From the first period to the fifth period, Oracle Bone Inscriptions's writing styles are different and have their own characteristics. In the first period (Wu), the calligraphy style was the most gorgeous, with large-scale Oracle Bone Inscriptions as the representative work. This large font is often very strong, the carved strokes are very thick, and it is full of Zhu Mo (cinnabar, ink).
There are also neat and beautiful fine print, all of which are extremely wonderful. These are all inherited from the style of ZTE Yingzong Wu Ding, and their boldness of vision and skill are quite amazing. His calligraphers are Wei, Yong and Bin. The second period (Zujia, Zu Geng era) had a more sincere style. Zujia and Zu Geng were sages who inherited the first phase of Wuding, so the fortune tellers at that time strictly followed the rules and rarely changed.
His calligraphers have travel, greatness and travel, namely. In the third stage (Yan Xin and Ding Geng era), the style of calligraphy changed and declined. The old calligraphers died in the early stage, and the bold calligraphy style swept the floor. At present, calligraphers are naive and weak, and even make many clerical mistakes. None of the authors of this issue have signed their names. In the fourth period (Wuyi, Wen Ding era), there were no names of chastity people in Oracle Bone Inscriptions.
In this issue, the new calligraphers in Wuyi and Wen Ding times spare no effort to weaken their previous writing skills, and their works are vivid, powerful and unrestrained. Only one calligrapher, De, was found in this issue, but none was found. The fifth issue (the first, Di Xin era), except for a few animal heads lettering, the rest are extremely serious and neat.
The reason is: Wang must do his own thing about truth and divination, and Oracle Bone Inscriptions's paragraphs, lines and characters are even, such as small letters. The style of writing has changed greatly, creating new things. His calligraphers are Swimming and Yellow.