Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
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Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful. People call it Weng Long (a famous Weng). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,
3. Describe the words of running script, such as dragonfly and phoenix fly. At first, it was described as bold and magnificent. Now it is described as lively calligraphy, flexible writing and vivid plastic arts of dragons and phoenixes. I'm glad to answer your question: flying dragons and snakes: describing the vigorous and vivid calligraphy. Su Shi's Xijiang Moon? The word "Ping Shan Tang" says: "I haven't seen the immortal for ten years, and the dragon and snake fly up the wall. Luan Piao Feng Bo: Luan: A legendary bird, like a phoenix. Originally, calligraphy was described as chic and unrestrained, and it also meant that advanced students were separated from husband and wife. Luan Xiangfeng Peng: Peng: Fly high. This means the posture of flying calligraphy. The pen moves the dragon and snake: the dragon and snake leap in the pen.
4. Describe the well-written sentences in calligraphy, such as the horizontal posture of pen and ink, strong brushwork, risky brushwork, full brushwork, spring insects and autumn snakes, Mo Miao meticulous brushwork, long snake writing, spring breeze writing, sweeping away a thousand troops in one stroke, old ink writing a show, seeing the heart in one word, Ding Zhen, Cao Kai, Ding, penetrating the paper, writing thunder and thunder, thundering. Vivid and fluent, with beautiful style and changeable charm, it floats in the phoenix, dances in the phoenix and flies in the dragonfly, belongs to the phoenix, is peaceful and fluent, learns from foreign teachers and is superior to nature, dances with dragons and flies in the phoenix, flies with dragons and snakes, shakes with Rowen tigers and bends with dragons. Dull and clumsy, thick and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, modest and concise, skillful and skilled, gorgeous and natural, superb skills, ingenious, Wang Yang wanton, Wang Yang Honghu, Wang Yang wanton, vigorous and powerful, began to write Huang Ting, began to learn graffiti, did not learn sword, painted sand.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
5. What idioms are there to describe calligraphy, such as the dragon snake at the bottom of the pen, Mo Miao with a good pen, the dragon snake with a good pen, the swallow-tailed silkworm head, hiding the head and protecting the tail, being happy while sinking, learning to draw graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, floating phoenixes and flying dragonflies, and the ancient people are eager to rush to spring and share their anger with horses. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook.
Describe the vigorous and beautiful calligraphy. Graffiti: letter pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "toot toot" or "letter toot toot" to describe poor or scrawled pen and ink writing, with blunt and dangerous brushwork, full brushwork, spring insects and autumn snakes, thin and Mo Miao pens, long and snake pens, spring breeze at the bottom of the pen, sweeping a thousand troops, old and vivid pens, clear words, Ding Zhenkai grass, Ding Zhenyong grass, and wood three points. The middle is magnificent, vivid and fluent, beautiful in style and changeable in charm, floating in the phoenix, dancing in the phoenix, flying in the dragonfly, flying in the phoenix, peaceful and fluent, taught by foreign teachers, better than nature, dancing in the dragon and phoenix, dancing in the dragon and snake, dancing in the dragon and snake. Stiff and powerful, combining rigidity with softness, stiff and clumsy, vigorous and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, restrained and concise, smart and beautiful, gorgeous and natural, smart and beautiful, Wang Yang is arrogant, Wang Yang is arrogant and vigorous. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm. Luan Piao storm, Luan Jing, Luan Xiang Feng Zhen, beautiful women like flowers, falling cigarettes, iron-wrapped cotton, ink-debt mountains, angry rocks, thirsty horses rushing to the spring, angry thirsty horses, flying high, floating like clouds, playing in the sea, spitting jade and silver, Yan Gu, Yan Gu Liu Jin, Yan Gu, Yu Chu, to achieve implication, crane knees and bees waist, hide the head and protect the tail, thick and plump. Compact structure, beautiful structure, steep trend, smooth air, free style, hearty, pleasing to the eye, elegant and charming, fresh and frank, attractive and vigorous, meaningful and handsome, delicate and rich, falling from the peak, bold and unrestrained, simple and vigorous, simple and elegant, simple and peaceful, generous and graceful.
6. The sentence describing calligraphy is 1. Full of pen power: pen and ink are used very freely and fully.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon.
Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied.
Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs.
The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".
He writes quickly, with a strong pen and great effort. 12. Simple and unpretentious.
13. The teacher's handwriting is a symbol of the years, and the strokes are forceful. 14. Make public, it is not bound at all, even the whole line goes down, like the escape of the gods, coming and going without a trace.
15. The teacher's handwriting, like petals, smells far and wide, getting more and more fragrant. 16. The dragon and snake raced through the iron inkstone.
17. Its color, its shape, its shade and dryness, its discontinuity and twists and turns, its thickness and concealment are infinite, and its weather is countless. 18. His brushwork is magnificent and his posture is changeable. Due to carelessness, his palm was forgotten, which has the most vivid and perfusion characteristics.
19. Gu Mo grinds a few perfumes lightly, and the new bath in the inkstone pool is full of light, or it is strong and gentle, or it is like a graceful beauty, or it is like a vigorous warrior, or it is like a spring breeze, or it is like a deep cold north wind entering the customs. 20. The strong man drew his sword and looked moving.
2 1. pen, Yan Gu 22. Luan Xiang Feng Dong: Dong: Fly high. Metaphor calligraphy flying posture.
23. Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. 24. Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes.
Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." 25. Dragon and phoenix dance: like a dragonfly, like a phoenix flying.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
26. Examples: Zuo Qiuming made a biography of the Spring and Autumn Annals, and summarized the calligraphy of the Spring and Autumn Annals into several examples for a general explanation. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another".
See "Draw inferences from one instance". Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
27. The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. 28. Spring earthworm autumn snake: It is a metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
29. I first wrote Huang Ting: Huang Ting: Taoist classic Huang Ting Jing, and Jin people have Huang Ting Jing in small letters. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. 30. Beauty flowers: describe the beauty of calligraphy or poetry style.
3 1. Get to the point: The original description of calligraphy was powerful (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), but now the analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
32. Waving paper like clouds and smoke. Tang Li Bai's cursive song: "Always seeing dragons and snakes, the left side is surprised." Although it is paternal, this is not a new coincidence.
Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry. 35. Enter the forest. Wang Xizhi has a deep understanding of real books, cursive scripts and calligraphy.
His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".
37. Graffiti of letter: letter: free and easy; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.
Others claim to believe that graffiti is to show modesty. 38. alphabet graffiti: alphabet pen: write casually.
Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
39. Iron-painted silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
40. the pen moves the dragon snake, and the iron hits the silver hook.