The rolling Yangtze River flows eastward, and the waves wash away the heroes. Right and wrong, success or failure turn around in vain. The green hills are still there, and the sunset turns red several times. The white-haired fisherman and woodcutter on the Nagisa River is used to watching the autumn moon and spring breeze. Happy reunion over a pot of wine. Many things in ancient and modern times are all discussed in a joke. "The Romance of the Three Kingdoms" was written at the end of the Yuan Dynasty and the beginning of the Ming Dynasty. The earliest extant edition was published in the Jiajing year of the Ming Dynasty, commonly known as the "Jiajing edition", and has 24 volumes. There is also Hongzhi's "Popular Romance of the Three Kingdoms", which has simple writing and relatively simple content. During the Kangxi period of the Qing Dynasty, Mao Lun and Mao Zonggang and their sons reviewed the official historical events, added and deleted texts, and revised it into the 120-chapter version of "The Romance of the Three Kingdoms" that is commonly used today, commonly known as the "Mao version". Mao and his son placed it at the beginning of "The Romance of the Three Kingdoms", which was the finishing touch of Mao's revision of "The Three Kingdoms". As the beginning of the novel, this poem became more widely circulated. The poem "Linjiang Immortal" was written by Yang Shen, the number one scholar in the Ming Dynasty. It was originally the opening line of "Talking about the Qin and Han Dynasties" in "History of the Historical Dynasties" compiled by Yang Shen (hereinafter referred to as "Ci Hua"). Yang Shen, the number one scholar in the Ming Dynasty, was exiled for half his life because he offended the emperor. Yang Shen is the number one scholar. He was born into a family of officials, and his family reputation was at its peak. Starting from his grandfather, his family has produced six Jinshi and one Number One Scholar in four generations. The number one scholar is Yang Shen. Yang Shen was also a direct minister. When he first entered the officialdom and served in the Hanyuan, he wrote a direct remonstrance in "Ding Chou Feng Shi" against Emperor Wu Zong's excessive playfulness, with passionate words. But Wuzong didn't accept it, and his promiscuity continued as before. He was angry and returned to his hometown claiming to be ill, hoping to fight. Yang Shen is another guest. After being convicted of discussing rites, Yang Shen was demoted and released to Yongchang, Yunnan Province, where he stayed for more than thirty years until he died of old age. Even when he returned to Shu in his seventies, he was framed by villains and was escorted back to Yunnan. This lonely soul who was driven away from the guest could not return home in the end. Yang Shen's life is undoubtedly full of tragedy. However, Qiongchou's writing also made him a famous scholar and literary master of the Ming Dynasty. This is a poem that chants history. It expresses feelings about life by narrating the rise and fall of history. It is bold yet subtle, high-pitched yet profound. Judging from the whole word, the tone is generous and tragic, and the meaning is endless. It is soul-stirring to read and can't help but add thousands of emotions to my heart. While making us feel the desolation and solemnity, this poem also creates an atmosphere of indifference and tranquility, and reflects the lofty artistic conception and profound philosophy of life. The author attempts to explore the eternal value in the rush and precipitation of history, and to find the profound philosophy of life between success and failure. He has a sense of the rise and fall of history and the ups and downs of life, reflecting a noble sentiment and broad-minded mind. . While we are savoring this poem, we seem to feel that what is rushing away is not the rolling water of the Yangtze River, but the ruthless history; we seem to hear a sigh of history, so we look for the eternal value of life in the sigh.