When Miffy's father mentions Mi Youren, he must first mention his father Miffy. Mi Fei (1051-107), also known as the scholar of Haiyue and the scholar of Xiangyang. Taiyuan, Shanxi, and then moved to Xiangyang, Hubei. He became an official because his mother was a servant of Queen Ren Xuan. He is the Foreign Minister of the Ministry of Rites, known as the Huai Yang Army, and internationally known as Min Nan Gong. He is a rare artistic genius. Although Mi Fei is a member of this group, he shows strong originality and spirituality in the overall artistic atmosphere. In calligraphy, on the one hand, he tries to put himself under the constraint of classical tradition and compete with Su and Huang, on the other hand, he regards his painting as an unprecedented new painting method. This new style of painting constitutes Mi Youren's style of painting. Now Miffy's paintings have not been handed down, only a glimpse of Mi Youren's style.
In painting, Mi Fei was far away from Wang Qia's splash-ink method and integrated Dong Yuan's eggplant placement, thus creating a "rice-dotted landscape". Later generations like his originality and uniqueness. In his creation, sometimes he uses anything that can express his feelings, not just a brush. His art is the product of pen and ink games. However, few of the paintings handed down by Mi Fei are credible-the only one that is credible is his calligraphy work Coral Branch, with a pen he painted at will. Although we can't analyze his painting art more accurately, this style was inherited and developed by Mi Youren. In the history of China's painting, the impression is that Yunshan is full of volumes, all in ink, slightly aggravating the ink spots, the scenery is muddy, the trees are sparse, and its clouds are sparse, hidden and obvious, which is super wonderful and abnormal. Moreover, Mi's contribution to the history of China's painting criticism is enormous ── he was the first to advocate the "plain realm" and the first person to intentionally improve Dong Yuan's position in the history of literati painting: "Dong Yuan is plain and naive, and there is no such thing in Tang Dynasty, but he is in Bihong. Modern products are extremely high. The peaks and hills are covered with clouds. Not pretending to be smart is naive. " History of painting ". Gao Fang, Ni Zan, Dong Qichang and others all absorbed Mi Fei's creation in the schema and called it "Mi Jiashan Water" ── in the history of China painting, few people can be so unique. But Mi Fei's paintings seen by later generations can only be inferred from Mi Youren's paintings. Therefore, no matter what kind words are used to praise Mifei, it is tantamount to singing a hymn to Mi Youren there.
Mi Youren (1086- 1 165) is the eldest son of Mi Fei. Father and son are called Dahe Xiaomi. He is also a genius with early wisdom. At the age of 19, his father dedicated his Dawn in Chushan to Song Huizong and got a reward from Song Huizong. In the Southern Song Dynasty, he served as an assistant minister in the Ministry of Industry, and was also a bachelor's candidate for Govin's application, which won Song Gaozong's favor and often made him identify calligraphy and painting. Now, you can see his postscript in many ancient books and paintings. When it comes to Mi Youren's calligraphy, we can't help mentioning Mifei's calligraphy. Mi Fei's calligraphy was first learned from the Tang Dynasty. When he found that the more he learned, the less attractive he became, he began to trace back to the calligraphy of the Tang Dynasty. It was not until he found that the calligraphy of the Tang people was not as naive and natural as that of the Jin people that he began to take the calligraphy of the Jin people as a model directly. But on the whole, he took Erwang as his ancestor, especially Xiao. Many of the works we see now are probably written by Mi Fei. His calligraphy achievements are extremely high, and he is also called "Song Sijia" with Cai Xiang, Su Shi and Huang Tingjian. But among these four schools, people prefer his calligraphy, because he is more like a pure calligrapher. His pen and ink skills are unparalleled, and they still are. In this way, in calligraphy, Mi Youren almost followed his father's example, but his calligraphy was not so precise. In calligraphy, Mi Fei is most confident in his brushwork and modeling ── his brushwork is free and tortuous in the skill of escapement, while modeling contains the charm of fluency and freedom. Sometimes, the structure of calligraphy disappears in ups and downs because the pen is dancing. This subtle way of handling, almost no one can do it after him. Antique and novelty inspired his unique calligraphy art, which was perfected and sublimated in his later years and became a towering peak in the history of calligraphy in China! On one occasion, when he was writing, he even ignored Wang Xizhi and Wang Xianzhi. But Mi Youren can't. He didn't even have a man named Wu Ju who wrote more like Mi Fei, nor could he compare with Wang Tingjun who was in the northland at this time. But in the Southern Song Dynasty, Mi Youren's calligraphy could not be ignored. His posture of opening the door was undoubtedly unique in the Southern Song Dynasty, which was dominated by thinness. In particular, he can be said to be the first person to successfully use Yang Hao's pen! The use of wool in calligraphy increases the flexibility of the pen tip when it is lifted, making the changes of lines more delicate and expressive. This cannot but be pointed out in particular. However, Mi Youren still doesn't quite admit that his handwriting is much better than anyone else.
Although Mi Fei's paintings didn't stay, his paintings have an important position and achievements in the history of China painting. If China's name and the painting method he created in the history of landscape painting are erased, then people can't understand why China's painting changed from paying attention to realism in the Northern Song Dynasty to expressing personal feelings since the12nd century. There are some profound words in Wu Shidao's Wu Li Buji (Volume 18) and Mi Yun: "Calligraphy and painting have changed. Cover his book with easy Zhuang, draw with simple but not dense. However, if you let go, you will be beautiful, you will be simple, and you will not be unemployed. That second son will be fine. " Indeed, calligraphy is only open when it is in the hands of Mi Fei; Painting is really simple in Mi Fei's hands ── and all this is reflected in Mi Youren's works. There are almost no objects in his paintings, only clouds and smoke. However, because of his superb calligraphy accomplishment and ink skills, it gave him another kind of strength, which did not hinder the expression of his personal interests. He sometimes uses whatever he has at hand, such as lotus. In this way, he created a genre of "entertaining himself" in the history of China painting. Mi Youren often writes the word "Mo Xi" in his paintings, which is a continuation of this tradition.
Collect the literature about Mill in the past dynasties. First, praise their ancient innovations. For example, Dong Qichang's "Rong Tai Bieji" compares this creation of Mi and his son with the contributions of poet Du Fu and great calligrapher Yan Zhenqing: "The painting style of Tang people changed from Song Naichang to Mi!" The other is to praise their wonderful intention to create truth, just like the vitality of nature. For example, Qian Wen's "Xiaoxiang White Clouds" Mi Youren's poem says: "Rainy mountains and Yangshan mountains are good paintings, but sunny rain and Cebu have been reunited, and when the scenery is hazy, there is no end. This is not the world of Mo Miao, and those who have more than enough things can't come! "
Mi Youren's paintings are a direct reflection of the soul to nature, full of anger and various manners. He is not limited to the natural image of a time and place, or even the grass and trees, but puts the whole vivid landscape of nature on paper, which is enough to represent the endless inspiration and charm in our hearts. Mi Youren once talked about his creative way: "In the old world of painting, nothing happened in the ocean of the world. The monks in every quiet room forgot all their troubles and went away with the blue emptiness!" After quoting this sentence, Mr. Zong Baihua compared it to Nietzsche's Apollo spirit, reflecting the vastness and exquisiteness of the world with a quiet mind. Therefore, the realization of Mi Youren's subtle realm lies in his ability to cultivate a secret with the spirit of self-restraint, and then suddenly waved his hand in silence.
The inscription of painting began with Su Dongpo and Mi Fei, but they left few works in this field. The only existing works are those of Mi Youren. There is a passage in Fang Xun's "Mountain Residence Graph Theory" in the Qing Dynasty: "The title of a paragraph began in the Soviet Union and the United States, and those who painted the world with the title in the Yuan and Ming Dynasties were also wonderful because of the title. High emotions and easy thinking, lack of painting, the topic is based on hair, and the later generations are the beginning. " In this sense, the combination of poetry, calligraphy and painting is a great way of practice, which should be attributed to Mi Youren anyway. For example, his "Wonders of Xiaoxiang" recorded many poems written by others, all of which were integrated and could not be found before Mi Youren. In particular, Mi Fei also made great achievements in painting form: he was the first one who never painted on silk, but only on paper, giving full play to the characteristics of brush and Xuan paper; Second, he created a small hanging shaft. Like later albums, they all came from this hanging shaft. This should be carried forward in Mi Youren. Mi Youren's poems. He doesn't have a special collection of poems, and his handwriting is passed down from generation to generation. In addition to a few poems with pictures, there is also a volume of Poems in Yangchun Praising the Earthquake Law, which was edited by Zhu Zumou, a close friend, and engraved in the Qiang Village series, and was included in Song Ci by Mr. Tang Guizhang. His poems are unpretentious, similar to sketches, and it is not difficult to use allusions occasionally. There are some free and easy places in his poems. His true nature is more like a poet. His lyrics are gentle and graceful all the way, but they are not dull and clear, and sometimes it is wonderful to borrow the ready-made poems of the ancients, just like his own. If the number of his ci is more, I believe that in the history of ci creation, it will also leave a strong and colorful stroke.
Mi Youren (character Hui) is a historical story with a family background. Like his father, he is good at writing and drawing, and especially likes the works of the ancients. Once, he saw Wang Xizhi's original copybook on someone else's boat and was so happy that he immediately wanted to change a good painting. When the master disagreed, he let out a cry, climbed onto the ship's rail and jumped into the water. Fortunately, others quickly hugged him and didn't fall into the water. He has a strong ability to imitate ancient paintings. When he was in Lianshui, he used a picture of a "pine cow" to describe it. Later, he left the original and returned the copy to others. At that time, he didn't realize that it took many days to get it. Mi Youren asked him how he could tell, and the man replied, "There is a shadow of a shepherd boy in the eyes in the original book, but the one you gave me back is not." However, Mi Youren's imitation of ancient paintings is rarely found. He often tries his best to borrow ancient paintings to describe them. After copying, he always gives the samples and originals to the master for him to choose. Because of the superb skills of copying ancient paintings, masters often take back models as genuine ones, so Mi Youren has obtained many valuable real ancient paintings. Mi Youren is a talented artist who deserves admiration. And his imitation of a fake for the sake of others' authenticity is despised and despised. Therefore, some people call his clever technique of defrauding others of original ancient paintings "stealing chickens and touching dogs", which is later extended to this idiom to describe people who use improper clever methods to seize their undeserved property. "strategizing", cheating also; "seize", seize also. However, it is often convenient and profitable to grab property in this way, so there is a saying that "clever stealing can get a lot" (see Qingbo magazine). For example, a magic stick under the guise of fetishism often uses various excuses to defraud ignorant people of their property under the pretext of doing some Buddhist things. This is called "surprise".
Poems Linjiang County
Last night, the ship was covered with sand, and it was drizzling. It's still bright when the clouds fly over the moon. One day, it was windy and people were there.
Jade pot is clear. I don't know what's in the water. The forest is far away. Drunk and dreamy. Who said anything about going to Dongyan?
Konakayama
Get drunk in Zhu Lan and undress. Yun Lan stares at her eyes, and the rainbow is low. I haven't talked about bandwidth recently. People walk Wan Li Road, but they still fly together.
It's late in the deep courtyard. The curtains are quiet. I hate eyebrows. This is a waste of time. Hongse speed, and strive to solve the problem of sending lovesickness.
Yujiaao
From Gujingxi Scenic Area. The stream is bright and green with glass. Looking forward to the lotus flower for thirty miles. It smells delicious. I rowed among the flowers.
Collect and disperse the sunset glow. Distant mountains wipe the sky like water. A bright moon. The breeze rises. Naked is really in Hua Xushi.
Linjiangxian
The next bend in the sun closes the heartbroken place, and the wind blows your face badly. The red makeup is very delicate. Since ancient times, many people have gathered and dispersed, just like Lingtou Cloud.
It turned sunny and cloudy last night, and I was infinitely affectionate to people. Juanjuan is full of empty stadiums tonight. Sails drift with the tide, but they are as light as ships.
The pride of the fisherman (rhymes with Yan Yuan)
It is wise to go for a walk in the suburbs in spring. The first condensation on the branch. There are many immortals in the blessed land. Hidden curiosity. You can find your way around the stream.
Bohuan has no fixed place at home. The flat ladle stalk is widely told by the predecessors. I didn't go to my hometown with my son. Come and live together. Look at the rain in the smoke.
Linjiangxian
Bao Jinxuan looked at the place from the window, surrounded by mountains, water and forests. I can't bear to look back at Jiangcheng. The wall was surrounded by rubble, and the gull heron was surprised to see people.
I hope my life will be peaceful and I will go back to my old place without any more troubles. A small tent on the edge of Ting Yun. In the four seasons, I was still drunk.
Linjiangxian
In the wild, there is no winner, so you can have a joke. Four seasons scenery in the pot. Drunk, I looked around, and there were many miles left.
The new lotus flowers on the stream are exposed to the water, and the greenhouse is half red and half white. Feng Xiaoxiao's frost luck is loose. Juanjuan on the bright moon, people in Guanghan Palace.