1975 works participated in the Shanghai Young and Middle-aged Calligraphy Exhibition for the first time.
/kloc-0 entered the Chinese Department of Guizhou University in the spring of 1978, and was clarified and instructed by Teacher Jiang in many aspects.
198 1 works participated in the first national college student calligraphy competition and won the first prize.
1982 works participated in the National Invitational Competition for Young and Middle-aged Calligraphers' Works and the China-Japan Calligraphy Exchange Exhibition.
1983 transferred to the Chinese Department of Shaoxing Normal University, Zhejiang Province to teach ancient Chinese and calligraphy courses.
1984 was elected as the vice chairman of Shaoxing Book Association. His works won the second prize in the Wen Hui Calligraphy Competition.
1985 organized and served as the director of the calligraphy teaching and research section of Shaoxing Normal University. His works participated in the International Calligraphy Exhibition (Henan).
From 65438 to 0986, he became the deputy director of the Chinese Department of Shaoxing Normal University. His works participated in the second Sino-Singapore calligraphy exchange exhibition.
65438-0987 Published works and creations of Henan calligraphers and Liaoning calligraphy art. Published a paper "Re-understanding of the relationship between pen and structure".
1988 became the head of the Chinese Department of Shaoxing Normal University. He published a paper "Reflections on the Current Tendency of Line Combination" and "Re-discussion on the Relationship between Writing Style and Structure-and Modality".
1989 was elected chairman of Shaoxing Book Association and vice chairman of Federation of Literary and Art Circles. Won the first National Youth calligraphy theory "Book Score Award".
1990 works participated in the third national exhibition of young and middle-aged calligraphy and seal engravers. Published a paper "The Spring Breeze is Endless —— Looking at the Characteristics and Cultural Taste of Calligraphy from the Gap between Calligraphy and the May 4th New Culture Movement".
199 1, Party Secretary and Director of Shaoxing Municipal Bureau of Culture. Published a paper "New Theory of Calligraphy Rhythm".
1993 art introduction of young and middle-aged columns in China Calligraphy.
1996 became the director of Zhejiang Cultural Relics Bureau. Lead a team to Beijing to hold "Yonghe Fengshaoxing Calligraphy Exhibition for Young and Middle-aged People".
From 65438 to 0998, he was an associate professor in the history department of Hangzhou University, and participated in the 7th National Exhibition of Young and Middle-aged Calligraphers' Works and the Paris Modern China Calligraphy Art Exhibition.
1999 was elected as the vice chairman of Zhejiang Calligraphers Association. His works participated in the 7th National Calligraphy and Seal Cutting Exhibition.
In 2000, he became the deputy director of Zhejiang Provincial Department of Culture. He is also a researcher at China Art Institute of Zhejiang University. His works participated in the 8th National Exhibition of Young and Middle-aged Calligraphy and Seal Cutting and the 20th Century Calligraphy Exhibition in China.
200 1, 2 1 century calligraphy and calligraphy guide made special presentations respectively. In 2002, Calligraphy Newspaper made a special introduction.
In 2002, Calligraphy Newspaper made a special introduction.
In 2003, he participated in the 8th National Calligraphy and Seal Cutting Exhibition.
In 2004, China Painting and Calligraphy made a special introduction.
In 2005, he participated in the fifth congress of China Book Association and was elected as the director of China Book Association.
He was hired as an adjunct professor at the School of Humanities, Zhejiang University.
Initiated Lanting Calligraphy Fund in Lanting Painting and Calligraphy Institute.
In 2006, Bao Xianlun Calligraphy Exhibition of Dream, Qin and Han Dynasties was held in Lu Heng Art Museum, Quzhou Museum and Shaoxing Lu Xun Memorial Hall, and the book "Bao Xianlun Calligraphy of Dream, Qin and Han Dynasties" was published.
"China Calligraphy" as a special introduction.
"Calligraphy" as a special introduction.
He was appointed as the deputy director of the official script committee by China Calligraphy Association.
In 2007, he published the book Bao Xianlun Lishu Couplet.
Served as the judge of the 9th National Calligraphy and Seal Cutting Exhibition, participated in the evaluation and participated in the exhibition.
He was nominated to participate in the exhibition and activities of 42 people of Lanting Ya Ji in China Book Circle.
"Youth Calligraphy" published Bao Xianlun's Answering Questions from Netizens continuously.
In 2008, Bao Xianlun Calligraphy Exhibition was held in Xu Bangda Art Museum in Haining.
Attend the 8th International Calligraphy Exhibition.
Nominated by China Calligraphy and Painting as one of the "calligraphers with the most academic value in China".
Bao Xianlun's calligraphy exhibition was held in Ningbo Art Museum.
Bao Xianlun's calligraphy collection was published.
Invited to participate in the bamboo and silk calligraphy research exhibition of China Painting and Calligraphy Institute.