I haven't set foot on Dongling Road for ten years.
Back to the dragon to sting the ground, relying on the wild geese to come.
Enjoy the long grace of the temple, and engrave the warrior sage on the tablet.
And gold happen to coincide with each other. Where did you get the cold smoke?
Zhang Zhihan's Landscape Paintings
Zhang Zhihan, who wrote this poem, has a special status. He was a government official in the former Qing Dynasty and the Republic of China. Famous Fairy Boat, nicknamed Master Stone, Ark Mountain Man, Three Seas Painting Zen, Three Seas Old Fisherman. He Shili people in the south of Shenyang. At the end of the Qing Dynasty, he obtained excellent tribute, served as general manager of the official bank, and went straight to Suzhou Zhizhou. After the early years of the Republic of China, 19 16 served as the general manager and reclamation director of Fengtian Guandi Qingzhang Bureau. 19 19 served as supervisor of northeast bank, and later served as director of Fengtian industry department and ambassador of northeast salt transportation. He was good at epigraphy, calligraphy and poetry all his life. Good at painting landscapes and rendering.
Painting is left-handed, calligraphy is suitable for both sides, and the brushwork is vigorous. 1928, Jinshi Painting and Calligraphy Research Association was established in Shenyang, with him as its president, and stone poetry collections and stone series were handed down from generation to generation. Because he was an official of the former dynasty, he felt very different when he paid tribute to Fuling in the late Qing Dynasty and went to Dongling for an autumn outing in the Republic of China. This poem really shows the feeling after this role change.
In the first couplet of the poem, the poet wrote that he had not come to Dongling for ten years. "Play", the same step. Zhuan Xu and Jing Lian wrote that when they came to the emperor's mausoleum again, they saw that the Dongling Hall was still there in autumn. "The place where dragons crouch" refers to the emperor's mausoleum. "Wild geese pluck their hair" means autumn. Yan Laihong, an ornamental plant originally growing in the deep mountains, has richer colors in autumn and is also called "old boys", so the poet refers to autumn. "Enjoy the Temple", that is, the main hall for offering sacrifices, that is, Long 'en Temple, is in the middle of Dongling Fangcheng, where sacrifices are offered. "Chi" stands tall.
"Shengwu Engraving Edition", inscribed by Emperor Kangxi personally "Fuling Shenli Deming in Qing Dynasty". "Wu Sheng" refers to Emperor Kangxi. After the death of Emperor Kangxi, he was honored as "a lucky emperor, a civil servant, a philosopher, a thrifty and great man", with the word 2 1 and the temple name "Saint Zu". Take a word "Wu" from your respectful name and meet the word "Sheng" in the temple name. That is, "Wu Sheng" replaced Emperor Kangxi.
"Engraving" means "Engraving", and here it means writing. At the end of the sentence, the poet turned to write:
(Although the Long 'en Temple in Fangcheng is still there, and the merit tablet written by Kangxi himself is still there), Dongling, like the Tang Mausoleum and the Golden Tunnel, has no incense for sacrifice. "Golden Tunnel", the mausoleum of the Jin Dynasty. The "tunnel" leads to "Jia", that is, the tomb. "Cold smoke", cold smoke, here refers to the incense used for sacrifice.
In this poem, Zhang Zhihan wrote down what he saw and felt when he revisited Dongling in simple words. Because he experienced the grand ceremony of the former dynasty and the deserted mausoleum of the Republic of China, the discussion triggered by his special feelings was profound and thought-provoking.