Ling Feijing, also known as Liu Jia Ling Feijing, is anonymous. Both Yuan Yuanjue and Ming Dong Qichang thought Shao Jing had written a book. Ling Fei Jing has round strokes and exquisite fonts. Later generations used this as a model when they first learned lowercase letters.
Ling Fei Jing is a classic of Lingdao. Mainly expounds the thinking method. Today, there is a collection of "Shangqing Gong Qiong, Ling Fei, Liu Jia and Zuo Fu", a volume. Hanwu Zhuan claims that this sutra is used to plead for delay, prolong life, drive away ghosts and gods and serve them.
In Qing Dynasty, Bao called it "the white tone like a new warbler's singing" in "Yi Zhou Shuang Gang You Bi Chi", and Yang Shoujing commented: "Ling Fei Jing is the most exquisite book, which is valued by the world". The chapters of Ling Fei Jing are vertical and horizontal. Because the size, length and height of the whole word are uneven, the density is natural, and the whole word is taken care of from word to word and from line to line. The whole word is integrated. Although it is regular script, it has the smooth and elegant rhyme of running script, which is varied and interesting.
The Classic of Ling Fei is loved by calligraphers of all ages for its graceful stretching, steadiness and extraordinary charm. Ming Dong Qichang said, "Zhao Wenmin learned from Zhong Shaojing all his life and gained three or four ears." . Mr. Qi Gong, a great calligrapher in modern times, also benefited from the Ling Fei Classic. It can be seen that Beijing has extraordinary artistic appeal.
About the author, it is still a mystery. Jue Yuan and Dong Qichang said it was written by Zhong Shaojing, the "first calligrapher of Kaiyuan" in Tang Dynasty, but some people said it was written by Princess Yu Zhen, and some even thought it was written by Zhao Mengfu in Yuan Dynasty.
Ling Feijing's discovery and experience are also confusing. It is said that he entered the Tibetan court in the Song Dynasty. By the end of the Ming Dynasty, this post had flowed into the hands of Dong Qichang. Later, Dong Qichang mortgaged Haining's (Zi Rui,No. Zengcheng) to engrave the collection of "Treasure of Bohai Sea". Unexpectedly, he carved the classics on a stone, but twelve lines were lost. Sixteen years later, Dong Shi redeemed them, but the Chen family privately detained 43 of them. Forty-three lines later, Chen Jiachuan was passed on to later generations.
Later, it spread, and Weng Tonghe's father bought it in Daoguang 18 B Wei (1839), which has been circulated in Weng's family ever since. Since Weng Tonghe had no children, all his property was passed on to his brother Weng Tonghe's adopted son Weng Zenghan. In the subsequent inheritance, the other two, because they had no children, inherited the blood of Weng Tonghe's other brother, Weng Shu Tong, and passed it on to Weng Wangkai.
1938, Mr. Weng went to Purdue University in the United States to study. /kloc-in the autumn of 0/948, Weng and his family packed their books and traveled across the ocean to escape the war. It was shipped from Tianjin to Shanghai, then from Shanghai to new york, and arrived in the United States at the beginning of 1949. Weng Wanghua is very old now. Forty-three lines of The Ling Fei Sutra have been preserved by the Metropolitan Museum of Art, and were officially transferred to the Metropolitan Museum of Art in the early 20th century.
As for the main part of Dong Qichang's possession, it was later transferred by Dong Qichang and disappeared.
However, all this does not prevent Ling Fei Jing from becoming a classic in lower case. For thousands of years, it has been highly respected for its beautiful figure and elegant gas field, and has been emitting immortal charm.
Here, we will introduce 43 lines of ink-printed classics, original works of Bohai Sea, copies of Wangyun Building and Tang Dynasty, and copies of Harvard Yanjing Library.