Su Wei's Poems

Su Wei's poems are as follows:

Covered with green wheat, Jiangnan cloud and black leaves. There is no smoke scene in Lingao. The foot of the rain is half closed and the eaves are broken. At the beginning of the snowy forest, the tiles were sparse. The returned ice particles are sticky.

Translation:

The wheat covered in the field has not turned green yet. Dead leaves are like clouds, floating quietly under the wheels. Lin Gaoge has beautiful scenery, which is rare in the world. The rain is half as small as the eaves, and the newly fallen graupel particles are scattered on the tiles like beads. When I got back to my seat, my beard froze.

Appreciate:

In the first film, the pastoral scenery of Huangzhou was written from far and near. "Cover the green wheat instead of the Soviet Union" describes the rural scenery and embodies Su Shi's thought of caring about agriculture. "Cloudy leaves in the south of the Yangtze River" depicts the indifferent scenery of farmers' winter leisure in Huangzhou, and reflects Su Shi's natural entertainment mood. There is no smoky scene in Lingao.

Combining description and discussion, the close-up of "Lingao Smoke Scene" and dense winter clouds gives a pleasing admiration: "There is nothing strange in the world", highlighting the beauty of Huangzhou scenery. The first three sentences, connected into a beautiful picture, suggest that Su Shi transcends the aesthetic taste of things.

The next movie, with a close-up technique, depicts the scenery of light snow after the rain. The beginning is a fine rain-half closed-eaves broken, which is characterized by the change of rain scene. Followed by Snowbed-Early Autumn-Tiles Sparse Beads, featuring the changes of snow. Vivid and vivid, every word is like a pearl. Although Du Fu's poem "The foot of the rain is like hemp, it never stops" is used, but there is no trace.

"Sticking to the ice" humanized rain and snow, an "old man" with a white beard came in! The word "chaos" vividly shows the humorous feelings of Su Shi and Xu Junyou, and embodies Su Shi's writing skills of combining natural beauty with human beauty.

The whole word is popular and colloquial, which makes people feel kind and humorous. It is very infectious to integrate the beauty of scenery with the beauty of human nature, which is related to Su Shi's broad mind.

The author introduces:

Su Shi, (1037 65438+10.8-165438+August 24, 0),No. Zizhan, He Zhong, a famous Taoist of tin cans, Dongpo Jushi,No. Su Dongpo, Su Xian, Han nationality, Meishan, Meizhou (Sichuan Su Shi was a literary leader in the mid-Northern Song Dynasty, and made great achievements in poetry, ci, writing, calligraphy and painting.

Vertical and horizontal text; Poetry has a wide range of themes, fresh and healthy, uses exaggerated metaphors and has a unique style. Also known as "Su Huang" with Huang Tingjian. Ci is an uninhibited school, and Xin Qiji is the representative of the uninhibited school, also known as "Su Xin"; Prose writing is rich and unrestrained, and he is also called "Ou Su" with Ouyang Xiu, and is one of the "Eight Masters in Tang and Song Dynasties".

Su Shi's good book, one of Song Sijia; He is good at literati painting, especially ink bamboo, strange stones and dead wood. Together with Han Yu, Liu Zongyuan and Ouyang Xiu, they are also called "the four great writers of the ages". His works include Seven Chapters of Dongpo, Dongpo Yi Zhuan, Dongpo Yuefu, Xiaoxiang Bamboo Stone Atlas, Ancient Wood and Strange Stone Atlas, etc.