Su Shi thinks the relationship between the significance of calligraphy art and the natural opposition of French style

Su Shi believes that the relationship between the meaning of calligraphy art and the opposition between law and nature is wrong. There is a childlike interest, he said: Therefore, the servant book is not as good as Cai, a little proud as Yang Fengzi, and more eloquent than Fahua. This shows that his calligraphy style and artistic achievements are different in different creative States and creative moods. Only when you relax can you enter the book and truly show your personality and spirit. What he said about freedom has at least two meanings: first, it is the free and adaptive creative state he pursues. Secondly, it refers to the natural rhyme of Xiao San reflected in the work, which is natural in arts and sciences and full of gestures ("thank you teacher"). This is the consistent aesthetic pursuit of Su Shi's literary and artistic creation and the core of his calligraphy aesthetic thought. The two queens won the laurels alone, and Su Shi's calligraphy was unique. Its words are full and round, ups and downs. The essence of "Hokkekyo" is that all living beings can become Buddhas, and Su Shi uses this as a metaphor to express and correct every word. In ancient China, nature was originally a philosophical concept, with a very wide coverage and a very large space for understanding and application. It means what people don't do, as opposed to what people do. It is considered to be the basic law of everything in the world.