Yes; And late strength, physical strength, kit kat, cover is learned. The same is true of Jiucheng Palace Monument and Wendaya Tomb Inscription. ("Continued Book Break")
Yuan Zhao Mengfu: He Qing Jian Jian, One Man in Ancient and Modern Times.
Chen Ming Ji Ru: This post is as deep as a mountain. It is thin, hard and cold, but it is full of air. It can make the king bend his knees, and he can't drive it unless he carves it.
Han: "Books are the first". ("graphite carving")
Guo Shangxian in Qing Dynasty: the spring of rites is bright, elegant and simple, and the French side is round. This is a division of Han Dynasty and a combination of Wei and Jin Dynasties. No one can compete with Bo Shi. ("Building Pavilion Ming")
Zhou Xinglian in Qing Dynasty: The word has nine palaces and the branches are white. You Jun's Huang Tingjing, Le Yi Lun, Ouyang's Li Quan Ming and Qian are the most accurate among the nine palaces. Either the bamboo shoots are sewn, the four sides are full, there is no shortage in the words, and there is no source outside the words. It has always been straight and there is nothing wrong with it. (My humble opinion on Linchi)
Liang "if others can't arrive and I arrive, it will be dangerous;" People dare not let go. I let go. It's risky. Every time the European book is in danger, it will break the room, but it is also serious and safe, so it is also firm. " ("storytelling post")
Modern Liu Zhengcheng: The difficulty of tens of thousands of Chinese characters in China lies in their different structures, and the charm of visual modeling is also here. It is especially difficult to achieve "danger" by using brushwork. Throughout the history of calligraphy, Ou Yangxun was the one who got the beauty of "danger and strength" because of his accurate words. Ou Yangxun originated from Wang Xizhi, but actually conceived from Sui stele, which is a combination of northern and southern calligraphy styles. His masterpiece "The Ming of Liquan in Jiucheng Palace" also became a regular script with the tendency of pavilion calligraphy. (Introduction to Calligraphy Art)