There are not many factors that affect the price of calligraphy works. First of all, it is purely aesthetic to look at the artistic achievements that calligraphy works can achieve and the position of readers in the calligraphy industry and even in the history of calligraphy. Secondly, the political status and influence of readers, as well as cultural and historical significance and value, is celebrity calligraphy; Others are less important, such as size, paper and ink quality, appearance and so on.
Personally, I estimate that if it is an original, it can represent Zhang Xueliang's calligraphy level and has historical value. It will never be sold within 500,000, and it may be fired to tens of millions. Keep it as a family heirloom, the whole password cabinet, remember to prevent mildew and insects. Ordinary originals are around 10,000 yuan.
Add some common sense.
Zhang Xueliang is not only profound in Chinese studies, but also good at poetry. He also writes a good hand, and his running script, regular script, official script and seal script all have extraordinary skills. Zhang Xueliang used all kinds of cursive scripts, vigorous and beautiful block letters, running scripts and seal scripts with dignity and exquisiteness. At that time, many people were proud of having Zhang Xueliang in Mo Bao, and people were looking for characters in an endless stream. Zhang Xueliang's poems and inscriptions were also found in newspapers and magazines at that time. Although this does not rule out the meaning of curry favor with Zhang Xueliang, Zhang Xueliang's solid pen and ink skills can still be seen.
The world rarely sees the seal script written by Zhang Xueliang. The word "Bai Heng Fei Bao" is an inscription written by Zhang Xueliang for the people of Northeast China in 1929. Heng is a horizontal jade on ancient jade, which belongs to accessories. Zhang Xueliang's intention in writing this word is obvious. I hope people will not praise the false name and seek truth from facts. Zhang Xueliang's four-character seal script is round, neat, symmetrical and correct, with a pen in place, stable structure, reinforced with words, neither arrogant nor impetuous, elegant and healthy. At that time, Zhang Xueliang was only 29 years old, but his skill has been seen in the book. Later generations listed this calligraphy in Appreciation of Calligraphy Masters, and it was appraised as "Ya Jian Peijun as a mirror" together with the calligraphy works of Qin Shihuang, Cao Cao, Wang Xizhi, Song Zhenzong, Qing Yong Zhengdi, Li Hongzhang, Kang Youwei, Sun Yat-sen, Master Hongyi and Zhao Puchu.
When he was young, Zhang Xueliang was energetic and had a wide range of hobbies. At this time, his writing is fluent, changeable, lively and full of vitality. After the Xi Incident, Zhang Xueliang began to live in captivity for more than 50 years. Lonely years in the mountains made Zhang Xueliang often amuse himself with calligraphy. At this time, Zhang Xueliang's book style has changed obviously. His writing style is sophisticated and steady, his pen and ink are thick and concise, and he is full of an overall momentum of combining rigidity with softness.