwork is pale and beautiful, and the products are on the Fang Congyi.