The original text, translation and appreciation of Su Shi's "Water Tune Song Tou Huangzhou Kuaizai Pavilion", the embroidered curtain of sunset, the pavilion is even empty. Because I know your new work, the window is wet and green [3]. Recalling Pingshan Hall [4] and leaning on misty rain in the south of the Yangtze River [5]. It's not alone. Understand the language of drunkards, where the color of the mountain is neither [6]. The endless water surface is crystal clear, reflecting the green shadow of the mountains. Suddenly, the waves were rough and a leaf of Chinese Pulsatilla danced. I can laugh at the son of Lantai [8], but I can't understand the nature of Zhuang Sheng [9]. I only know that there are men and women [10]. A little awe-inspiring, a thousand miles fast [1 1]. Note [1] This word was written in the sixth year of Yuanfeng, Song Shenzong (1083). Su Shi was demoted for the Wutai Poetry Case and lived in Huangzhou (now Huanggang County, Hubei Province). Water tune name: the name of the tune. The first question is "A gift from the Huiji Pavilion in Huangzhou". Zhang Huaimin is charming and dreamy. After being demoted to Huangzhou, he was comfortable and built a pavilion by the Yangtze River to cultivate his temperament. Su Shi named it "Kuaizai Pavilion" and gave it to the other party. [2] Su Shi (1037-1kloc-0/0/) was born in meishan county, Sichuan. In the second year of Song Shenzong Jiayou (1057), Luo Zhi, a new party, was sent to prison for writing poems satirizing the new law, which was a Wutai poetry case. After he was released from prison, he was appointed as the deputy ambassador of Huangzhou Yong ying. Zhe Zongyuan moved to the Hanlin Academy to understand the imperial edict, but was excluded by the old party because he opposed the abolition of the new law. Zhe Zongzhu appointed a new party after he was in power, and exiled Huizhou (now Huiyang County, Guangdong Province) and Danzhou (now Danxian County, Guangdong Province) for mocking the former dynasty. Su Shi is one of the most accomplished writers in Chinese history. His prose ranks among the "Eight Masters in Tang and Song Dynasties", and his poetry and calligraphy are equally famous with Huang Tingjian. His ci works are the most pioneering, with distinctive and bold style. He is regarded as the founder of the unrestrained school. [3] The window is wet and green: The last sentence "My new work" means that the blue and red paint on the window of Kuaizai Pavilion is fresh in color. [4] Pingshan Hall: Ouyang Xiu built it in Renzong Youth Room, and its address is in Shugang Fajing Temple, Slender West Lake, Yangzhou City. Wang Xiang's "Victory of the Land" said that "the mountains in the south of the Yangtze River arch under the eaves". [5] Reclining: Reclining. [6] The language of drunkenness: Ouyang Xiu is a drunkard, reciting "Drunk chansons" in Pingshan Hall (the work is called "Zhong Chao Wrong"): "Pingshan railing leans against the clear sky, and the mountains are both there and there." [7] Pulsatilla: the boatman. [8] Childe of Lantai: Song Yu of Chu State in the Warring States Period was the commander-in-chief of Lantai. In Feng Fu, he and Jing Ke accompanied King Xiang of Chu to visit Lantai Palace. Suddenly, the wind blew, and King Xiang of Chu draped his cloak like the wind, saying, "What do I have to do if you come?" Song Yu said to him: "This is the only king's ear, and Shu Ren is safe!" Then, it expounds the difference between "Qi of the king" and "Qi of Shu Ren", and Su Shi is against it here. [9] Zhuangsheng Teana: Zhuangzi's "Teana" theory. Zhuangzi's Theory of Everything: "Zi You said,' When the earth rings, people know everything, and when people ring, people are better than bamboo. Dare to ask Teana,' said Zi Qi.' My husband boasts that everything is different, but he makes himself salty. Who is angry and evil!' "Lai" is a hole that can make sound, which refers to sound. Zhuangzi uses "human voice" (the sound made by musical instruments) as a metaphor to distinguish the cognitive realm of self, good and evil, right and wrong, and good and bad; uses "earth sound" (the sound made by the wind blowing through a hole) as a metaphor to see the difference and not pursue it; and uses "heavenly sound" as a metaphor to describe the carefree homogeneous realm of unity with Tao, letting nature take its course and not seeing its differences. Song Yu's "Feng Fu" distinguishes between "heroic wind" and "feminine wind", so it is called "no solution makes nature". [10] Gang Dao: Insist. [1 1] These two sentences mean that you can enjoy the wind of thousands of miles with lofty spirit in your chest. Awesome qi, the words of Mencius' sun Chou: "I am good at nurturing my awe-inspiring qi", "it is qi, and it is extremely strong. If it is straight and harmless, it will be stuck between heaven and earth. Appreciation 1: This word has its unique characteristics. It combines scenery, lyricism and discussion in one furnace, showing the author's spiritual world in adversity, leisurely and bold between the lines. "Implicit and ultra-broad, it is really enough to open the mind and overthrow the heroes" (Liu Xizai's Outline of Art and Poetry). The whole poem depicts the magnificent scenery seen on the pavilion and on the river. Finally, it is pointed out that only "upright" people can fully understand and enjoy the wonders of nature. The temple museum has the handwriting of He, a great calligrapher in Qing Dynasty. Appreciation 2: This poem was written in the fourth year of Dongpo's exile in Huangzhou, and it is one of Su Shi's representative poems. Through the description of the magnificent mountains and rivers around Kuaizai Pavilion, the whole poem expresses the author's broad-minded and heroic life spirit. The object described by the author is mainly the vast scene around the "Kuaizai Pavilion". The first four sentences, first with real pen, describe the river and blue sky under the pavilion, the sunset in the distance and the beautiful picture of the pavilion, showing a vast and boundless realm, full of boundless feelings. The sentence "Knowing You as Me" explains the creation of the new museum, points out the close relationship between the owner and himself, humorously describes that the Kuaizai Museum built by Zhang Yi was specially built for himself, and writes that the windows of the museum are painted with green and red paint, and the colors are fresh. The word "wet" describes the wet paint and is quite vivid. The five sentences "I remember the scene of Pingshantang for a long time" are not only the scene in memory, but also an imaginative profile description of the scene in front of me. The author used the word "long record" to remind him of the beautiful memories of the mountains and rivers in the south of the Yangtze River that he had enjoyed in Pingshan Hall, Yangzhou. He also compared the scenery he witnessed on Kuaizai Pavilion, and integrated Kuaizai Pavilion with Pingshan Temple, forming a beautiful and unique artistic conception. This kind of brushwork, in which scenery is recalled, not only adds twists and turns, but also strengthens the ethereal movement of words. The above five sentences are novel, unique and fascinating. Through the author's carefree dripping, he conveyed the joy of seeing victory in front of the Kuaizi Pavilion today. The first part is the combination of reality and reality, describing the scenery under the pavilion and beyond. In the following film, the following five sentences were changed, showing the spectacular scene of sudden changes, rough waves, clouds opening and closing and bright eyes in front of the pavilion with superb artistic techniques. The poet came into being and expressed his lofty ideal and life pursuit. "A thousand hectares, the mirror is clean, the blue peak is upside down", which describes the vast and clear river surface, crystal clear green peaks, reflected in the river, forming a beautiful and moving picture of calm mountains and rivers, and is a static description of water and mountains. "Suddenly" two sentences, write a huge wind, the river suddenly changed, the waves were rough, the clouds opened and closed, and a fisherman was driving a boat and dancing in the stormy waves. At this point, the author's description of the strange peak suddenly changed from a static state to the focus of the whole word-a white-haired old man struggling to fight the wind and waves. The image of this Chinese Pulsatilla is actually a symbol of Dongpo's personality. In the following sentences, the author naturally leads to his comments on Feng Fu written by Song Yu, the commander-in-chief of Lantai in Chu State during the Warring States Period. In the author's opinion, Song Yu's statement that the wind is divided into "the wind of kings" and "the wind of Shu Ren's femininity" is absurd, and it is a blunt sermon that he doesn't understand the principles of nature, as evidenced by the magnificent wind spirit of Pulsatilla. In fact, there is no distinction between nobility and inferiority in nature as Zhuangzi said. The key lies in the level of people's spiritual realm. He told the world with the shocking words of "a little awe-inspiring, a thousand miles fast": as long as a person has the supreme awe-inspiring spirit, he can be extraordinary, upright and carefree, and he can take his time in any situation and enjoy the glory of thousands of miles that makes people feel infinitely happy. It is obviously of positive social significance for Su Shi to maintain a lofty spirit and an open attitude towards life in adversity. From the artistic conception and structure, this word has the characteristics of ups and downs, colorful, open and closed, ups and downs. The description and discussion in the next film are magnificent, and the image of Pulsatilla between the lines is like a hundred rivers flowing into the sea, which implicitly explains the theme of the whole article and gives readers a strong shock. The whole poem combines scenery, lyricism and discussion, which not only describes the vast and magnificent natural scenery, but also injects a kind of magnanimous and lofty spirit, which shows the poet's calmness and awe-inspiring spirit in adversity and fully embodies the characteristics of Su Ci. Appreciation 3: This word, also known as Kuaizai Pavilion, focuses on the "Kuaizai Pavilion" named by the author himself, intentionally highlighting the meaning of "Kuaizai". The first four sentences of the first part describe the scenery with a real pen, looking from far to near, and then turning to the memories of Pingshan Hall. In the last four sentences, writing Pingshantang is actually writing Kuaizi Pavilion with a virtual pen. The scenery of the two is the same, and the yearning for Ouyang Xiu makes this pavilion more cordial. Turning back to the present, the river has changed from quiet and carefree to sudden surge, and the author's perspective has also focused on fishermen dancing in it from thousands of hectares of clear water. The symbolic significance of the scenery written is obvious. How many writers' feelings in their political career are pinned by the lonely glory that disappeared in the misty rain, the sudden stormy waves and the bald fishermen dancing with the waves! It is precisely because of these feelings that the call for "Kuaizai" is even more urgent. The last three comments and two lyric sentences are born from this, which shows the author's natural and unrestrained mind above all else and his unremitting pursuit of spiritual cultivation, which is exactly the inner transcendence sought by the author. On this road, how can we not feel the infinite fun of Storm Ren Pingsheng? Are you satisfied with my answer?
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