Bai Ming’s calligraphy and painting works have continued to be popular in the market in recent years and are popular among collectors. Below is an analysis of the collection value of Bai Ming’s works that I have carefully compiled for you. Let’s take a look. Analysis of the collection value of Bai Ming's works
In early 2004, his works were still at a certain market level. In just ten years, the appreciation rate of his works has exceeded 100 times, and his masterpieces have even more Achieved hundreds of times increase in value. The collection market is already in short supply for his works!
In recent years, with the recovery of the collection market, private capital has begun to enter the collection field with great enthusiasm, becoming one of the main forces promoting the heating up of the collection market. one. According to collection experts, the prospects for investment fields such as the stock market, funds, and real estate are not yet clear. This year, the collection market is expected to continue to attract the attention of investors; and with the increasing development of the collection market, the investment environment in the collection market is getting better day by day, and citizens will become One of the main varieties of collection investment.
Since the autumn of 2009, the Chinese art market has begun to show a booming trend, reaching its peak in 2010. The transaction of multiple auction items with prices exceeding 100 million yuan marked the official entry of Chinese calligraphy and painting into the era of 100 million yuan. As of 2014, there are endless auctions worth more than 100 million yuan. Xu Yang's "Picture of Presenting Prisoners for the Pacification of the Western Regions" was sold for 134 million yuan; Wu Bin's "Eighteen Yingzhen Picture Scroll" was sold for 169 million yuan; Zeng Gong's "Bureau Affairs Note" was sold for 108 million yuan; Zhang Daqian's "Aihen Lake" was sold for 100.8 million yuan; Wang Meng's "Autumn Mountains and Xiaosi Picture" was sold for 136.64 million yuan; Qian Weicheng's masterpiece hand scroll "Yandang Picture" was sold for 129.92 million yuan; Li Keran's "Ten Thousand Mountains Are Red" 2.9325 100 million yuan; Huang Tingjian's long calligraphy scroll "Inscription on the Pillar Pillars" was sold for 436.8 million yuan. The success of the high-priced auction not only set a new world record for Chinese art transactions, but also pushed the Chinese painting and calligraphy market to a new level. Up to now, more than ten calligraphy and painting works in the domestic auction market have been sold for more than 100 million yuan. Bai Ming's resume
Born in Yugan, Jiangxi in 1965. Graduated from the Central Academy of Arts and Crafts. Currently, he is the director of the Ceramics Department of the Academy of Fine Arts, Tsinghua University, deputy director of the Tsinghua University Art Museum, a member of the UNESCO International Ceramics Association (IAC), secretary-general of the Ceramic Art Committee of the Chinese Artists Association, a member of the Chinese Artists Association, and a member of the Chinese Oil Painting Society, China. He is a member of the Oil Painting Society, art director of China Ceramics Network, and executive deputy editor of "Chinese Ceramics" magazine.
His artistic creation reflects his comprehensive thinking on the tradition and contemporary nature of Chinese art, and his profound understanding of the inheritance and rupture of Chinese classical art. His pursuit of history and contemporaneity and his grasp of the blend of Chinese and Western art have given his paintings and ceramic works a special source.
Since 1996, Bai Ming has held seventeen personal exhibitions at home and abroad, and participated in dozens of important joint exhibitions. In recent years, he has held many internationally influential personal exhibitions in France. He published thirteen collections of personal works and eleven types of writings in twenty-seven volumes.
July-August 2014? Bai Ming Ceramics and Ink Solo Exhibition? Paris Asian Art Museum, France
October 2013-2014 Chifra Sino-French Art Exchange Exhibition? Paris Xiangjie, National Art Museum of China, Shenzhen Guan Shanyue, etc.
October 2013? Tea Ink-Bai Ming Ink Exhibition? France? Analysis of the Collection Value of Bai Ming’s Works at the Chinese Cultural Center in Paris
September 2013?Dialogue of Civilizations?Ceramic Exhibition France?Chateau du Gue-Pean Castle
September 2013?Quiet Night?Thinking?The Story of Bai Ming? Guangdong Art Museum
2012 November, Bai Ming’s Works Exhibition, Beijing Fangyin Art Center
April, 2011, Three Realms, Bai Ming’s Art Works Exhibition, Shanghai Heguo Contemporary Art Gallery
October, 2010, Porcelain Oriental Language? Bai Ming Ceramic Works Exhibition? France? China Cultural Center in Paris (curator: Yin Jinan)
June 2010? Clouds of White? Bai Ming Works Exhibition? Taiwan Xuexue Cultural Creation? Yunhe Art
June 2010? Transformation and Production? Bai Ming’s Abstract Road Exhibition? Beijing Jindu Gallery
August 2009? Bai Ming’s Blue and White World Exhibition? France (Montmorillon)
August 2009? Bai Ming Sculpture Exhibition? Vallauris, France
October 2007? Xiang Teng? Bai Ming Abstract Art Exhibition? Beijing Fangyin Art Center
December 2005? Invisible Elephant? Bai Ming Painting Exhibition? Beijing Fangyin Art Center
November 2000? Bai Ming Ceramic Art Exhibition? Academy of Fine Arts, Tsinghua University, Beijing
May 2000? Exhibition of Bai Ming’s paintings? Taichung
February 2000? Exhibition of Bai Ming’s oil paintings? Ceramics? Taipei Xuanmen Art Museum
October 1999 ?Bai Ming Works Exhibition? Beijing International Art Museum
November 1996: Bai Ming Works Exhibition and Bai Ming Abstract Art Seminar? Beijing International Art Museum