Which royal calligraphers have representative works in history? Simply appreciate one of them.

Li Shimin was an outstanding emperor in the history of our country. He not only pushed the feudal society to the peak, but also advocated calligraphy himself, making the calligraphy in Tang Dynasty a brilliant page in the history of calligraphy in China. Among the great calligraphers of the previous generation, Li Shimin admired "Two Kings" the most. According to historical records, Li Shimin personally wrote The Praise of Wang Jinxi, and spared no expense to find 3,600 pieces of Wang Xizhi's ink. "A Brief History of Books" said him: "Li Shu, flying white, won two kings' laws, especially good at ancient posts, close to realism. "Li Shimin is not only an outstanding politician and a great monarch, but also a calligrapher with profound artistic attainments. As the supreme ruler at that time, he devoted himself to advocating and popularizing China's calligraphy (especially Wang Xizhi's calligraphy), which played a great historical role in promoting the establishment of a generation of calligraphy atmosphere. Under his call and strong admiration, Wang Xizhi of Jin Dynasty gradually established his position as a book saint. The story about him and Preface to Lanting is widely circulated. Under his vigorous advocacy, learning calligraphy for a time became a common practice in society, and many outstanding great calligraphers appeared. For example, Ou Yangxun, Yu Shinan, Chu Suiliang, and Xue Qi, four outstanding figures in the early Tang Dynasty, are among them. Li Shimin also established the Hong Wen Pavilion, which advocated calligraphy and stipulated that "art should be an official". The adoption and implementation of this series of measures has effectively cultivated and strengthened the social mass base of calligraphy. Li Shimin's famous calligraphy works handed down from generation to generation include Jinci Ming, Wenquan Ming and Screen Book.

Tang Gaozong Li Zhi, the ninth son of Emperor Taizong, is fond of calligraphy, such as ICBC, Cao Li, Lishu and Bai Fei. Among emperors, calligraphy is vigorous and heroic, round and handsome, not inferior to famous artists. Gaozong's calligraphy is exquisite, just like Taizong's. It can be said that family law is in the same strain, and people spoke highly of it at that time. For traces of books handed down from ancient times, see Chunhua Pavilion Post. The inscriptions handed down from ancient times mainly include Ten Thousand Years Palace Ming, Ode to the Prosperous Tang Dynasty and Li Jibei.

Wu Zetian was a gifted scholar of Li Shimin, the wife of Li Zhi, Tang Gaozong, and the only versatile female emperor in China history. She is proficient in calligraphy, especially in flying white and cursive script. Her calligraphy presents a typical charm of the prosperous Tang Dynasty, with a broad structure, a thick pen, a vigorous style and awe-inspiring spirit. From her words, it seems that we can get a glimpse of the inclusive and powerful self-confidence of the Tang Dynasty. Xuanhe Pu Shu said that her running script was "like a husband". She was ingenious, and according to her own understanding, she specially created one or twenty Chinese characters. For example, "Qi" is a word she specially coined for her name. Because of traditional orthodoxy, people have derogated from her, saying that she is ruthless and power politics. In fact, among the many male emperors in history, which one is not? Perhaps Wu Zetian knew China's traditional ideas very well, so she only set up a tablet without words for herself after her death. Let future generations comment on merits and demerits! The book traces include "The Monument to the Ascending Immortal Prince" and so on. The Monument to the Ascending Immortal Prince was written by Wu Zetian himself, and it was the first stone carving in cursive script.