Su Shi (Song)
Chen Bing Mid-Autumn Festival, happy drinking. Drunk, writing this article, pregnant.
When did the moon begin to appear? I take my glass from a distance. I don't know about palaces in the sky. What year is tonight? I want to go home by the wind, but I'm afraid of Qionglou Yuyu. It's unattainable! Dance and enjoy the shadow of the moon, which is in the world.
The moon turned into a scarlet pavilion, hanging low on the carved window, shining on the sleepy self. The moon should not have any resentment against people. Why is it round when people are gone? People are sad and happy, and they are separated and reunited. The moon will darken or shine, and it will become round or round. Nothing is perfect, even in the past. I hope people will live for a long time and have a good scenery thousands of miles away.
Appreciate:
Su Shi is a very special figure in the history of China literature. When he was a politician in Hangzhou, he built a levee in the West Lake called Su Causeway, which the people relied on. It is still one of the top ten scenic spots in the West Lake. But the reason why he is loved by people lies in his literary achievements and the integrity shown in his literary works. When he was a secretariat in Mizhou, Shandong Province, he wrote two sentences, namely, hunting in Mizhou, Jiangchengzi, Mid-Autumn Festival with mink songs and swimming with children, which are widely known so far. In China, almost every reader is familiar with this song "Water Turn Around".
"When there is a bright moon, ask heaven for wine", the moon is one of the important archetypes of ancient culture in China, and the ballads of ancient poets in China are also unparalleled in quantity. However, between heaven and earth, it is always "stormy and crowing everywhere", and it is hard to find the harmonious beauty that can really make viewers feel the blend of life and nature. Just like a beautiful dream. Su Shi said in another poem, "Don't drink when you meet flowers." Isn't the moon just a rock flower hanging high in the sky? According to relevant ancient books, Dongpo is not a person who can drink a lot, but he likes drinking with others, especially watching others drink. The happiness of others is also his happiness. He has an open mind and a clear disposition. In the dream, he was between drunk and awake. He is neither as independent as Qu Yuan nor as some literati. He is himself, and nothing is closer to himself than himself. "Ask the sky", Li Bai said at the top of Emei Mountain: "I can't wait to ask the sky with Xie Tiao's amazing poems!" Qu Yuan's "Ask Heaven" is a work full of fantasy, with more than 100 questions. The word Dongpo also aroused his doubts about the sky.
"I don't know the palace in the sky. What year is this evening? " "What year is it today" in The Book of Songs is also called "What night is it today". One of Liu Xiang's Shuo Yuan is Ren Yue Ge, which was written in Vietnamese and translated into the official script prevailing at that time. The last sentence is "I don't know what day it is". The difference is that in The Book of Songs and Song of E-Jun, I feel puzzled about my own experience, as if I have forgotten myself, and I don't know if this night is that night. In Dongpo's ci, there is a suspicion of heaven. In ancient times, there was a saying that "one day in the sky, one year on earth". So Dongpo thinks that there must be different ways to calculate time between heaven and earth. Time on earth is like a blink of an eye, but it is slow in the sky. There is a helpless sadness about the natural phenomenon that time makes people old.
"I want to go home by the wind, but I am afraid of Qionglou Yuyu. It is too cold at the top." This sentence is a natural transformation of the above sadness. Because I am very helpless about the time in the world and my career, I want to "go home by the wind." The word "Hui" is used here, which is very meaningful. Li Bai was hailed as "fallen immortal", and Dongpo also claimed to be "fallen immortal". He went to the sky, not with a ponytail, but back to where he came from. However, in his reverie, he gradually developed new worries. "It's too cold up there" is to worry that you can't stand the pure cold any more. Li Shangyin's poem "Su E, a young woman, is hardy, fighting in the frost in the middle of the moon" and "Chanjuan" is "beautiful in appearance". Su E, a young woman, can stand the cold, so she can have a mid-month frost contest to see who is better. But what about poets? Obviously, he can't stand it. His heaven is on earth. Here, Su Shi gave the word a very rich meaning. He is a little tired of the world he lives in. He is eager to rise to a purer height, but he can't stand the cold. This is how he is in a contradictory position. On the other hand, Qionglou Yuyu seems to be unable to stand being aloof from the cold, but the author really cares about himself. It is the author's guess that dancing to find the shadow is like being on earth. Du Fu's poem "Gui is in the middle of the moon, but it should be clear". Osmanthus fragrans leaves a shadow in the moon, but it is so sweet that there should be clearer light. According to the ancient legend that Heng E flew to the moon, WU GANG sat there in the middle of the month. So Mao Zedong has "Yu Meiren", "Wugang holds osmanthus wine, and lonely Chang 'e relaxes her sleeves" and so on.
"When I turned to Zhuge, the low-level households (the original" Peeping at the Low-level Households ",later Su Shi changed" Low-level Households "to be more incisive) did not sleep." Describe the movement of the moon with three verbs. The moon rises, revolves around Zhuge and slowly descends. The moonlight extends into the window and shines on people who can't sleep in bed. There are two explanations for "not sleeping". The moonlight shines on people, but people are still in a sleepless state. Or maybe the moonlight shines on the bed, only to find that no one is sleeping here. Where is that man? Li Bai's poem "The foot of the bed is bright, is there a first frost?" It's about people sleeping in bed; Another song, "But water is clean and cheap. Look at the glory of the autumn moon through its crystal glass?" , tells the story of people not lying in bed, but sitting in front of the window silently looking at the moon. The poet personified the moon here. It seems that the moon is also a friend with his "heart".
"There should be no hate. Why does it take so long to say goodbye?" The common version of "what" is often used as "when", and there are two words of "when" in a sentence, which is inappropriate and unreasonable. Because it has regarded the moon as a friend, it is necessary to have a heart-to-heart talk with her and express the most cordial greetings to her. Moon, do you still have the same jealousy as us small and poor humans, a creature that can overcome the cold at heights? No, you are perfect, and there should be no resentment; But why do people always get together when they leave? People can't be reunited when they are reunited. Is it incomplete when they leave? Why do you always disagree with us? Can't the sadness of our human parting win your pity at all?
From "asking for wine from heaven" to "asking for the moon from here", the poet's feelings have changed greatly, and he gradually realized something. In other words, he heard voices from the sky. "People have joys and sorrows, and the moon has ups and downs. This matter is ancient and difficult. " This sentence can be regarded as the author's understanding and the moon's answer: the moon is not perfect, and she also has her own innate sadness. Like everyone else, she has ups and downs. The world itself is not perfect, everything is in its own inherent shortcomings. Knowing this, what's the point of complaining again?
Finally, "I wish people a long time and everything is beautiful thousands of miles away", which means "there is a bright moon thousands of miles away". This ending is naturally reached, and the author will naturally reach this height in the end. But this height is not cold, it is still achieved by ordinary people through hard work. Su Shi's ideological realm is not as lofty as Zhu's Neo-Confucianism. He is more human, and his broad-mindedness is a state of mind in life. He is in this world and in his own life. This is the reason why this word is widely circulated and popular. We don't regard Su Shi as an idol. We regard him as our friend. Indeed, among China literati, you can't find anyone more suitable to be friends.
Next, we need to make an overall evaluation of this word. The value of this word in the history of Ci can be compared with the value of Su Shi's Qian Chi Bi Fu in the history of prose, and these two works have inherent * * *. "Red Cliff Fu" said: "The breeze on the river and the bright moon in the mountains are inexhaustible, which are the infinite hidden things of creation." Breeze and bright moon, "What you hear is sound, what you see is color". When we enjoy these rich gifts from nature, we should feel happy, be grateful for nature, life and life. We are not only friends of nature, but also friends of the breeze and bright moon. We are our own friends, and only ourselves are your first and last friends. Christ said, "Love your neighbor." Who is closer to himself than himself? Christ also said, "Love your enemies." Who can be your enemy more than yourself? You are your neighbor and your enemy. The greatest victory in life is to conquer yourself. Therefore, Christ said "love yourself". How can a person who doesn't even love himself love others?
Confucius said, "Don't do to others what you don't want others to do to you." Mencius said, "The old are old, the young are young, and the young are young." Push yourself, stand up for yourself, reach out for others, reach out for others. The ancient people's idea of "ruling the country and calming the world" should also start with self-cultivation. Man must first be his friend, not his dictator or tyrant. Let's go back to this poem by Su Shi. In this poem, Su Shi finally achieved some fascinating inner harmony, not only with nature and his younger brother living in a different place, but also with himself. He no longer wants to go home by the wind, nor is he afraid of the cold. He stands on the earth, above him, there is an infinite blue sky and a glittering moon!
Although the word "Perilla" is excellent in brushwork and artistic conception, and there are some clues of "drunken talk" before the game, it will never affect this eternal swan song and Su Shi's literary attainments and personal qualities. The extraordinary "water turning around" is so wonderful and philosophical even if it is a little drunk. This is the beauty of perilla. No wonder, since the publication of the Mid-Autumn Festival by perilla, for more than 900 years, people still agree that "the poems about the moon sung by predecessors are almost useless and unparalleled".
Jiangchengzi
Ten years of life and death! Never think, never forget. A lonely grave thousands of miles away, desolate and nowhere to talk about. Even if we don't know each other, our faces are dusty and our temples are frosty.
When night came, my dream suddenly came home. Xiao Xuan window, get dressed. Care for each other without words, only tears thousands of lines are expected to break the heart, and the moon and night are short and loose.
This affectionate eulogy was written in the eighth year of Xining, Song Shenzong (1075), when Su Shi was forty years old and had just been appointed as Mizhou (now Zhucheng, Shandong). Preface cloud: "Yi Mao's diary dream on the twentieth day of the first month." Yi Mao was Xining for eight years. Named "Remembering Dreams", it is actually to express sincere love and deep thoughts for the dead wife through recalling dreams. Poet/kloc-married Wang Fu at the age of 0/9, and they fell in love and lived in harmony. Wang Fu and Su Shi lived in the capital, but unfortunately died in May (1065) of the second year of Song Yingzong Zhiping. First buried in the western suburbs of Bianjing, and the next year buried in his hometown of Anzhen Township, pengshan county, northeast of Meizhou, Sichuan. The poet is at odds with the dignitaries in North Korea. After serving abroad for many years, he was depressed. He dreamed of his dead wife at night, so he wrote this famous mourning speech. The whole poem is full of affection and sad tone.
The first part of the poem is about his infinite memory of his dead wife and his grief over the vicissitudes of life. The beginning of the sentence "Ten years of life and death are two boundless" shows how much he misses his dead wife. What is displayed in front of the readers is a heavy sadness, which sets the theme for the whole poem, and it is extremely sad, and also points out the time when the husband and wife died-ten years. It is exactly ten years from Wang Fu's death to Su Shi's writing of this word. Ten years is a long journey in a short life. However, the passage of time and the change of life did not dilute the poet's deep affection for his dead wife. He not only misses her all the time, but also misses her more and more. I miss you very much, but I can't see you because life and death are separated. The word "boundless" conveys an indescribable sense of emptiness and sadness. It is worth noting that "boundless" is preceded by the word "two". Two Boundaries tells not only the poet's feelings and feelings, but also his wife under his grave. The living and the dead share the same feelings and sorrows. Here, ignorance is written with knowledge. Although it is an illusory dream, it is more obvious that the husband and wife met each other before their death and fell in love after their death. "Forget it" is the painter's yearning for the dead. "No" is self-contradictory at first glance, but it is the poet's deeper feeling to experience it carefully. Saying no is thinking. Because this kind of missing is not only a kind of conscious missing all the time, but also an unconscious missing that is difficult to interrupt, it can be said that "this feeling can't be eliminated" (Li Qingzhao's Plum and Plum), so it is "unforgettable". This ups and downs of the narrative, the author used the most common language, made the most real and moving description, but also showed deep feelings for his wife's missing. "A lonely grave thousands of miles away, nowhere to talk about desolation" means that after Wang Fu's death, he was moved and buried in Meishan, Sichuan (Su Shi's hometown), while Su Shi was in Mizhou, more than a thousand miles away. The dead are thousands of miles away, without a poet. How lonely and sad it was to see her lying alone under the spring. If "Ten Years of Life and Death" is the isolation of time, then "A Thousand Miles of Lonely Graves" is the isolation of space. The ruthlessness of time and space embodies the poet's perception, expressing his deep yearning for his dead wife and his regret that he will never see him again. "Even if we don't know each other when we meet, our faces are dusty and our temples are frosty", the word "even if" in the three sentences gives way, but its function is to bring the development of feelings closer to a higher level. Besides, if you don't know each other, it's even more unbearable than not meeting each other. "dusty face, temples like frost", several characters, a poet tortured by life, the image of suffering, dusty face, temples like frost, through the perspective of an emotional wife. What is depicted here is the external image, but it shows rich and complicated thoughts and feelings. There are only six words, which contain the painful experience and feelings of leaving his wife for ten years. Su Shi was only forty years old when he wrote this word. It is not an exaggeration to say that his temples are frosty, but we can see that his life is embarrassing and his mood is bleak.
As the saying goes, "I miss my wife every day and dream of my wife every night." Missing your wife is inevitable and in line with the theme. With Shang Kun's "Thinking about the Day and Thinking about the Night", there will be Xia Kun's "Night Dreams", and the environment will change and the meaning will be connected. As a transitional sentence, "the night dream suddenly returns", I turn my pen and ink lightly, that is, I naturally fold into writing dreams. The word "you" describes the obscurity of dreams. Dreams can transcend time and space, and also break the isolation between the invisible world and human society. Husband and wife meet in their dreams, and the distance between time and space in reality is gone forever. The word "suddenly" describes the speed of going home thousands of miles away and the ease of reuniting with your dead wife. How many days and nights at ordinary times, the desire is unattainable, and now it suddenly becomes a reality. Is it too fast and too easy? Only when it is too fast and too easy can it be vaguely revealed that this is just an illusory dream. Dreams are brisk, but the feelings expressed are extremely heavy, implying mixed feelings. Xiao Xuan Window Dressing selects the details of his wife's boudoir life to describe. Highlighting the scene where the wife is sitting by the window and dressing in front of the mirror shows the harmonious and happy life of husband and wife in the past, and also reflects the sadness of "nowhere to talk" now. When we meet suddenly, "caring for each other without words, only a thousand tears" is just the answer to the sentence "ten years of life and death". The former says that feelings are lingering and empty, while the latter says that even if we meet, it will be miserable. At this time, silence is better than words, four eyes are opposite, two hearts are in harmony, and thousands of thoughts are in it. "Looking forward to heartbroken every year, looking forward to a moonlit night, and short Matsuoka" are the climax of emotional development. "Anticipate" means "anticipate" and "guess", which is a guessing word, but the tone is very positive. "Year after year" refers to both the long ten years that have passed and the endless years in the future. It not only contains the memory of the living to the dead, but also increases the memory of the living to the dead, so that the word has the dual memory of life and death, and the weight of the word is doubled at once. Moonlit Short Matsuoka creates a sad and heartbroken environment. Thousands of miles away, under Matsuoka, the dead are buried, and Leng Yue is full of light. What a lonely and sad scene! The death of his wife in this situation is naturally unspeakable, and the poet who thinks of this situation is also heartbroken. "heartbroken place" refers to the lonely grave of the deceased wife, and "heartbroken person" refers to the living and the dead. Inherited the meaning of "ten years of life and death" at the beginning, the whole poem was integrated, which fully developed and strengthened the feelings.
Throughout the poem, the poet interweaves reality and dreams, and the living and the dead describe it, writing reality above and dreams below; Two sentences of "A Thousand Miles" are written from the perspective of the living, and three sentences of "Even if" are written from the perspective of the dead; And "expected" three sentences, but also the feelings of the living and the dead together, thus creating a confusing and sincere realm. This word is closely related to remembering dreams in composition, with mourning as the main line, and written in layers according to the memory before the dream, emotional ups and downs, sadness and joy in the dream and lament after the dream. The plot has ups and downs; With a pen, there are advances and retreats, feelings, sorrows and joys; Extremely tortuous, the combination of reality and reality, rigorous structure. Words and expressions are a little whitewashed, chiseled and decorated, without an allusion. It is such a small word that washed away the lead and made it sound natural. In the past 900 years, how many people have been touched and how many people have shed tears! The reason is that the word wins with affection. A word "love" is the poetic soul of this word.
Ci with the theme of mourning poems is Su Shi's first poem, and it is also the first poem in the history of ci development. This word has its unique significance in expanding the content and enriching the expressive force of words. Most of the words describing women in the Five Dynasties and the Northern Song Dynasty are about playing with prostitutes. Most of the lyrics are written for songs, and most of the poets are prostitutes. So most of the participles are narrow and the words are dusty. When Su Shi began to change, he not only wrote for songs, but expressed their feelings. For example, his word "He Xinlang" (Ru Yanfei's "House of Flowers") makes the image of a lonely and depressed girl vivid through detailed description. Jiangchengzi has taken another big step forward, which not only expands the theme of ci, but also improves the character of ci.
This article can be compared with Pan Yue's mourning poem in the Southern Song Dynasty, Yuan Zhen's Mourning for the Past and Wu Wenying's Preface to Ti Ying.
Appreciation of Su Shi's Dead Hua Lian
This poem is fresh and refined. The first one is about scenery, and the second one is lyrical, revealing the truth, with endless aftertaste. Affectionate but Ruthless Annoyed not only describes the contradiction between emotion and emotion, but also the contradiction between emotion and reason. Although the poet wrote about love, he also permeated with the philosophy of life.
Keywords: late spring/implication/extreme truth/contradiction
A short wall separates the end of the world. Inside the wall, you are carefree and free, outside the wall, you are far from home. It's annoying enough to hurt spring, and being teased by the laughter of beautiful women is even more worrying and melancholy. The scene hurts people and hurts themselves. How many feelings can life have?
First of all, the scene of late spring
The first article of the word is about scenery, which contains feelings.
The first sentence is very distinctive: "Flowers wither and red apricots grow small on the wall". Song Qi, a poet in the early Song Dynasty, famously said: "The branches of red apricots are full of spring", which means that pink apricot flowers are in full bloom on the branches, showing a strong spring. In contrast, the apricot branches described by Su Shi are already in late spring. Not only wrote the decline, but also wrote the rebirth, the residual red faded, and the green apricot was born. This is the formation and metabolism of nature, but it makes people feel a little sad. Seeing the scene of late spring and expressing the feelings of hurting spring is a common meaning in ancient poetry, but Dongpo is detached from it.
"When swallows fly, green water surrounds people." The author looks away from the branches and moves to a vast space, and his mood is also excited. Swallows are flying and green water surrounds the villagers. Spring is full, sweeping away the sadness of the sentence. I'm afraid only Dongpo can take his time by combining the two opposing moods of hurting spring and being broad-minded with other people's common images and smooth melodies. Swallow Flying is translated into Yan Shu's "When swallows come, the news agency, pear blossoms fall behind the Qing Dynasty". Roll call time is the fifth May Day after beginning of spring, which is consistent with the scenery written before and after.
"Little willow cotton blows on the branches" should be the same as the first sentence "flowers are small and red." The catkins on the branches have been blown less and less, but the author did not describe them one by one, but interspersed with the word "swallow" to inject a relaxed atmosphere into the sad tone. Flying flowers and falling flocks are the easiest to provoke people. The word "you" shows that the poet saw the fallen flowers more than once. The feeling of hurting spring and cherishing spring is beyond words.
The sigh of "the grass in the sea is flourishing" more strongly shows his feelings of regretting the death of spring and his long-term wandering sigh. In this way, in the last film, the author used four groups of sacrificial scenes to describe the natural scenery in late spring and gave it a strong emotional color.
The next film is caused by "Grass Everywhere", that is, there are beautiful things to comfort yourself everywhere. But such a beautiful thing is as annoying as the scenery, and it is also annoying. "There are swings in the outer wall of the road, laity in the wall, and beauty in the wall laughs". "Tao" is the road. In the courtyard wall by the roadside, someone is playing on a swing. When pedestrians (writers) pass by here, they are all hearing bursts of laughter from the wall. He can hear that the laughter obviously comes from the woman on the swing. He should be a "beauty". In ancient times, women had the custom of swinging in spring, and the swing frame was set up in the yard or garden. This is the beauty that pedestrians encounter. He was deeply attracted by the laughter and wanted to take this beautiful scene to relieve his depression. However, "Smile" made him disappointed. Silent, silent meaning. Here, not only the laughter gradually disappeared, but also the sound of the beautiful women swinging in the wall disappeared. I think she has gone back to her room after swinging. The pedestrians here feel "deeply but mercilessly annoyed." "annoying" means annoying. Pedestrians, that is, the author, originally wanted to use beautiful things to relieve depression. This kind of affection for the beauty in the wall, because the beauty in the wall can't see the layman in the wall at all, seems to have no feelings for the layman in the wall, which makes the desire of the layman in the wall to send away depression fail and fall into frustration.
From the "swing inside and outside the wall" to the end, the meaning of the word flows away in one go. Rhetorically, the word "truth" is used, that is, the word "outside the wall" at the beginning of the second sentence, the word "outside the wall" at the end of the first sentence, the word "smile" at the beginning of the fourth sentence and the word "smile" at the end of the first sentence roll forward irresistibly. Judging from the rhythm of words, Dead Hua Lian is folded in half, with four rhymes, the same number of words and the same rhythm. The word Dongpo has different emotional colors and rhythms before and after, which is really the author's free thinking, direct belief and a breakthrough in morphology.
Second, contradictory feelings.
There are often complex contradictions between the upper and lower sentences of this word and between the upper and lower gaps. For example, at the end of the last film, there are two sentences, "Blowing willow on the branches is less", and feelings are low; "There are plenty of fish in the sea" makes your blood boil. The contradiction between emotion and emotion is because the poet has been exiled repeatedly in reality, which reflects the contradiction between thought and reality. The first part focuses on sadness, and the second part focuses on joy, which is also the contradiction between love and affection. And "passionate but ruthlessly annoyed" not only wrote the contradiction between emotion and reason, but also wrote the contradiction between emotion and reason. The beautiful woman laughed and died suddenly; Pedestrians stared at the swing, filled with emotion. Although the poet writes about feelings, he also permeates the philosophy of life.
In "Spring in the South of the Yangtze River", the author uses a ruthless and affectionate story of walls, beauties and pedestrians to condense his anxious and angry feelings, and also includes his thoughts on the contradictory paradox of life.
spiritual song
Much like a flower, it seems that it is not a flower, and no one falls to the ground. Throwing it on the side of the road seems heartless, but it is full of affection. It was she who was injured, euphemistically confused, trying to open her mouth but closing it tightly. Dream with the wind Wan Li, looking for lang, but also by warbler.
I don't hate this kind of flowers falling completely, but I hate the West Garden, which is full of withered flowers. Where are the traces of falling flowers after the rain in the morning? Drift into the pool and become a pool of duckweed. If the spring scenery is divided into three parts, two of them become dust, and the other part disappears when it falls into the water. In detail, it seems that it is not a flower, but a little tears.
Make an appreciative comment
This word is cleverly conceived and described in detail. It is a combination of chanting things and personification, comparing Huayang to a homesick woman who wants to run away from home and find a husband thousands of miles away. Although Yang Shuhua is like a flower, it has no bright colors, no beautiful face, and no one to care for its jade capacity, which was blown down by the east wind. It left the branch, just like a child who left home, it stood on the side of the road, like a homeless street child. Huayang seems heartless to poplar, but in fact it is affectionate. Team after team, it huddled together, rolling its damaged soft intestine. It lay on the side of the road, like sleeping, gathering and dispersing, like a sleepy woman, closing her eyes and falling asleep. In the dream, she drifted thousands of miles away with Chunfeng, struggling to find her lover. A gust of wind scattered the flowers, like a girl in a dream, awakened by the sound of warblers. In the last film, flowers are people, people write flowers, and young people are beautiful, and they are one. The next part expresses the sadness of hurting spring and cherishing flowers. From "no hate" to "hate", if you want to advance, you should retreat first, from Huayang to Luohong, and then earn a sum of money to return to Huayang. It rained all night, and it stopped raining in the morning. The fallen flowers were scattered in the mud and floated in the water, so it was difficult to pick them up. Finally, Kobanawa's tears were mixed together. It is amazing to melt feelings into things, express feelings with things, and use the pen of God. The whole article is full of material feelings, with the combination of reality and reality, the transformation of pen and ink, and no trace of god.
Bu operator
This word was written by Su Shi in December of the fifth year of Yuanfeng (1082) when he demoted Huangzhou to Dinghui Garden. The image of the lonely moon in Ci expresses the poet's self-esteem and contempt for the secular world.
The first two sentences of Uptown create a lonely atmosphere in the dead of night, and the moonlight hangs on the tree, paving the way for the appearance of you and peace. "Leak" refers to the clepsydra used by the ancients for timing; "Leak" means late at night. These two writers are extraordinary, rendering a state of being born alone. In the next two sentences, first of all, I pointed out the image of a lonely person with many worries, and then the image of the lonely person flew from the lonely person to the lonely person, which made the two images correspond to each other and fit each other, making people think: Isn't the lonely mood of the lonely person just like the shadow of the lonely person? These two sentences are not only true writing, but also through the correspondence and grafting of human and bird images, which greatly strengthens the transcendence of "wandering" and has symbolic significance and poetic beauty.
Xia Kun wrote about Gu Hong's misfortune, and he was deeply resentful and fearful. He refused to live after picking up all the cold branches, so he had to stay in a lonely and cold sandbar. Here, the poet uses symbolism and ingenuity to look back, hold a grudge and choose a place to cross the loneliness of Hong, expressing the lonely situation of the author during his relegation to Huangzhou and his noble and confident state of mind that he does not want to go with the flow. The author and Gu Hong appreciate each other, personify Gu Hong's psychological activities and objectify their subjective feelings, showing superb artistic skills.
The realm of this word is indeed as Huang Tingjian said: "It is like eating fireworks and cannibalizing people. There is no thousands of books in the chest and no tacky things in the pen. How can you get this!" This lofty realm of freedom beyond the secular world benefits from exquisite artistic skills. The author "eulogizes the story with the spirit of nature", digress from the theme of God, set the context in his mind, and support people with things; In the description of the environmental background of Lonely Rainbow and Moonlit Night, the narrative of scene selection is concise, ethereal, implicit and vivid, and very typical.