Yan Liben: (601-673) a native of Yongzhou in the Tang Dynasty. The son of Sui Dynasty painter Yan Bi and the younger brother of Yan Lide. Taizong was the Minister of the Ministry of Justice at that time. In the early years of Xianqing, he served as the Minister of the Ministry of Works on behalf of his brother. In the first year of Zongzhang, he became the Prime Minister of You. He is good at calligraphy and painting, and his most exquisite appearance is similar. He once painted "Mountain and Chariot Picture" and so on. The subjects of his paintings are quite wide, such as religious figures, carriages and horses, and landscapes. He is especially good at painting portraits. The representative work "Pictures of Emperors of the Past Dynasties" is one of the important works in classical painting. The palace maids in the painting have curved eyebrows and plump cheeks, and look as if they were alive. The use of ink has bones; the coloring is unique and methodical. The description method is full of changes, some are thick and some are thin, some are loose and some are tight, and the brushwork is also more delicate and expressive than Gu Kaizhi's. Wu Daoxuan: an outstanding painter of the Tang Dynasty. The name is Daozi. A native of Yangzhai, Henan (now Yu County, Henan). He was born around the time of Emperor Gaozong of the Tang Dynasty, and his painting activities took place during the Kaiyuan and Tianbao years of Xuanzong (around the end of the seventh century and the beginning of the eighth century AD). Born into a poor family. He once studied calligraphy from Zhang Xu and He Zhizhang, and also studied painting, and studied under Zhang Sengyao. Later, he was summoned to worship by Lieutenant Xiaqiu of Yanzhou, Shandong Province, and was awarded the title of "Doctor of Internal Medicine" and "Young King of Ning". Because Xuanzong summoned him to the palace, he changed his name from Daoxuan to Daozi, and declared that he was not allowed to paint without an imperial edict. The characters, ghosts, gods, birds, beasts, and pavilions are all unparalleled. There are as many as 300 walls of religious murals. Later generations regarded him as the "Sage of Painting" and was respected as the "ancestor" by democratic painters. Its artistic style is "vigorous in writing" and "simple in applying powder". The lines are vigorous and bold, and the changes are rich. It has changed from the fine brushwork of ancient gossamer drawings inherited from ancient times, and developed the artistic method of line drawing, so it expresses the object image. "The high side, deep slant, and the trend of curling ribbons" are full of movement and rhythm, and are known as "Wu Dai Dangfeng". He also created the light color method of "applying slight dyeing in the burnt ink marks", which is called "Wuzhuang New Style". Many of his works reflect real life and have a strong sense of the people. After seeing the mural "Five Sages" he painted in Xuanyuan Temple in Luoyang, the poet Du Fu wrote: "The painters look at the predecessors, Wu Sheng is the only one who is good at it. The scenery moves the axis of the earth, and the wonders move the palace wall; the Five Saints are connected with Long Gong. "Thousands of officials are flying with flying geese. Their crowns are all shining, and their flags are flying." His painting style was imitated by many painters from the Tang Dynasty to the Song and Yuan Dynasties. In the Song Dynasty, Li Gonglin's simple and fresh "white paintings" that were "only made of ink traces" were developed. It has a great influence on future generations. Guan Tong Guan Tong was from Chang'an (now Xi'an, Shaanxi). In landscape painting, he studied under Jing Hao, studied mechanics carefully, and became his own brand. The landscape brushes created by the "Guan Jia Shan Shui" of that time were simple and vigorous, with broad and meaningful views. He was as famous as Li Cheng and Fan Kuan. He was known as "Three Jia Shan Shui" in the Northern Song Dynasty. . Full of life. The layout is both "high and far" and "flat and far". The trees are skillful but not dry, and the brushwork is simple, strong and strong, with intermittent thickness and thickness. The fallen ink stains are vivid and full of ink charm. "Xuanhe Painting Book" says that Guan Tong is "particularly good at painting autumn mountains and cold forests. With his villages and wilderness crossings, secluded people and hermits, and fishing markets and mountains and rivers, it makes the viewer feel like he is in the wind and snow of Baqiao, and when the Three Gorges smells apes, there is no market anymore." The feelings outside the painting can also be seen in the picture. This painting has no inscription, and according to the seals it received, it can be seen that it was collected by Jia Sidao, Yuan Neifu, Ming Neifu, Ming and Jin Dynasties and Qing Anqi, and then entered the Qing Palace. Painting book descriptions such as "Mo Yuan Hui Guan" and "Shiqu Baoji Continuation" can be considered to be representative of Guan Tong's painting style. Li Sixun Li Sixun: (651-716, one work 648-713) an outstanding painter in the Tang Dynasty. The word Jian. He was born in Chengji (now Qin'an, Gansu Province). The son of Xiaobin, a member of the Tang clan. Famous for his military exploits. He once served as General Wuwei and was known as "General Li" in the world. His son Li Zhaodao was called "Little General Li". His painting style is exquisite and neat, using rich colors of gold, green and green to create landscapes, down to the smallest detail, which makes him unique. In terms of using the pen, he can outline the changes in the hills and valleys with twists and turns. The strict rules, superb artistic conception, strong brushwork and rich colors show the development and maturity process of landscape painting from small green to large green. It and the ink landscape painting that emerged at the same time laid the foundation for the landscape painting in the Five Dynasties and Northern Song Dynasty. All his works are lost. "Xuanhe Shupu" records that there are still seventeen paintings including "Four Bright Mountains", "Spring Mountain Picture", "Sea and Sky Sunset Picture", "Jiangshan Fishing and Music", "Mountains and Forests", etc. Now only "Jiang Fan Pavilion Picture" can be seen " and " Jiucheng Palace Fan Fan Picture". Zhang Xuan: an outstanding painter of the Tang Dynasty. A native of Jingzhao (now Xi'an, Shaanxi Province). His life story is unknown. During the Kaiyuan and Tianbao years, he did court painting. He is good at painting subjects such as ladies and palaces. "Pounding Practice Picture" is one of his representative works. The characters move naturally, the details are vivid, the outlines are strong and the lines are strong, and the colors are rich. In terms of character modeling, the women in the painting have curvy eyebrows, plump cheeks, and beautiful faces, and their faces and figures appear fat