Wei Bei's representative works include Zheng Wengong Monument, Zhang Menglong Monument, Gao Zhen Monument, Yuan Huai Epitaph and Zhang Xuan Epitaph.
Weibei is the general name for the stone carvings in the Northern Dynasties during the Southern and Northern Dynasties (420-588 AD), with the Northern Wei Dynasty as the most refined, which can be roughly divided into four types: tablet inscription, epitaph, statue and cliff stone carving. Calligraphy at this time is a transitional calligraphy system that connects the past with the future and opens up the future. Zhong Zhishuai said that Wei Bei "can see the old customs of Han and Qin dynasties from above, and can observe the habits of Sui and Tang dynasties from below." Wei Bei's calligraphy had a great influence on the formation of regular script in Sui and Tang Dynasties. In the process of innovation and change, calligraphers of past dynasties also learned useful essence from it.
In the middle of Qing dynasty, he advocated "respecting monuments and restraining posts", which broke through the bondage of "pavilion style". With the rise of inscriptions, the style of calligraphy has changed. Wei Bei inherited the tradition of Han Li and created a new style of Tang Kai, which laid a solid foundation for the structure and brushwork of modern Chinese characters. But there are many cliff carvings, which are carved directly on the stone surface, not the first book. Be careful not to exaggerate the knife marks when writing, so as not to form a habit.
Wei Bei's calligraphy technique is rigorous, simple and vigorous, full of volume, and has the charm of Li Kaizhi. Its calligraphy art is developed on the basis of Han Li and Kincaid, and it can be called the top grade in Han steles. Calligraphers in ancient and modern times gave the highest evaluation to this monument, which can be described as a monument to the unity of Han and stele.