1, Zheng is a person who lives in adolescence forever and is an out-and-out institutional rebel. He poured this spirit into his works, which caused many people to sing. Not only children, but also adults. He is always cynical, clear-cut, outspoken and fearless.
But then again, as educational researchers, we can't teach our children to be cynical. There must be necessary criticism and reflection, but more importantly, a constructive attitude. Only when criticism points to construction can it have more positive significance. Otherwise, children will only see other people's problems when they grow up, and it is difficult to reflect on their own shortcomings, let alone build, live and sing as builders.
Cao Wenxuan is a collaborator and vested interest in the system. In the thatched cottage, his mirror image is Sang Sang. Sang Sang is very interesting. Strictly speaking, he is not the protagonist, but a "perspective" and the narrator of the story of the straw house. So I said, he is a poet. To a large extent, the world of straw houses is viewed from the perspective of mulberry. Whether it is a paper moon or a white sparrow, Sang Sang is present and a bystander in their lives. Sang Sang is a precocious person with Jia Baoyu complex, a poetic person and a feminine person. Yau Ma Tei is beautiful because of Sang Sang's gaze. Obviously, this is actually Cao Wenxuan's perspective.
Sangsang's bedwetting, Sangsang's concern for women and children's lust, Sangsang's weakness (especially the dispute with Du Xiaokang), Sangsang's desire and return, and the conflict and reconciliation between Sangsang and his father are all particularly meaningful, even the best. When I say this, I am sure, not negative. In my opinion, Sang Sang is a humanist. The world in his eyes is beautiful and compassionate.
Cao Wenxuan and Zheng are both excellent writers, and they don't favor one over the other. I just want to point out that on the surface, there are all kinds of things in his conflict, but underneath, it is the fundamental difference in temperament that leads to mutual unacceptability. This difference is the difference between elegance and vulgarity, the difference between literature and quality, and the difference between the ruling and the opposition.
3. Cao Wenxuan is like a good student and scholar in a temple, telling the truth, goodness and beauty, and the potential lust, running in a depressed way. Good students always take repression as the premise, and civilization is hypocrisy, which is the price. Zheng, on the other hand, is more like a wild child, full of wild and masculine temperament, speaking freely and frankly, and making no secret of his paranoia.
Zheng:
Born in Shijiazhuang, Hebei Province, China is a contemporary writer and philanthropist, and is known as the "king of fairy tales".
He is the first writer in China to win the International Copyright Creative Gold Award, and has won the China Charity Model Award, ranking first in the rich list of Chinese writers for many times. Representative works include Shuke and Beita, Cpaing and Lu Xixi. On September 17, 2020, the children's growth observation documentary reality show "Tell the world I can" was scheduled to be broadcast by Youku.