In the early years of the Republic of China, Liu Jie's cultural traditions included the Yunnan Opera League organized by Baoxiang Society, as well as folk lion dance, dragon dance, Lao Yang Encouragement and Hua Gun. There are lanterns and dragon lanterns in the middle stage. Lantern singing from blowing dust to the stage, from small programs to big books. At that time, Sixth Street, Sanfeng Street and First Street were organized to perform in the Spring Festival for three days every year, and sometimes they were invited to perform in other places. After liberation, the party and the government strongly advocated the development of cultural activities, from organization to cultivation of literary and artistic talents. Through multi-level cultural performances, many literary and artistic backbones have been trained and organized to perform in rural areas. Every Spring Festival, the Sixth Street is full of gongs and drums and songs.
In terms of cultural creation, Liu Jie Town's cultural works have been handed down from generation to generation. In the Qing Dynasty, there were poems written by Xiao Ying, some of which were included in Jinning County Records. He wrote Wu, which had a great influence on future generations in his hometown. During the Daoguang period, Geng Ruide's lower case calligraphy was praised by Lin Zexu. There are many writers and works in this area. Only after the 1970s, the works that have been published and performed include Nine Traditions, Modern Lantern, Drama, Li Peiyin, Village Covenant and Hometown Gossip by Cai Hongxing. Li Xiuhua's Dialect, Xiao Ping's Fifty Cents and Kan Jiaxing's Good Daughter-in-law have all been published in Jinning Literature and Art, and some of them have participated in product exhibitions.
In recent years, Kyeong-yeong Lee, a calligraphy enthusiast, has become a member of China Young Calligraphers Association and Kunming Calligraphers Association. His works have won the Excellence Award in China Youth Calligraphy Competition and won many awards in city and county calligraphy and painting exhibitions. Some of his works have been collected by Zhongnanhai, Provincial Museum, Chongsheng Temple in Dali, Yuantong Temple in Kunming and Panlong Temple in Jincheng. Now Jincheng has established the ancient Yunnan Panlong Painting and Calligraphy Institute. Six Street cultural relics include ancient temples in various villages. Although they were destroyed in the Cultural Revolution, most of them survived in recent years through the support and maintenance of the government and the masses. Among them, the "Sanjiao Temple" in Liu Jie is relatively well preserved, which belongs to the characteristics of ancient buildings in the Qing Dynasty and is listed as a county-level cultural relics protection unit. Inscriptions in China include "Yin San Rebuilds Guan Sheng Palace Monument", "Ganhai jiepai Monument" and "Ganhai Closing Hills for Afforestation Monument". There are also three pairs of stone tablets: Xiaojiafen, Yangjiafen and Guanjiafen. Sanyin Guansheng Palace, Liujie Sanjiao Hall and Cuifeng Mountain City God Temple all have flower terrace stone carvings engraved with the patterns of "Eight Immortals Crossing the Sea" and "Twenty-four Filial Pieties", which are very beautiful. Two Jingui trees about 200 years ago in Sanjiao Temple in Liu Jie Street and Chenghuang Temple in Cuifeng Mountain. Peony, peony, Cuifeng Mountain and century-old oak trees in Sanyinguan Holy Palace. The above-mentioned ancient trees, cultural relics and rare plants are important materials and valuable wealth for witnessing and studying the history of Liujie Street. six